Oltre la soglia Exhibition view at Palazzo Reale, Milano, 2023. Photo: Fabrizio Spucches per Arthemisia
Oltre la soglia Exhibition view at Palazzo Reale, Milano, 2023. Photo: Fabrizio Spucches per Arthemisia
Oltre la soglia Exhibition view at Palazzo Reale, Milano, 2023. Photo: Fabrizio Spucches per Arthemisia
Oltre la soglia Exhibition view at Palazzo Reale, Milano, 2023. Photo: Fabrizio Spucches per Arthemisia
exhibition view 'Soprattutto' GALLERIA CONTINUA / Roma, 2020. Photo: Giovanni De Angelis
The Cloud (UK) 2016, Ultra clear glass, ceramic ink, wood, light, 199,5 x 205 x 81 cm. Photo: Giovanni De Angelis
Cloud - White Bear 2014, Wenge wood, ultra clear glass, ceramic ink, led lights, 175 x 91 x 50 cm. Photo: Giovanni De Angelis
Soprattutto 2020, Wool, 200 x 300 cm. Photo: Giovanni De Angelis
exhibition view 'Soprattutto' GALLERIA CONTINUA / Roma, 2020. Photo: Giovanni De Angelis
Nubes de Roma 2020, Fine Art print Hahnemuhle Ultrasmooth Paper, 30 x 40 cm | 11,81 x 15,78 in. Photo: Giovanni De Angelis
Nubes de Roma 2020, Fine Art print Hahnemuhle Ultrasmooth Paper, 30 x 40 cm | 11,81 x 15,78 in. Photo: Giovanni De Angelis
Le Nœud Mécanique, 2018, installation in situ, Ph Gabriel de La Chapelle
Sailboat & Reflection - Black Bronze, 2016, casted bronze, 130 x 52 x 21 cm
Sailboat & Reflection - Black Bronze, 2016, casted bronze, 130 x 52 x 21 cm
White Flight Overnight, Black Flight Overday, 2015, Fiberglass resin, metal structure, video animation, 2 LED TV 32 inch, 2 projectors BrightSigh
The Cloud - Hem, 2014, ultra clear glass, ceramic ink, solid surface base, 58 x 85 x 44 cm
Invisible Garden, 2013, metal, glass, mirrors, plastic plants, 4170 x 3050 x 4310 cm
Changing Rooms 2008-2017, 10/11 cabins: wood structure, golden frames, mirrors, curtains, stools, clothes hooks, variable dimensions. Galleria Continua / San Gimignano. Photo: Ela Bialkowska
Changing Rooms 2008-2017, 10/11 cabins: wood structure, golden frames, mirrors, curtains, stools, clothes hooks, variable dimensions. Galleria Continua / San Gimignano. Photo: Ela Bialkowska
Changing Rooms 2008-2017, 10/11 cabins: wood structure, golden frames, mirrors, curtains, stools, clothes hooks, variable dimensions. Galleria Continua / San Gimignano. Photo: Ela Bialkowska
Changing Rooms, 2008, wood structure, golden frames, mirrors, curtains, stools, clothes hooks, variable dimensions. Photo Henriette DesjonquËres & Paul Fargues
Elevator Maze, 2007, wood, aluminum, mirrors, light, 85 x 65 x 30 cm, plinth: 65 x 85 x 120 cm, Photo Ela Bialkowska
Elevator Maze, 2007, wood, aluminum, mirrors, light, 85 x 65 x 30 cm, plinth: 65 x 85 x 120 cm, Photo Ela Bialkowska
Television Crew, 2006, print, wood, 85 x 66 cm
Smoking Room, 2006, glass, aluminium, lights, variable dimensions
Le cabinet du psychanalyste, 2005, mixed media, variable dimensions, Photo Marc Domage
Le cabinet du psychanalyste, 2005, mixed media, variable dimensions, Photo Marc Domage
Le cabinet du psychanalyste, 2005, mixed media, variable dimensions, Photo Marc Domage
The Staircase, 2005, metal, wood, vinyl tiles, 450 x 350 x 1500 cm
Bâtiment, 2004, print, mirror, 800 x 600 x 1200 cm, Photo Henriette DesjonquËres & Paul Fargues
Bâtiment, 2004, print, mirror, 800 x 600 x 1200 cm, Photo Henriette DesjonquËres & Paul Fargues
Bâtiment, 2004, print, mirror, 800 x 600 x 1200 cm, Photo Henriette DesjonquËres & Paul Fargues
El Ballet Studio, 2002, C-print, 41,7 x 57,3 x 3 cm
El Ballet Studio, 2002, C-print, 41,7 x 57,3 x 3 cm
Leandro Erlich is an artist, but sometimes his works would lead you to think that he could also be a scenographer or an architect of uncertainty. His work hinges itself on the “trompe-œil”, embodying this in all its meanings through his meticulous attention to detail and commitment to the surprise. He pays the utmost care and attention to the aesthetic aspect of his work while always revealing his tricks.
Erlich’s works play with images and motifs that are recognisable to our everyday lives and he uses their context as a stage for creating a fictional world that is obtained through psychological subversions of shared, public and familiar spaces. The visceral sensations of body-displacement and dislocation are a reminder that the perceptual world that surrounds us is far more fragile and temporary than we believe. Crucial to this suspension of disbelief is the viewer and the interaction of the spectator. Erlich manages to capture his audience through his child-like imagination that manages to affront themes and issues that are profoundly touching to contemporary man.
Adel Abdessemed Etel Adnan Ai Weiwei Leila Alaoui Juan Araujo Kader Attia Barbana Bojadzi Daniel Buren Cai Guo-Qiang Alejandro Campins Iván Capote Yoan Capote Loris Cecchini Elizabet Cerviño Chen Zhen Nikhil Chopra Marcelo Cidade Carlos Cruz-Diez Jonathas de Andrade Berlinde De Bruyckere Leandro Erlich Carlos Garaicoa Osvaldo González Antony Gormley Gu Dexin Shilpa Gupta Subodh Gupta Carsten Höller Eva Jospin JR Ilya & Emilia Kabakov Zhanna Kadyrova Kan Xuan Anish Kapoor André Komatsu Jannis Kounellis Julio Le Parc Luis López-Chávez Jorge Macchi Ahmed Mater Cildo Meireles José Manuel Mesías Sabrina Mezzaqui Moataz Nasr Rudi Ninov Hans Op de Beeck Ornaghi & Prestinari Giovanni Ozzola Susana Pilar Michelangelo Pistoletto Qiu Zhijie Tobias Rehberger Arcangelo Sassolino Manuela Sedmach Serse Kiki Smith Nedko Solakov Marta Spagnoli José Antonio Suárez Londoño Hiroshi Sugimoto Sun Yuan & Peng Yu Ana Maria Tavares Pascale Marthine Tayou Armando Testa Nari Ward Sislej Xhafa José Yaque Zhuang Hui
