Galleria Continua GALLERIA CONTINUA | Galleria d'arte contemporanea
中文
Galleria Continua
San Gimignano
Beijing
Les Moulins
Habana
Roma
Sao Paulo
Paris
Carlos Garaicoa

Sin Título (Trotcha Perspectiva) / Untitled (Trotcha Perspectiva) 2022, dyptich: pins and thread on B/W Lambda photograph, mounted and laminated on Gator Board, 125 x 160 cm | 49.25 x 62.99 in each one. Photo: Oak Taylor-Smith

Carlos Garaicoa

Sin Título (Trotcha Perspectiva) / Untitled (Trotcha Perspectiva) 2022, dyptich: pins and thread on B/W Lambda photograph, mounted and laminated on Gator Board, 125 x 160 cm | 49.25 x 62.99 in each one. Photo: Oak Taylor-Smith

Carlos Garaicoa

De la serie Puzzles: Honda 2022, photography B / W printed on puzzle, laminated photography in Dibond, wood, Plexiglas, 69 x 97 x 11 cm, 27.16 x 38.18 x 4.33 in. Photo: Duccio Benvenuti - Art Store

Carlos Garaicoa

De la serie Puzzles: Honda 2022, photography B / W printed on puzzle, laminated photography in Dibond, wood, Plexiglas, 69 x 97 x 11 cm, 27.16 x 38.18 x 4.33 in. Photo: Duccio Benvenuti - Art Store

Carlos Garaicoa

Partitura / Score 2017, sound, video-animation, music stands, tablets, paper, ink, variable dimensions. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Partitura / Score 2017, sound, video-animation, music stands, tablets, paper, ink, variable dimensions. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Partitura / Score 2017, sound, video-animation, music stands, tablets, paper, ink, variable dimensions. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Ciudad Archivo / Archive city 2020, cardboard, lacquered MDF, neon, metal, variable dimensions. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Ciudad Archivo / Archive city 2020, cardboard, lacquered MDF, neon, metal, variable dimensions. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Ciudad Archivo / Frases falsas 2020, cardboard, lacquered MDF, lead linotypes, neon, metal, 66 x 89 x 60 cm, 25,98 x 35,03 x 23,62 in. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Ciudad Archivo / J’accuse 2020, cardboard, lacquered MDF, neon, metal, 101 x 135 x 100 cm, 39,7 x 53,1 x 39,4 in.

Carlos Garaicoa

Ciudad Archivo / Suffering! / Enjoying! 2021, diptych: cardboard, lacquered MDF, neon, metal, 137 x 41 x 31 cm | 101 x 78 x 14 cm, 53.93 x 16.14 x 12.20 in | 39.76 x 30.70 x 5.51 in. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Ciudad Archivo / Suffering! / Enjoying! 2021, diptych: cardboard, lacquered MDF, neon, metal, 137 x 41 x 31 cm | 101 x 78 x 14 cm, 53.93 x 16.14 x 12.20 in | 39.76 x 30.70 x 5.51 in. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Vertical 2021, acrylic on birch wood, 250 x 62 cm, 98.42 x 24.40 in. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Vertical 2021, acrylic on birch wood, 250 x 62 cm, 98.42 x 24.40 in. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Vertical IX 2021, acrylic on birch wood, 250 x 62 cm, 98.42 x 24.40 in. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Vertical IV 2021, acrylic on birch wood, 250 x 62 cm, 98.42 x 24.40 in. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

De la serie lo viejo y lo Nuevo (Grue) / From the series The old and the new (Grue) 2021-2022, 19th century French etching and hand cutted paper, 125 x 33 x 33 cm, 49.21 x 12.99 x 12.99 in. Photo: Oak Taylor-Smith

Carlos Garaicoa

De la serie lo viejo y lo Nuevo (Grue) / From the series The old and the new (Grue) 2021-2022, 19th century French etching and hand cutted paper, 125 x 33 x 33 cm, 49.21 x 12.99 x 12.99 in. Photo: Oak Taylor-Smith

Carlos Garaicoa

Soñamos en la superficie rayada de un cristal 2021, mirrors and metal supports, variable dimensions. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Soñamos en la superficie rayada de un cristal 2021, mirrors and metal supports, variable dimensions. Photo: Ela Bialkowska, OKNO Studio

Carlos Garaicoa

Mantas de corte / Cutting mats 2010-2020, hand cut adhesive tape on cutting mat, 29,8 x 44,8 cm | 11.73 x 17,63 in, 35 x 50 x 4 cm | 13.77 x 19.68 x 1.57 in framed, 44,8 x 29,8 cm | 17,63 x 11.73 in, 50 x 35 x 4 cm | 19.68 x 13.77 x 1.57 in framed. Photo: Ela Bialkowska, OKNO Studio. Photo: Oak Taylor-Smith

Carlos Garaicoa

Agua de mar - El Coliseo / Sea Water - Coliseum 2020, electrostatic photography printed on methacrylate and Dibond, Forex, wood and metal, 180 x 220 x 15 cm. Photo: Oak Taylor-Smith

Carlos Garaicoa

Agua de mar - El Coliseo / Sea Water - Coliseum 2020, electrostatic photography printed on methacrylate and Dibond, Forex, wood and metal, 180 x 220 x 15 cm. Photo: Oak Taylor-Smith

Carlos Garaicoa

Agua de mar - El Coliseo / Sea Water - Coliseum 2020, electrostatic photography printed on methacrylate and Dibond, Forex, wood and metal, 180 x 220 x 15 cm. Photo: Oak Taylor-Smith

Carlos Garaicoa

De la serie Puzzles: Trocha 2019, photography B/W printed on puzzle, laminated photography in Dibond, wood, Plexiglas, 69,3 x 97,3 x 12,5 cm, 27,16 x 38,18 x 4,92 in. Photo: Oak Taylor-Smith

Carlos Garaicoa

De la serie Puzzles: Trocha 2019, photography B/W printed on puzzle, laminated photography in Dibond, wood, Plexiglas, 69,3 x 97,3 x 12,5 cm, 27,16 x 38,18 x 4,92 in. Photo: Oak Taylor-Smith

Carlos Garaicoa

Zero 2020, domino set in methacrylate and metal, wooden table and chairs. Photo: Nestor Kim

Carlos Garaicoa

Zero 2020, domino set in methacrylate and metal, wooden table and chairs. Photo: Nestor Kim

Carlos Garaicoa

Zero 2020, domino set in methacrylate and metal, wooden table and chairs. Photo: Nestor Kim

Carlos Garaicoa

Modelo C-VI / Model C-VI 2020, Graphite drawing on Guarro paper 240 gr, 50 x 70 cm, 19,68 x 27,55 in. Photo: Oak Taylor-Smith

Carlos Garaicoa

País siniestro/ Sinister Country 2010 - 2020, hand cut adhesive tape on cutting blanket, 29,8 x 44,8 cm, 11,73 x 17,63 in. Photo: Oak Taylor-Smith

Carlos Garaicoa

Birlibirloque (Malecón IV) 2018. 3D model engraved in glass, B/W photographs diptych printed on Ilford FB paper.  Model: 25 x 11 x 14 cm. Photographs: 70 x 58 x 4,5 cm each. Photo: Nestor Kim

Carlos Garaicoa

Exhibition view ‘UMBRALES’, Galleria Continua, Habana. Photo: Nestor Kim

Carlos Garaicoa

Sin título / Untitled (Fábrica y humos) 2012. Thread, pins. Photo: Nestor Kim

Carlos Garaicoa

From the series The Old and the New (Hombres en Equilibrio) 2011. Photographic print on Hahnemüehle paper 188 g, hand cut cardboard, 29,7 x 42 x 11 cm. Photo: Nestor Kim

Carlos Garaicoa

Patologías Urbanas / Urban Pathologies 2018, site-specific installation. Paper, ink. Photo Nestor Kim

Carlos Garaicoa

Patologías Urbanas / Urban Pathologies 2018, site-specific installation. Paper, ink. Photo Nestor Kim

Carlos Garaicoa

Patologías Urbanas / Urban Pathologies 2018, site-specific installation. Paper, ink. Photo Nestor Kim

Carlos Garaicoa

Sin Título/ Untitled (Torres de Petróleo) 2019, pins and thread on Lambda photography mounted and laminated on Gator Board, 125 x 155 cm. Photo: Oak Taylor-Smith

Carlos Garaicoa

Sin Título/ Untitled (Torres de Petróleo) 2019, pins and thread on Lambda photography mounted and laminated on Gator Board, 125 x 155 cm. Photo: Oak Taylor-Smith

Carlos Garaicoa

Sin Título/ Untitled (Torres de Petróleo) 2019, pins and thread on Lambda photography mounted and laminated on Gator Board, 125 x 155 cm. Photo: Oak Taylor-Smith

Carlos Garaicoa

Abismo, 2017, Rotoscopic animation, sound, HD 1080 p, 9 min. Music: “Abîme des oiseaux” by Olivier Messiaen. Performed by Mahé Marty, clarinet. Photo Ela Bialkowska

Carlos Garaicoa

Abismo, 2017, Rotoscopic animation, sound, HD 1080 p, 9 min. Music: “Abîme des oiseaux” by Olivier Messiaen. Performed by Mahé Marty, clarinet. Photo Ela Bialkowska

Carlos Garaicoa

Vuelos endémicos II (4) / Endemic flights II (4), 2016, Installation, Three hand cut stamps: one old stamp United States Postage 1942, one old stamp Third Reich 1938, one recreation of the Basel Dove Stamp 2016, ethacrylate, wood, magnifying glass, leather and velvet box, 18 x 33.7 x 9.3 cm (closed). Photo Ela Bialkowska

Carlos Garaicoa

Vuelos endémicos II (4) / Endemic flights II (4), 2016, Installation, Three hand cut stamps: one old stamp United States Postage 1942, one old stamp Third Reich 1938, one recreation of the Basel Dove Stamp 2016, ethacrylate, wood, magnifying glass, leather and velvet box, 18 x 33.7 x 9.3 cm (closed). Photo Ela Bialkowska

Carlos Garaicoa

Vuelos endémicos II (4) / Endemic flights II (4), 2016, Installation, Three hand cut stamps: one old stamp United States Postage 1942, one old stamp Third Reich 1938, one recreation of the Basel Dove Stamp 2016, ethacrylate, wood, magnifying glass, leather and velvet box, 18 x 33.7 x 9.3 cm (closed). Photo Ela Bialkowska

Carlos Garaicoa

exhibition view at GALLERIA CONTINUA / Beijing, 2017, Ph Oak Taylor-Smith

Carlos Garaicoa

Bestiary, exhibition view at GALLERIA CONTINUA / Beijing, 2017

Carlos Garaicoa

Bestiary, exhibition view at GALLERIA CONTINUA / Beijing, 2017

Carlos Garaicoa

exhibition view at GALLERIA CONTINUA / Beijing, 2017, Ph Oak Taylor-Smith

Carlos Garaicoa

Bestiary, exhibition view at GALLERIA CONTINUA / Beijing, 2017

Carlos Garaicoa

Bestiary, exhibition view at GALLERIA CONTINUA / Beijing, 2017

Carlos Garaicoa

Escala 1:1 (Metal) / Scale 1:1 (Metal), 2014
12 pieces, metal, serigraphic ink
variable dimensions, Photo ©EVERTON BALLARDIN

Carlos Garaicoa

exhibition view at GALLERIA CONTINUA / Beijing, 2017, Ph Oak Taylor-Smith

Carlos Garaicoa

Sumitsubo 2016, found object, japanese paper, thread, pins, and wood table, table: 90 x 240 x 50 cm. Photo: Oak Taylor-Smith

Carlos Garaicoa

Bestiary, exhibition view at GALLERIA CONTINUA / Beijing, 2017

Carlos Garaicoa

Av. 10 de Octubre y Acosta, La Habana 2012, print on gelatine film mounted on bone, 12 x 15 cm

Carlos Garaicoa

Saving the Safe 2017, 6 gold sculptures in 21 Kt, safe boxes, rotating bases, LED lights, wood, dimensions variable. Photo: Sebastiano Pellion. Installation view Art Basel Unlimited 2017

Carlos Garaicoa

Saving the Safe - European Central Bank (ECB) 2017, sculpture in 21 Kt, safe box, rotating base, LED light, wood, 12 x 7,5 x 8,5 cm. Photo: Sebastiano Pellion

Carlos Garaicoa

Saving the Safe - European Central Bank (ECB) 2017, sculpture in 21 Kt, safe box, rotating base, LED light, wood, 12 x 7,5 x 8,5 cm. Photo: Sebastiano Pellion

Carlos Garaicoa

Y después, qué haremos? / And after, what will we do? 2016, Installation. Wood and cristal resin, variable dimensions. Photo: Ela Bialkowska

Carlos Garaicoa

Y después, qué haremos? / And after, what will we do?, 2016, wood and cristal resin, site specific dimensions, Photo Ela Bialkowska, OKNO studio

Carlos Garaicoa

Y después, qué haremos? / And after, what will we do?, 2016, wood and cristal resin, site specific dimensions, Photo Ela Bialkowska, OKNO studio

Carlos Garaicoa

Y después, qué haremos? / And after, what will we do? 2016, Installation. Wood and cristal resin, variable dimensions. Photo: Ela Bialkowska

Carlos Garaicoa

Testigos: Paisaje VII / Witnesses: Landscape VII 2015, Frottage and graphite on paper Bioprima Book 100 gr. Balsa wood model, 60 x 80 cm. Photo: Oak Taylor-Smith

Carlos Garaicoa

The Roots of the World, 2016
wood table, laser cut stainless steel and knives handles
table: 90 x 50 x 160 cm, Photo Ela Bialkowska, OKNO studio

Carlos Garaicoa

The Roots of the World, 2016
wood table, laser cut stainless steel and knives handles
table: 90 x 50 x 160 cm, Photo Ela Bialkowska, OKNO studio

Carlos Garaicoa

Dr. F. Krantz Collection 2014, white Carrara marble, cristal, model Dr. F. Krantz Collection, Bonn, ca. 1900-1920, 42 x 36 x 24 cm. Photo: Sebastiano Pellion di Persano

Carlos Garaicoa

L´Optimiste, solo exhibition at Galleria Continua, Le Moulin, 2012. Photo: Oak Taylor-Smith

Carlos Garaicoa

L´Optimiste, solo exhibition at Galleria Continua, Le Moulin, 2012. Photo: Oak Taylor-Smith

Carlos Garaicoa

De la serie: El dibujo, la escritura , la abstracción (La Abstracción V, Yves Klein visit) / From the series Drawing, Writing, Abstraction (Abstraction V, Yves Klein visit), photograph, 1997-2012
Ilfordjet print color photographs mounted and laminated on Plexiglas and aluminium
188 x 155 cm, 2014-06a-Carlos-Garaicoa-fragil-Continua.jpg, Proyecto Frágil (Santander) / Project Fragile (Santander), 2014, Glass, magnets, Plexiglass, wood, 1532 x 704 x 125 cm, Photo Oak Taylor-Smith

Carlos Garaicoa

Fin de Silencio/ End of Silence, 2010
7 tapestries, 2 Mini DVD video transferred on DVD
ambient size; video 15' 45'' looped, Photo Ela Bialkowska

Carlos Garaicoa

Fin de Silencio/ End of Silence, 2010
7 tapestries, 2 Mini DVD video transferred on DVD
ambient size; video 15' 45'' looped, Photo Ela Bialkowska

Carlos Garaicoa

Fin de Silencio/ End of Silence, 2010
7 tapestries, 2 Mini DVD video transferred on DVD
ambient size; video 15' 45'' looped, Photo Ela Bialkowska

Carlos Garaicoa

De como la tierra se quiere parecer al cielo I, 2005, Holograph, smoke, light, metal, 12, 43 x 13,18 x 05 m, Photo Ela Bialkowska

Carlos Garaicoa

De como la tierra se quiere parecer al cielo I, 2005, Holograph, smoke, light, metal, 12, 43 x 13,18 x 05 m, Photo Ela Bialkowska

Carlos Garaicoa: architecture and the city as a generating engine of narratives

Carlos Garaicoa explores international societies by approaching urban environments and the context of the city. With a great interest in architecture and urbanism, some of his works are reminiscent of scale modelling and they become a landscape onto which our fears, emotions, thoughts and reflections are projected. Taking his native Havana as his starting point, his work has constantly evolved over the years taking in more diverse cityscapes and including common materials and objects. He now lives and works in Madrid where his studio annually opens to host dual shows with both experienced and new artists. Garaicoa is concerned with the relationship between art and urban spaces and subsequently between rule and utopia. These dualities are elaborated upon in his works that have approached the Cuban context and, latterly, international society. The possibilities, decadence and limits of the concept of utopia are frequently exercised before the viewer through sculpture, installation and drawing, amongst other mediums.The use of architectural language and the city as a generating engine of narratives and languages are absolutely fundamental for understanding Garaicoa’s work and they define him as an artist and intellectual.

Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa
Carlos Garaicoa