Kendell Geers
BIBLIOGRAFIA
SELECTED BIBLIOGRAPHY
2009
Terrorisme als thema en praktijk in de kunst , De Nieuwe Maatschappij Arti et Amicitiae, Franck Gribling, p.3, Amsterdam
2008
Lust For Life, BC Magazine, N.04, pp.68-69, Paris
Wall Rockets, Published by The FLAG Art Foudation, Curated by Lisa Dennison, p.135, New York
Cartels à l’ombre du cartel, René Solis, p.23, Libération, France
Pecado, Artes Plasticas, Ocio, La guia para vivir la ciudad, p.30, Mexico City
Sommaire des actualités, Art Press no 352, p.85, Damien Sausset, Paris
Mexico: Expected/Unexpected collection Isabel et Augustin Coppel, p.77, Edition de laaison Rouge, Paris
Le Livre des Vanites, Elisabeth Quin, p. 319 and p. 331, Edition du Regard, Paris
Brussels Sprouts by Miles Socha, W Magazine, pp.176-177, November, United States
Portfolio Kendell Geers, Mouvement l’Indisciplinaire des Arst Vivants, pp.68-73, N.47,Paris
Kendell Geers Paris by Serge Leblond, L’Uomo Vogue Magazine, Edizioni Condé Nast, p.210-211, N°395, Milano
International de rigueur, Beaux Arts Magazine, p.64, N°293, Paris
A Magazine Curated by Riccardo Tisci, A Magazine #8, p.164, Antwerp, Belgium
De Wim Delvoye a Francis Alys, 500 Chefs d’Oeuvres de L’Art Belge, p. 44-45, Edition Racine, Collection réalisée en collaboration avec Le soir, Bruxelles
‘Soy un Anticristo, soy un Anarquista’ (La logica de la provocacion en la obra de Kendell Geers) by Javier Panera, art.es International Contemorary Art, pp.38-43, N°27, Spain
Exposiciones Nationales, Kendell Geers, Irrespektiv, DA2, Salamanca, ArtNotes, p.40, N°22, Spain
Epreuves Corporelles et Visuelles, La Libre Belgique, p.20, 13 Octobre, Belgique
Un mois, un lapin, un artiste, Playboy Magazine, p.31, Mars , Paris
BC, Be contemporary Magazine, Winter 2008, pp.106-107, Paris
Livres Panorama, Beaux Arts Magazine, p.40, Janvier, Paris
Expositions/Reviews, Art Press, pp.83-84, Numéro 341, Paris
2007
AAVV, “Expérience Pommery. L’emprise du lieu”, Pommery 2007
2004
Kunstvermittlung im System Kunst, Pierangelo Maset, The educational complex, pp.30-33, Kunstmuseum Wolfsburg, Germany
Synopsis 3, Fabian Stech, Kunstforum International, Bd.169, pp. 318-319, Germany
2004 26 April A Provocateur and Insider's Outsider from South Africa, Kim Levin, The village Voice, New York
2004 April Very New Art, pp.81-82, BT, April, Vol.56, N°847, Japan
2003 December-November Istanbul and elsewhere, Emma Bedfordn, Art Southafrica magazine, p.11, Vol02, Issue02, South Africa
Istambul Biennale, Joerg Bader, Kunstforum International, Bd.167, pp.335-357, Ruppichteroth, Germany
2003 21 November Redefining the African Diaspora, Holland Cotter, The New York Times, New York
2003 October Héritages, L'exposition du grand Palais Gauguin (Tahiti), Beaux Arts Magazine Hors-Série n°7, pp.70-71 and p.79, Paris
2003 20 September Ultravista, Arte, la VIII Biennale di Istanbul, Alias #37, p.6, Italy
2003 September Coollustre,WeatherEverything Dramatically Different, 3 expositions d'Eric Troncy, Lespresses du réel, Collection Lambert en Avignon, France
2003 28 March- 25 May Salon de refusés, Public art projects never realized, Roberto Pinto, Venice
XXD11, Uber Kunst und Kunstler der Gegenwart, Ein NachLesebuch zur Documenta11, Die Note beim ‘Nation building”- Sudafrika im Fokus von KendellGeers, David Goldblatt, Santu Mofokeng, Alfredo Jaar und Steve McQueen, pp.32-35 and Tot oder lebendig Die Entdeckung einer Arbeit auf der Documenta 11, pp.104-107, Germany
2003 Autumn Sand in the Vaseline, Art Southafrica, interview with Jerome Sans, pp.28-34, Vol.1 #3, South Africa (Cover)
2003 May Look back in anger, ArtReview, Godfrey Barker, Vol.LIV, pp.33-34, London
2003 25 April Hackers Vaillants, Liberation, Elizabeth Lebovici, p.30, Paris
2003 April Willkommen im Wunderland, Die Utopie des Zuhause, Reporter ohne grenzen, Fotos fur die Pressefreiheit 2003, pp.30-37, Berlin
Suburbia I, Quaderns d'arquitectura i urbanisme n#237, pp.48-51, Barcelona
2003 March Hardcore, Desir de Politique, Emmanuelle Lequeux, Beaux Arts Magazine, #226, pp. 48-49, Paris
Action Directe?, Les Inrockuptibles, Jade Lingaard et Jean-Max Colard, #380, pp. 36-40, March, Paris
2003 February 26–March 5 Art:Preview, Time Out, Martin Coomer, #1697, p.45, Febr-March, London
2003 February 12-19 S is for… , What’s On in London, Jim Healy, p.23, London
2003 Summer Reviews/Books, Art Southafrica, Emma Bedford, p.63, Vol.1, #2, South Africa
2002 My Tongue in Your Cheek, Les presses du Réel, Réunion des Musées Nationaux, France (Monograph)
Post Production, Nicolas Bourriaud, Lukas and Sternberg, p. 9, New York
Postculture, Teresa Macri, Meltemi, pp. 142-145, Rome, Italy
Waiting for the Barbarians, Der Hund ist fur die Hyane eine Kolanuss: Zeitgenossische Kunst und Kultur aus Afrika, Jahresring #49, Project pp. 106-111, Oktagon, Koln
The Devil’s Rope, A Cultural History of Barbed Wire, Alan Krell, Reaktion Books, pp. 113, 114, 172-3, 175, London
Autumn 2002 20 Artworks, Crash ,#23, p. 61, Paris
2002 Nov-Dec The Passenger; Kendell Geers’ art of terror, Joseph Whitt, Art Papers #26.6, pp. 22-27, Atlanta (Cover)
2002 6 November Seven from Documenta, Scott McLeod, Prefix Photo, pp. 26-43
2002 September Kendell Geers, Francesca Pasini, Artforum XLI No.1 p. 211, New York
2002 August–October Die Dokumenta 11, Kunstforum #161, Ruppichteroth Germany, pp. 268, 384
2002 July/August Kendell Geers, Jerome Sans, Tema Celeste #92, pp. 44-47 (Cover) , Milan
2002 June Kendell Geers, What is Art (Today); qu’est-ce que l’art (aujourd’hui) Beaux Arts Special
Edition 2002, pp. 124 - 127, Paris
2002 29 May–4 June Afrikan Psycho, Jean-Max Collard, les Inrockuptibles #340, pp. 76 - 77, Paris
2002 January Trauma, Paul Tebbs, Contemporary, pp. 94-95, London
Paradoxes de la Mondialisation, Catherine Francblin, Artpress Special Numero # 22, p. 165
Authentic/Ex-Centric, Conceptualism in African Art, Salah M. Hassanand Olu Oguibe,
La Biennale de Venezia, Forum for African Art, New York
Video: Un Art Contemporain, Francoise Parfait, Editions du Regard, pp. 166, 226, 227, 242, 246, Paris
2002 Autumn Art and Artifact, The Museum as Medium, James Putnam, Thames and Hudson,p. 108, London
Making whiteness strange, Liese van der Watt, Third Text 56, pp. 44-89, London
2001/2002 Winter Infinite Justice, Eric Troncy, Les Editions du Reel, pp. 32-43, Dijon
2001 Nov–Dec Skultur-Biennale 2001 im Kreis Steinfurt, Claudia Herstatt, Kunstforum#157, p. 421, Ruppichteroth Germany
2001 July GI-Joe Attitude, Ch. Laubard & B. Ramade, Technikart #54, pp. 60 - 64, Paris
2001 16-22 June Where Angels Fear To Tread, The Guardian Guide
2001 4-11 July Review, Sarah Kent, Time Out London
2001 June–July 2 Berlin Biennale, Kunstforum #155, p. 300, Ruppichteroth, Germany
2001 24 April Monster sehen dich an, Holger Liebs, Süddeutsche Zeitung # 94
2001 March-April Kratzen, wo es nicht juckt, Interview with Otto Neumaier, Frame #06, pp. 94-99, Vienna
2001 April The Newest Avant-Garde, Barbara Pollack, Artnews Vol 100/#4, pp. 124 - 129, NewYork
2001 March Durch den Tunnel der Gewalt, Ruth Handler, Art das Kunstmagazin
2001 Jan–March Kendell Geers: Timbuktu, Dieter Buchart, Kunstforum #153, p. 396, Ruppichteroth, Germany
2001 February Der melancholische Schrecken, Nikolai B. Forstbauer, Stuttgarter Nachrichten
2000 Oct–Dec 3 Raume – 3 Flusse, Kunstforum #152, p. 336, Ruppichteroth Germany
Landmines in the Gallery, Interview with Jerome Sans, Trans>arts.cultures.media# 8, pp. 268-274, New York
Reading the Contemporary- African Art from Theory to the Marketplace, Okwui Enwezor and Olu Oguibe, MIT press, Cambridge, Massachussetts
2000 July–September There’s a Bomb in This Exhibition: Kendell Geers charged, Ruth Kerkham, Parachute #99, pp. 30-40, Montreal
2000 May The Art of the Phoenix, Interview, Christine Macel, Art Press #257, Paris, pp. 28-33
2000 June–August Ex Africa semper aliquid novi, Ludovic Fouquet, Etc Montreal, p. 59 - 61 Montreal
2000 February Artiste du Mois, Catherine Francblin, Beaux Arts Magazine, p. 27, Paris
2000 10 February Micro Politiques, Parpaings #10, pp. 20-23, Grenoble
2000 1-7 February Ghetto Blaster, Jade Lindgaard, Les Inrockuptibles, #228, pp.56-57, Paris
2000 1 February Video Impressionante, Michel Nuridsany, Figaro
2000 23 January Scenes de la destruction et autres images de la souffrance, Philipp Dagan, Le Monde, p.23, Paris
1999 Contemporary African Art, Sidney Littlefield Kasfir, Thames and Hudson, p.165, London
1999 Nov-Dec Review, Flash Art, Vol 32 # 209, p.118, Milano
1999 October Kendell Geers, Katerina Gregos, Contemporary Visual Arts, issue 25, p. 56, London
1999 October Cityscape Johannesburg, Larie Firstenberg, Flashart #208, pp. 69-70, Milano
1999 October Extra et Ordinaire, Evelyne Jouanno, Flashart, Milano
1999 September Review 99, Katerina Gregos, Noticias ARCO #15, p. 8, Madrid
1999 July–August Trafique, Renate Puvogel, Kunstforum #146, p. 430, Ruppichteroth Germany
1999 July-August Review, The Art Newspaper #94, pp. 66
1999 30 June-7 July Review, Sarah Kent, Time Out London, p. 55
1999 June 23 Video et photographie scellent leurs noces au Printems de Cahors, Michel Guerrin, Le Monde, Paris
1999 May-June Portrait des Künstlers als Voyer und Exhibitionist, Otto Neumeier, Noema #51, pp. 46-51
1999 April–May Geordende revolte in Glasgow, Ross Birrel, Metropolis M #2, pp. 32-33, Amsterdam
1999 Jan–Feb 7 Triennale de Kleinplastik Europa – Afrika, Sigrid Feeser, Kunstforum #143, p. 398, Ruppichteroth Germany
1999 Spring Performative Recollections: An interview with Artists Olu Oguibe and Kendell Geers, Laurie Firstenberg, Chicago Art Journal, pp. 102-108
1999 March High Red Center, Elisabeth Mahoney, Art Monthly # 224, pp. 27-29
1998 South Africa, Cumulus, Hamza Walker, Parkett #52, p. 177
1998 CREAM, Hou Hanru et al, Phaidon Press, pp 136-139, London
1998 Fall/Winter Art of Darkness: Darkness of Art, Clive Kellner, NKA, #9, Cornell University, pp. 68–69, New York
1998 March-April Cross/ing: Time, Space, Movement, Matthew DeBord, Flash Art, p. 80
Printmaking in a Transforming South Africa, Philippa Hobbs and Elizabeth Rankin, David Philip Publishers, pp 111, 120, 123-4, Cape Town and Johannesburg
Altered States: Die Kunst des Kendell Geers, Okwui Enwezor, Iklusion-Exclusion, DuMont, pp. 202-205, Köln
1997 Winter Review, John Peffer-Engels, African Arts, pp. 75-77
1997 August-September Review, Pascal Lampert, Metropolis M, # 4, p. 61
Art in South Africa, The Future Present, Sue Williamson and Ashraf Jamal, David Philip Publishers, Cape Town and Johannesburg, pp. 9, 15, 58-61, 64
1996 Winter Africus, The Johannesburg Biennial, A Perspective David Koloane, African Arts, pp. 50 -56
1996 October-November Review, Dierk Schmidt, Springer, p. 68
Review, Tilman Baumgärtel, Springer, pp. 68-69
1996 Summer Aperto, Lorna Ferguson and Thomas Mulclaire, FlashArt, pp. 89 – 91, Milano
1996 June-July-August Crapshoot, Stuart Morgan, Frieze, # 29, pp. 64-65
1996 21 June Art in Review, Holland Cotter, New York Times
1996 January–February Moving In, Okwui Enwezor & Octavio Zaya, FlashArt, pp. 84-89, Milano
1996 Why Have There Been No Avant-Garde African Artists?, Candice Breitz, Atlantica, #11, pp. 52-64/145-157
1996 Retaining This Fire, Colin Richards, Atlantica, #11, pp. 31-44 / 132-144
1996 January Occupied Territories: Power, Access and African Art, Okwui Enwezor, Frieze, pp. 37-41
1995 Picturing Health and Illness, Sander L Gilman, John Hopkins University Press, pp. 182-3, Baltimore
1995 September Report from Johannesburg Towards a World-Class City?, Thomas McEvilley, Art in America, pp. 45-49
1995 Summer Inside Out, Ruth Rosengarten, Frieze, pp. 43-49
1995 May Biennial, Ruth Rosengarten, Artnews, p. 168
1995 January–February South African Art - Out of Time, Benjamin Weil, Flash Art, pp. 74-76
1994 November Motho Ke Motho Ka Batha Babang, Teresa Macri, Virus, pp. 34-35, Cape Town
1994 22 October Het Oproer Van De White Boys, Fred de Vries, Elsevier, pp.104-107, Amsterdam
1994 Autumn Crossing The Boundaries: Two Examples in South African Art, Benjamin Weil, Atlantica, Number 8, pp. 19-27, 130-134
1994 1 September Con - Artist at the Loovre, Michael Green, You Magazine, pp. 139-140
1994 23 August Getting into Geers despite static, Anthea Bristowe, Business Day, p.14(Reprinted in Art Ventilator, p.51, Johannesburg,September 1994)
1994 22 August Two Artists who are Legends in their minds..., Hazel Friedman, The Star Tonight, p. 3, (reprinted in Art Ventilator, Johannesburg, p. 52, 1994 September)
1994 May The Hottentot Venus, Jean-Yves Jounnais, Art Press, pp. 33-40, Paris
1994 27 March Separate and Equal, Andrew Solomon, The New York Times Magazine, pp. 44-89, New York
1994 27 March Exposure, Andrea Vinassa, The London Sunday Times Magazine, p. 18, London
1994 25 February The 9 Cards of Chameleon Geers, Stephen Laufer, Weekly Mail, p.11, Johannesburg
1993 December Art For Africa?, Andrea Vinassa, House and Leisure, pp. 34-35, Milan
1993 Autumn-Winter About Face Aspects of Art History and Identity in South African Visual Culture, Colin Richards, Third Text, pp.101-133, London
1993 Autumn Different and Alike, Daniel Herwitz, Modern Painters, London, pp. 76-79
1993 October The Ten Most Intriguing South Africans, Femina, pp. 64-71, Cape Town
1989 Resistance Art in South Africa, Sue Williamson, David Philip, p. 69, Cape Town
SELECTED WRITINGS BY THE ARTIST
The Work of Art in the State of Exile, Poetic Justice, 8th Istambul Biennial, pp.048-057, September, 2003
History, Fleshed Out, Minette Vari, Museum of Art Lucerne, pp.9-12/89-92, Switzerland
The Plague is me, Onestar press, Paris, France, December 2003
The Work of Art in the State of Exile, Milici Tomic, 'National Pavilion', pp.0-23, Venice Biennale 2003
Undiscovered at 82, Robert Hodgins, Tafelberg Publishers, pp.62-69, Cape Town, 2002
Guest Editor, Documents Sur l’Art, Dijon, France (Forthcoming)
Art as Propaganda Inevitably Self-Destructs, Art From South Africa, pp. 23-24,
MOMA, Oxford, 199O
Third World Bites Back, Art Ventilator, pp. 12-15, Johannesburg, September 1994
Argot, Published by Chalkham Hill Press, 1995 (Monograph)
First Johannesburg Biennial, ArtPress, pp. IV-V, May 1995
Fuck Art: The Prose of a Con-Artist, National Sculpture Symposium, Pretoria Technikon, 4 July 1995
For or Against, South African Association of Art Historians National Conference, Wits University, 7 July 1995
The Horror, The Horror, The CAPC Bordeaux, France May 1998
Contemporary South African Art - The Gencor Collection, Jonathan Ball Publishers, Johannesburg, 1997
The Horror, The Horror, Stopping The Process? Contemporary views on art and exhibitions, NIFCA, pp. 163-173, Helsinki, Finland, 1998
Cover - Atlantica, Number 22, 1998
Project Pages, Atlantica, Number 22, pp. 56-65, 1999
Statement en beeldbijdrage, Metropolis M Nummer 2, Amsterdam, 1999 April – May pp. 29-32
The Affluence and the Effluence, The Bastard, Metronome No 7, 2001, pp. 193-199
The Affluence and the Effluence / Affluenza ed effluenza, Racconti d’identita, La Generazione della Immagini 7, pp. 88-107, Comune di Milano, Milan, 2001
For or Against, South African Association of Art Historians National Conference, Wits University, 7 July 1995
What is the Artist's Role Today?, Jerome Sans and Marc Sanchez, p. 66, Palais de Tokyo , Paris 2001
Scenario, The Queel, Metronome 8B, p. 71, London 2002
Intersections, RMIT Gallery, BHPBilliton, 2002