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Pouvoir & Pouvoir

- Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions; Lucy + Jorge Orta Trazado de Indias : Parcelas Dominantes Argentina 1973 – 1983 (series), 2019 Acrylic on canvas, 200 x 200 cm each. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Le grand miroir du monde, 2017. Mirrors, Site specific dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions; Lucy+Jorge Orta, Trazado de Indias : Parcelas Dominantes Argentina 1973 – 1983 (series), 2019. Acrylic on canvas, 200 x 200 cm each. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Trazado de Indias : Parcelas Dominantes Argentina 1973 – 1983, 2019 & Triangular AAA. Argentina 1973 - 1976 (series), 2019. Acrylic on canvas, 200 x 200 cm each. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Triangular AAA. Argentina 1973 - 1976 (series), 2019. Acrylic on canvas, 200 x 200 cm each. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Trazado de Indias : Parcelas Dominantes Argentina 1973 – 1983, 2019 & Triangular AAA. Argentina 1973 - 1976 (series), 2019. Acrylic on canvas, 200 x 200 cm each. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana; Kader Attia, Le grand miroir du monde (detail), 2017. Mirrors. Site specific dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana; Kader Attia, Le grand miroir du monde (detail), 2017. Mirrors. Site specific dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana; Kader Attia, Le grand miroir du monde (detail), 2017. Mirrors. Site specific dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Inside Out project - Pouvoir & Pouvoir, Galleria Continua / Les Moulins, 23 June 2019. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Inside Out project - Pouvoir & Pouvoir, Galleria Continua / Les Moulins, 23 June 2019. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Inside Out project - Pouvoir & Pouvoir, Galleria Continua / Les Moulins, 23 June 2019. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Ballons, 2012. Inflatable balloons 70 x 21 x 21 cm each. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Pouvoir, 2019. Shoe laces. 355 x 208 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Mar Mediterraneo | Mediterranean Sea, 2003-2005. Mirror, wood. 738 x 320 x 50 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- El beso de Cristal, 2015. 70 engraved glass goblets. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Epilogue, from the series The Weight of Death, 2016. Black lithographic ink used to print the Granma newspaper, 122,46 x 85,63 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Afro (500), 2005. Lightbox, 82 x 160 x 15 cm; Afro Coin (detail), 2005. Wood, Ø 90 cx 16 cm each; Afro (200), 2005. Lightbox, 82 x 153 x 15 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Afro (500), 2005. Lightbox, 82 x 160 x 15 cm; Afro Coin, 2005. Wood, Ø 90 cx 16 cm each; Afro (200), 2005. Lightbox, 82 x 153 x 15 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Afro Coin (detail), 2005. Wood, Ø 90 cx 16 cm each. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Afro Coin (detail), 2005. Wood, Ø 90 cx 16 cm each. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- La plus belle sculpture, c’est le pavé que l’on jette sur la gueule des flics, 2009. Books, cobblestone, wooden pedestal, 189,6 x 105 x 17 cm; Carlos Garaicoa, Abstraction - 4 Holes Blue, 1997. Duaflex colour photograph, 124 x 100 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- La plus belle sculpture, c’est le pavé que l’on jette sur la gueule des flics, 2009. Books, cobblestone, wooden pedestal, 189,6 x 105 x 17 cm; Carlos Garaicoa, Abstraction - 4 Holes Blue, 1997. Duaflex colour photograph, 124 x 100 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Vallas Resistir, 1991. Black and white photograph mounted and laminated on Plexiglas, 125 x 150 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masques Rejetés (series), 2018. Wooden masks, mixed media. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 28 x 20 x 14 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 31 x 19 x 10 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 36 x 20 x 11 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 41 x 17 x 15 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 37 x 21 x 16 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 40 x 23 x 18 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 44 x 17 x 15 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 34 x 20 x 12 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 39 x 20 x 12 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 33 x 16 x 12 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 34 x 20 x 15 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masque Rejeté, 2018. Wooden masks, mixed media 32 x 20 x 15 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Colorful Stones (detail), 2019. Cobblestones, paint. 200 x 400 cm; Iván Capote, Ghost, 2008-2011. Oil on canvas 80 x 120 x 3 cm each; Iván Capote, Over and Over, 2015. Bronze, Ø 175 cm; Iván Capote, Incomplete Space, 2008-2014. Steel, sand, 57 x 70 x 70 cm; Pascale Marthine Tayou, Masques Rejetés (series) (detail), 2018. Wooden masks, mixed media. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Colorful Stones, 2019. Cobblestones, paint, 200 x 400 cm; Iván Capote, Over and Over (detail), 2015. Bronze, Ø 175 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masques Rejetés (series) (detail), 2018. Wooden masks, mixed media. Variable dimensions; Iván Capote, Incomplete Space, 2008-2014 Acier, Steel, sand, 57 x 70 x 70 cm; Pascale Marthine Tayou, Colorful Stones, 2019. Cobblestones, paint, 200 x 400 cm; Iván Capote, Over and Over, 2015. Bronze, Ø 175 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Masques Rejetés (series) (detail), 2018. Wooden masks, mixed media. Variable dimensions; Iván Capote, Incomplete Space, 2008-2014 Acier, Steel, sand, 57 x 70 x 70 cm; Pascale Marthine Tayou, Colorful Stones, 2019. Cobblestones, paint, 200 x 400 cm; Iván Capote, Over and Over, 2015. Bronze, Ø 175 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Colorful Stones (detail), 2019. Cobblestones, paint, 200 x 400 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Colorful Stones (detail), 2019. Cobblestones, paint, 200 x 400 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Over and Over, 2015. Bronze, Ø 175 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Ghost, 2008-2011. Oil on canvas, 80 x 120 x 3 cm each. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Representación planiscúbica del canto del Degollado, 201. Smashed wooden cage, 24 x 40 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- DATA EXTRACTION – ARSENALE, KIEV (series), 2012. Asphalt, metal, epoxy resin, 30 x 21 cm each. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Rem(a)inders, 2010. Metal Buddah sculpture, used clothes, electronic components, wood, 300 x 450 cm; Michelangelo Pistoletto, Fame, Amore, Arte (detail), 1978-2019. Old suitcases, various materials. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Fame, Amore, Arte (detail), 1978-2019. Old suitcases, various materials. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Fame, Amore, Arte (detail), 1978-2019. Old suitcases, various materials. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Study of Perspective, Palazzo Strozzi, 2016. Colour photograph. 51 x 70 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Study of Perspective, Palazzo Strozzi, 2016. Colour photograph. 51 x 70 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Study of Perspective, Palazzo Strozzi, 2016. Colour photograph. 51 x 70 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Terzo Paradiso, Boissy-le-Châtel, 2019, Brought chairs. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Crossings (series), 2013. Lambda print mounted on Dibond, 80 x 120 cm each; Pascale Martine Tayou, Yeoville (série), 2010. Dimensions variable. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Graffiti neon G, 2014. Neon lights, 200 x 145 cm; Pascale Martine Tayou, Yeoville, 2010. Neon lights, 68 x 167 x 8 cm; Leila Alaoui, Crossings, 2013. Lambda print mounted on Dibond, 80 x 120 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Flâneurs de Montreuil (series), 2010. Resin. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Flâneurs de Montreuil (series), 2010. Resin. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Crossings, 2013. Video triptych, 6 minutes. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Handcuffs, 2012, Huali wood, 40 x 13 x 2,5 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Handcuffs, 2012, Huali wood, 40 x 13 x 2,5 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Handcuffs, 2012, Huali wood, 40 x 13 x 2,5 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Untitled, 2006. Print on canvas, 101,6 x 134,6 cm; Shilpa Gupta, Untitled, 2014. Engraving on stone, 54,61 x 68,58 x 10,16 cm; Shilpa Gupta, Untitled, 2008. Print on canvas, 100 x 250 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Untitled, 2014. Engraving on stone, 54,61 x 68,58 x 10,16 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Untitled, 2014. Engraving on stone, 54,61 x 68,58 x 10,16 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Untitled (security belt), 2009. Belt, 100 cm; Shilpa Gupta, Untitled (doors), 2001. Used doors, Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Untitled (security belt), 2009. Belt, 100 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Abuso de poder, 2010. Iron wire, marble. 1,5 x 8 x 19 cm. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Quien tiene acero tiene pan, 2016. Bronze, steel, wood. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Quien tiene acero tiene pan (detail), 2016. Bronze, steel, wood. Variable dimensions. Photo: Oak Taylor-Smith

Pouvoir & Pouvoir

- Quien tiene acero tiene pan (detail), 2016. Bronze, steel, wood. Variable dimensions. Photo: Oak Taylor-Smith

GALLERIA CONTINUA / Les Moulins is glad to present “Pouvoir & Pouvoir”, a collective show that brings together twenty-four artists from distant geographies to develop a path of reflection on the theme of “power”: Ai Weiwei, Leila Alaoui, Kader Attia, Iván Capote, Marcelo Cidade, Carlos Garaicoa, Gu Dexin, JR, Shilpa Gupta, Zhanna Kadyrova, Jannis Kounellis, Reynier Leyva Novo, José Mesías, Moataz Nasr, Lucy+Jorge Orta, Susana Pilar, Michelangelo Pistoletto, Wilfredo Prieto, Arcangelo Sassolino, Sun Yuan & Peng Yu, Pascale Marthine Tayou, Nari Ward, Sislej Xhafa, José Yaque.

Power is a controversial subject: on the one hand, we can find an absolute power designing the systems of social organization – a delegated power that creates the ways of our daily actions, the organized power that chooses what we have to choose. An external power. On the other hand, the exposition evokes the existence of an internal power, contained within every human being as an actual potential. An intimate power that belongs to us and animates us. 
Thus, Michelangelo Pistoletto proposes, in the itinerary of the exhibition, his historical work of 1978 “Fame, Amore, Arte” (Hunger, Love, Art); the artist invites visitors to lend their “special” chair – the one they feel and participate in the creation of Terzo Paradiso (Third Paradise). The invitation to dialogue is reiterated by the artist with “Mar Mediterraneo”. Tensions are also discussed in the artwork “Canto V” by Arcangelo Sassolino. Long the way, we also discover works related to concrete political situations, both past and present: “Louis Vuitton voyage avec Karl Marx” by Carlos Garaicoa, or “El beso de cristal” by Reynier Leyva Novo. Lucy+Jorge Orta works have a political character. Thr exhibition welcomes four artists currently on display at the 58th International Art Exhibition – Venice Biennale: Shilpa Gupta, Zhanna Kadyrova and Sun Yuan & Peng Yu. Jannis Kounellis and Kader Attia show the strength of a profound integrity. Ai Weiwei invites us to radical gestures as well. Nari Ward conceived a work specifically for the exhibition, thinking of today's France. The ways of investigating the power manifested in the works of the invited artists are very diverse. Another special project is “Inside Out” by JR: a mosaic of faces and stories encapsulating the living power embodied in each person. On the JR’s wall, many of the people who have animated Les Moulins’ nowadays history with their energy and their ideas are on display. Among all these faces, there are also those of the French staff of the gallery.

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