Galleria Continua
San Gimignano
Beijing
Les Moulins
Habana

The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

Rose (The slave Market), 2016, cotton paper C-print on Dibond, from Una esclava en venta by José Jiménez Aranda (1837-1903), 185 cm x 146,5 cm, © Museo Nacional del Prado, Photo Ela Bialkowska, Photo Rémi Lavalle

Rose (The slave Market), 2016, cotton paper C-print on Dibond, from Una esclava en venta by José Jiménez Aranda (1837-1903), 185 cm x 146,5 cm, © Museo Nacional del Prado, Photo Ela Bialkowska, Photo Rémi Lavalle

The Minaret, 2016, wood, iron, light, crystal, 600 x 600 x 670 cm - wood sculpture: 500 x 300 x 300 cm, Photo Bernardo Ricci

The Minaret, 2016, wood, iron, light, crystal, 600 x 600 x 670 cm - wood sculpture: 500 x 300 x 300 cm, Photo Bernardo Ricci

The Minaret, 2016, wood, iron, light, crystal, 600 x 600 x 670 cm - wood sculpture: 500 x 300 x 300 cm, Photo Bernardo Ricci

The Minaret, 2016, wood, iron, light, crystal, 600 x 600 x 670 cm - wood sculpture: 500 x 300 x 300 cm, Photo Bernardo Ricci

Arabesque I (Lost Heritage), 2013, matches, wood, Plexiglas, 180 x 180 x 10 cm, da--> Photo Oak Taylor-Smith, dg--> Photo Alvaro Scarpellini, Pisa

Arabesque I (Lost Heritage), 2013, matches, wood, Plexiglas, 180 x 180 x 10 cm, da--> Photo Oak Taylor-Smith, dg--> Photo Alvaro Scarpellini, Pisa

The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm, Photo Cesare Bonifazi Martinozzi

Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm, Photo Cesare Bonifazi Martinozzi

Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm, Photo Cesare Bonifazi Martinozzi

Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm, Photo Cesare Bonifazi Martinozzi

Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm, Photo Cesare Bonifazi Martinozzi

Ballons, 2012, balloons, 70 x 21 x 21 cm each, Photo Oak Taylor-Smith

Ballons, 2012, balloons, 70 x 21 x 21 cm each, Photo Oak Taylor-Smith

Ballons, 2012, balloons, 70 x 21 x 21 cm each, Photo Oak Taylor-Smith

Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Light over Shadows, 2012, animal skin, Ø 86 cm, da ---> Photo Oak Taylor-Smith, de ---> Photo Leif Gabrielsen

Light over Shadows, 2012, animal skin, Ø 86 cm, da ---> Photo Oak Taylor-Smith, de ---> Photo Leif Gabrielsen

I am Free, 2012, interactive site specific installation, 840 x 1640 x 84 cm, Photo Oak Taylor-Smith

I am Free, 2012, interactive site specific installation, 840 x 1640 x 84 cm, Photo Oak Taylor-Smith

I am Free, 2012, interactive site specific installation, 840 x 1640 x 84 cm, Photo Oak Taylor-Smith

I am Free, 2012, interactive site specific installation, 840 x 1640 x 84 cm, Photo Oak Taylor-Smith

Falcon Anwar, 2012, neon lights, 170 x 185 cm, Photo Oak Taylor-Smith

Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Merge and Emerge, 2011, 3 videos, 6’25” each, loop

The Maze (The People Want the Fall of the Regime), 2011, Kufi caligraphy on grass site-specific project, Jardin des Tuileries, Paris, France (October 18 – 23, 2011), 28 x 2 8m, Photo Oak Taylor-Smith

The Maze (The People Want the Fall of the Regime), 2011, Kufi caligraphy on grass site-specific project, Jardin des Tuileries, Paris, France (October 18 – 23, 2011), 28 x 2 8m, Photo Oak Taylor-Smith

The Maze (The People Want the Fall of the Regime), 2011, Kufi caligraphy on grass site-specific project, Jardin des Tuileries, Paris, France (October 18 – 23, 2011), 28 x 2 8m, Photo Oak Taylor-Smith

Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm, Photo Ela Bialkowska

Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm, Photo Ela Bialkowska

Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm, Photo Ela Bialkowska

Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm, Photo Ela Bialkowska

Oxymoron, 2010, diptych; green neon, 90 x 125 x 8 cm e 95 x 130 x 8 cm

Oxymoron, 2010, diptych; green neon, 90 x 125 x 8 cm e 95 x 130 x 8 cm

Oxymoron, 2010, diptych; green neon, 90 x 125 x 8 cm e 95 x 130 x 8 cm

Father and Son, 2004, video, 14’, loop

Father and Son, 2004, video, 14’, loop

Father and Son, 2004, video, 14’, loop

Father and Son, 2004, video, 14’, loop

Father and Son, 2004, video, 14’, loop

Father and Son, 2004, video, 14’, loop

exhibition view GALLERIA CONTINUA / Les Moulins, 2017