ADEL ABDESSEMED

Left: ‘Practice Zero Tolerance’, 2006, Terracotta, 120 × 365 × 165 Cm, Model: Renault Clio; Center: ‘Practice Zero Tolerance’ (Tournée), 2008, Terracotta, 175 × 370 × 135 Cm, Model: Renault Clio; Right: ‘Practice Zero Tolerance’ (Retournée), 2008, Terracotta, 180 × 430 × 117 Cm, Model: Bmw. ‘Adel Abdessemed Je Suis Innocent’ Centre Pompidou, Paris, France, 2012

‘Telle Mère Tel Fils’, 2008, Mixed Media, 400 × 2,700 × 500 Cm. ‘Adel Abdessemed Je Suis Innocent’  Centre Pompidou, Paris, France, 2012

‘Telle Mère Tel Fils’, 2008, Mixed Media, 400 × 2,700 × 500 Cm. ‘Adel Abdessemed Je Suis Innocent’  Centre Pompidou, Paris, France, 2012

‘Histoire De L’art’, 2011 – 2014, Black Chalk On Paper, Razor Wire, 262 × 184 × 30 Cm

‘Histoire De L’art’, 2011 – 2014, Black Chalk On Paper, Razor Wire, 262 × 184 × 30 Cm

‘Décor’, 2011 – 2012 (4 Works), Razor Wire, Dimensions Vary. ‘Adel Abdessemed: Décor’, Musée Unterlinden, Colmar, France, 2012

‘Décor’, 2011 – 2012 (4 Works), Razor Wire, Dimensions Vary. ‘Adel Abdessemed: Décor’, Musée Unterlinden, Colmar, France, 2012

‘Hope’, 2011 – 2012, Boat, Resin, 205.7 × 579.1 × 243.8 Cm

‘Coup De Tête’, 2012, Bronze, 540 × 348 × 218 Cm.  ‘Sculpture Garden’,  2nd Geneva Sculpture Biennale, Switzerland, 2020

‘Coup De Tête’, 2012, Bronze, 540 × 348 × 218 Cm.  ‘L’innocence Du Réel – L’innocenza Del Real’  Fondazione Centro Di Arti Visive Di Pietrasanta, Italy, 2013

‘Shams’, 2013–2018 (In Situ Installation), 40 Tonnes Of Clay, Steel, Wood, Jute, Plastic, Mixed Media, Dimensions Vary.  ‘Adel Abdessemed : L’antidote’ Mac Lyon, Lyon, France, 2018

‘Exit’, 1996-2009, Yellow Neon, 23 × 35 × 3.5 Cm; ‘Mon Enfant’, 2014, Ivory, 133 × 70 × 40 Cm. ‘Adel Abdessemed: Jalousies — Complicités Avec Jean Nouvel’. Musée De Vence — Fondation Émile Hugues, Vence, France

‘Mon Enfant’, 2014, Ivory, 133 × 70 × 40 Cm.

‘Untitled’, 2014, Cnc-Machined Polyurethane, Graphite On 3d Printed Nylon, Scalpel Blades, 140 × 90 × 125 Cm. ‘Patrice Chéreau. Un Musée Imaginaire’ Collection Lambert, Avignon, France, 2015

‘Untitled’, 2014, Cnc-Machined Polyurethane, Graphite On 3d Printed Nylon, Scalpel Blades, 140 × 90 × 125 Cm. ‘Patrice Chéreau. Un Musée Imaginaire’ Collection Lambert, Avignon, France, 2015

‘Nymphéas’, 2015 (In Situ Installation), 61 Groupings Of Knives, Dimensions Vary. ‘56th Venice Biennale: All The World’s Futures’, Venice, Italy, 2015 (Only 36 Groupings Of Knives Were Exhibited); Background Work: Bruce Nauman, ‘Life, Death, Love, Hate,Pleasure, Pain’, 1983

‘Owl’, 2015 (24 Works) Black Chalk On Paper Each: 60 × 80 Cm

‘Hare’, 2015, Black Chalk On Paper, 260 × 368 Cm; ‘Pigeon’, 2015, Black Chalk On Paper, 260 × 368 Cm

‘Bristow’, 2016, Steel, Fence, Overall (With Fence): 133 × 227 × 51.5 Cm, Pigeon (Each): 30 × 12 × 23 Cm

‘Otchi Tchiornie’, 2017, Set Of 27 Burned Wood Sculptures 180 × 60 × 40 Cm

‘Otchi Tchiornie’, 2017, Set Of 27 Burned Wood Sculptures 180 × 60 × 40 Cm

‘Otchi Tchiornie’, 2017, Set Of 27 Burned Wood Sculptures 180 × 60 × 40 Cm

‘Is Beautiful’, 2017, Carrara Marble, 231 × 170 × 97 Cm. ‘Adel Abdessemed : L’antidote’, Mac Lyon, Lyon, France, 2018

‘Un Chat Noir Passe Entre Nous’, 2018, Uhd Video Projection, Color, Mute, 4 Sec. (Loop) Dimensions Vary (Aspect Ratio 16:9)

‘Cocorico Painting, Abraham’, 2017 – 2020, Recycled Printed Metal, 338 × 169 × 3.5 Cm (Diptych), (169 × 169 Cm Each Panel)

‘Cocorico Painting, L’histoire De La Peinture A Été Tellement Longue Et Lourde...C’est Surprenant De La Trouver Encore Vivante’, 2017 – 2020, Recycled Printed Metal, 200 × 400 × 4.5 Cm (Triptych), (200 × 133 × 4.5 Cm Each Panel)

‘Die Taubenpost’, 2021, Military Green Painted Aluminum, 260 × 590 × 290 Cm (Approx)