Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014. Photo Oak Taylor-Smith
Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith
Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014. Photo Oak Taylor-Smith
Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014. Photo Oak Taylor-Smith
Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014. Photo Oak Taylor-Smith
Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith
Kader Attia - Arab Spring, 2014, 16 broken museum showcases, site specific installation. Photo Oak Taylor-Smith
Kader Attia - Arab Spring, 2014, 16 broken museum showcases, site specific installation. Photo Oak Taylor-Smith
Kader Attia - Arab Spring, 2014, 16 broken museum showcases, site specific installation. Photo Oak Taylor-Smith
Kader Attia - Arab Spring, 2014, 16 broken museum showcases, site specific installation. Photo Oak Taylor-Smith
Kader Attia - Arab Spring, 2014, 16 broken museum showcases, site specific installation. Photo Oak Taylor-Smith
Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014. Photo Oak Taylor-Smith
Kader Attia - We Want to Be Modern, 2014, neon lights, various material, site specific dimensions. Photo Oak Taylor-Smith
Kader Attia - We Want to Be Modern, 2014, neon lights, various material, site specific dimensions. Photo Oak Taylor-Smith
Kader Attia - Beginning in the end, 2014, construction leftovers, variable installation dimensions. Photo Oak Taylor-Smith
Kader Attia - Beginning in the end, 2014, construction leftovers, variable installation dimensions. Photo Oak Taylor-Smith
Kader Attia - Beginning in the end, 2014, construction leftovers, variable installation dimensions. Photo Oak Taylor-Smith
Kader Attia - Beginning in the end, 2014, construction leftovers, variable installation dimensions. Photo Oak Taylor-Smith
Kader Attia - Beginning in the end, 2014, construction leftovers, variable installation dimensions. Photo Oak Taylor-Smith
Kader Attia - Artificial nature, 2014, mutilated tree, prosthesis. Photo Oak Taylor-Smith
Kader Attia - Artificial nature - series, 2014, mutilated trees, prosthesis. Photo Oak Taylor-Smith
Kader Attia - Artificial nature - series, 2014, mutilated trees, prosthesis. Photo Oak Taylor-Smith
Kader Attia - Artificial nature - series, 2014, mutilated trees, prosthesis. Photo Oak Taylor-Smith
Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014, Photo Oak Taylor-Smith
Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014. Photo Oak Taylor-Smith
Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014. Photo Oak Taylor-Smith
Kader Attia - Beginning of the world, exhibition view, GALLERIA CONTINUA, Beijing, 2014. Photo Oak Taylor-Smith
Kader Attia - Independence disillusion, 2014, oil on canvas, 40 x 31,97 cm. Photo Oak Taylor-Smith
Kader Attia - Independence disillusion, 2014, oil on canvas 26 elements, installation dimension variable. Photo Oak Taylor-Smith
Kader Attia - Independence disillusion, 2014, oil on canvas 26 elements, installation dimension variable. Photo Oak Taylor-Smith
Kader Attia - Independence disillusion, 2014, oil on canvas 26 elements, installation dimension variable. Photo Oak Taylor-Smith
Kader Attia - chaos+repair=universe, 2014, mirrors, metal wires, ⌀ 50 cm
Kader Attia - chaos+repair=universe, 2014, mirrors, metal wires, ⌀ 50 cm
Kader Attia - chaos+repair=universe, 2014, mirrors, metal wires, 47 x diameter 55 cm. Photo Oak Taylor-Smith
