Galleria Continua
San Gimignano
Beijing
Les Moulins
Habana

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Kader Attia, Arab Spring, 2014, 16 broken museum showcases, 10 showcases: 220 x 100 x 100 cm, 6 showcases: 220 x 180 x 100 cm, site specific installation, Photo Oak Taylor-Smith

Kader Attia, Arab Spring, 2014, 16 broken museum showcases, 10 showcases: 220 x 100 x 100 cm, 6 showcases: 220 x 180 x 100 cm, site specific installation, Photo Oak Taylor-Smith

Kader Attia, Arab Spring, 2014, 16 broken museum showcases, 10 showcases: 220 x 100 x 100 cm, 6 showcases: 220 x 180 x 100 cm, site specific installation, Photo Oak Taylor-Smith

Kader Attia, Arab Spring, 2014, 16 broken museum showcases, 10 showcases: 220 x 100 x 100 cm, 6 showcases: 220 x 180 x 100 cm, site specific installation, Photo Oak Taylor-Smith

Kader Attia, Arab Spring, 2014, 16 broken museum showcases, 10 showcases: 220 x 100 x 100 cm, 6 showcases: 220 x 180 x 100 cm, site specific installation, Photo Oak Taylor-Smith

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Kader Attia, We Want to Be Modern, 2014, neon lights, various material, site specific dimensions, Photo Oak Taylor-Smith

Kader Attia, We Want to Be Modern, 2014, neon lights, various material, site specific dimensions, Photo Oak Taylor-Smith

Kader Attia, Beginning in the end, 2014, construction leftovers, installation dimensions variable, Photo Oak Taylor-Smith

Kader Attia, Beginning in the end, 2014, construction leftovers, installation dimensions variable, Photo Oak Taylor-Smith

Kader Attia, Beginning in the end, 2014, construction leftovers, installation dimensions variable, Photo Oak Taylor-Smith

Kader Attia, Beginning in the end, 2014, construction leftovers, installation dimensions variable, Photo Oak Taylor-Smith

Kader Attia, Beginning in the end, 2014, construction leftovers, installation dimensions variable, Photo Oak Taylor-Smith

Kader Attia, Artificial nature, 2014, mutilated tree, prosthesis, Photo Oak Taylor-Smith

Kader Attia, Artificial nature -series, 2014, mutilated trees, prosthesis, Photo Oak Taylor-Smith

Kader Attia, Artificial nature -series, 2014, mutilated trees, prosthesis, Photo Oak Taylor-Smith

Kader Attia, Artificial nature -series, 2014, mutilated trees, prosthesis, Photo Oak Taylor-Smith

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith

Kader Attia, Independence disillusion, 2014, oil on canvas, 40 x 31,97 cm, Photo Oak Taylor-Smith

Kader Attia, Independence disillusion, 2014, oil on canvas 26 elements, installation dimension variable, Photo Oak Taylor-Smith

Kader Attia, Independence disillusion, 2014, oil on canvas 26 elements, installation dimension variable, Photo Oak Taylor-Smith

Kader Attia, Independence disillusion, 2014, oil on canvas 26 elements, installation dimension variable, Photo Oak Taylor-Smith

Kader Attia, chaos+repair=universe, 2014, mirrors, metal wires, diameter 50 cm approx

Kader Attia, chaos+repair=universe, 2014, mirrors, metal wires, diameter 50 cm approx

Kader Attia, chaos+repair=universe, 2014, mirrors, metal wires, 47 x diameter 55 cm, Photo Oak Taylor-Smith