15 Artists X 15 Years in China, exhibition view, Galleria Continua, Beijing, 2019. Photo: Jonathan Leijonhufvud
CARSTEN HÖLLER ‘Circle Division Canary Mobile (Black Outside, White Inside)’ 2018, circular mobile structure with 2 powder-coated caged and 2 canaries, Total diameter 320 cm (each cage diameter 90 cm). Photo: Jonathan Leijonhufvud
CARSTEN HÖLLER ‘Circle Division Canary Mobile (Black Outside, White Inside)’ 2018, circular mobile structure with 2 powder-coated caged and 2 canaries, Total diameter 320 cm (each cage diameter 90 cm). Photo: Jonathan Leijonhufvud
15 Artists X 15 Years in China, exhibition view, Galleria Continua, Beijing, 2019. Photo: Dong Lin
GIOVANNI OZZOLA ‘Ashes Of Time’ 2019, Paint, sand on silicone, canvas, metallic net, 373 x 232 x 6 cm. Photo: Dong Lin
AI WEIWEI ‘Treasure Box’ 2014, Huali wood, 100 x 100 x 100 cm, 39,4 x 39,4 x 39,4 inch. Photo: Jonathan Leijonhufvud
GIOVANNI OZZOLA ‘Scars towards ourselves’ 2012-2019, Engraving on natural cut slate, 128 slates, each: 50 x 50 cm. Photo: Jonathan Leijonhufvud
GIOVANNI OZZOLA ‘Scars towards ourselves’ 2012-2019, Engraving on natural cut slate, 128 slates, each: 50 x 50 cm. Photo: Jonathan Leijonhufvud
PASCALE MARTHINE TAYOU ‘Plastic Tree’ 2014/2015, branches, plastic bags variable dimensions. Photo: Jonathan Leijonhufvud
PASCALE MARTHINE TAYOU ‘Plastic Tree’ 2014/2015, branches, plastic bags variable dimensions. Photo: Jonathan Leijonhufvud
PASCALE MARTHINE TAYOU ‘Plastic Tree’ 2014/2015, branches, plastic bags variable dimensions. Photo: Jonathan Leijonhufvud
DANIEL BUREN ‘Périmètre - Noir’ 1969 - 2012, work in situ, black adhesive vinyl, 8,7 x 52 cm on white wall, work space dimensions. Photo: Jonathan Leijonhufvud
ANISH KAPOOR ‘Monochrome (Majik Blue)’ 2016, Fibreglass and paint, 188 x 188 x 40 cm. Photo: Jonathan Leijonhufvud
ANISH KAPOOR ‘Monochrome (Majik Blue)’ 2016, Fibreglass and paint, 188 x 188 x 40 cm. Photo: Jonathan Leijonhufvud
DANIEL BUREN ‘Périmètre - Noir’ 1969 - 2012, work in situ, black adhesive vinyl, 8,7 x 52 cm on white wall, work space dimensions. Photo: Jonathan Leijonhufvud
DANIEL BUREN ‘De travers et trop grand - bleu’ 2013, work in situ, blue adhesive vinyl large, 8,7 cm on white wall 350 x 350 cm (variable dimensions). Photo: Jonathan Leijonhufvud
DANIEL BUREN ‘De travers et trop grand - bleu’ 2013, work in situ, blue adhesive vinyl large, 8,7 cm on white wall 350 x 350 cm (variable dimensions). Photo: Jonathan Leijonhufvud
DANIEL BUREN ‘De travers et trop grand - bleu’ 2013, work in situ, blue adhesive vinyl large, 8,7 cm on white wall 350 x 350 cm (variable dimensions). Photo: Jonathan Leijonhufvud
15 Artists X 15 Years in China, exhibition view, Galleria Continua, Beijing, 2019. Photo: Jonathan Leijonhufvud
15 Artists X 15 Years in China, exhibition view, Galleria Continua, Beijing, 2019. Photo: Jonathan Leijonhufvud
LORIS CECCHINI ‘Sequential interactions in alfalfa chorus (57)’ 2019, Welded steel module 160 x 145 x 171 cm. Photo: Jonathan Leijonhufvud
LORIS CECCHINI ‘Sequential interactions in alfalfa chorus (57)’ 2019, Welded steel module 160 x 145 x 171 cm. Photo: Jonathan Leijonhufvud
MICHELANGELO PISTOLETTO ‘Two Less One colored’ 2015, mirror, gilded wood, 2 elements, 180 x 120 cm each. Photo: Jonathan Leijonhufvud
MICHELANGELO PISTOLETTO ‘Two Less One colored’ 2015, mirror, gilded wood, 2 elements, 180 x 120 cm each. Photo: Jonathan Leijonhufvud
LORIS CECCHINI ‘Gaps (Bookshelf) IV’ 2018, polyester resin, wall paint, 86 x 180 x 25 cm. Photo: Jonathan Leijonhufvud
LORIS CECCHINI ‘Gaps (Bookshelf) IV’ 2018, polyester resin, wall paint, 86 x 180 x 25 cm. Photo: Jonathan Leijonhufvud
ANTONY GORMLEY ‘Wait’ 2015, 2 mm square section stainless steel bar, 240 x 65 x 50 cm. Photo: Jonathan Leijonhufvud
ANTONY GORMLEY ‘Wait’ 2015, 2 mm square section stainless steel bar, 240 x 65 x 50 cm. Photo: Jonathan Leijonhufvud
15 Artists X 15 Years in China, exhibition view, Galleria Continua, Beijing, 2019. Photo: Jonathan Leijonhufvud
15 Artists X 15 Years in China, exhibition view, Galleria Continua, Beijing, 2019. Photo: Dong Lin
KADER ATTIA ‘Artificial nature’ 2014, mutilated tree, prosthesis. Photo: Jonathan Leijonhufvud
KADER ATTIA ‘Artificial nature’ 2014, mutilated tree, prosthesis. Photo: Jonathan Leijonhufvud
CHEN ZHEN ‘Lands-Objectscape’ 1995, Metal, glass, earth, objects, neon, red acrylic paint, 100 x 110 x 30 cm. Photo: Dong Lin
CHEN ZHEN ‘Instrument musical’ 1996, Wood, Chinese chamber pots, metal, sound system, 68 x 121 x 45 cm. Photo: Jonathan Leijonhufvud
CARLOS GARAICOA ‘Porque toda ciudad tiene derecho a llamarse Utopia / Because every city has the right to be called Utopia’ 2001, thread drawing to the wall, pins variable dimensions. Photo: Jonathan Leijonhufvud
CARLOS GARAICOA ‘Porque toda ciudad tiene derecho a llamarse Utopia / Because every city has the right to be called Utopia’ 2001, thread drawing to the wall, pins variable dimensions. Photo: Jonathan Leijonhufvud
SUN YUAN & PENG YU ‘No way’ 2015, Table and chair made by steel, electrical heating equipment, water 174.5 x 190 x 100 cm. Photo: Jonathan Leijonhufvud
SUN YUAN & PENG YU ‘No way’ 2015, Table and chair made by steel, electrical heating equipment, water 174.5 x 190 x 100 cm. Photo: Jonathan Leijonhufvud
KAN XUAN ‘Racing Gravels’ 2018. Video 17’1’’. Photo: Jonathan Leijonhufvud
ZHUANG HUI ‘Mobile Sculpture’ 2014, copper, acrylic paint, 109 × 90 × 83 cm. Photo: Jonathan Leijonhufvud
15 Artists X 15 Years in China, exhibition view, Galleria Continua, Beijing, 2019. Photo: Jonathan Leijonhufvud
