
La Sección áurea exhibition view, Galleria Continua, Paris Marais. Photo: Allison Borgo
La Sección áurea exhibition view, Galleria Continua, Paris Marais. Photo: Allison Borgo
La Sección áurea exhibition view, Galleria Continua, Paris Marais. Photo: Allison Borgo
La Sección áurea exhibition view, Galleria Continua, Paris Marais. Photo: Allison Borgo
La Sección áurea exhibition view, Galleria Continua, Paris Marais. Photo: Allison Borgo
La Sección áurea exhibition view, Galleria Continua, Paris Marais. Photo: Allison Borgo
υ (Ípsilon) 2024, acrylic and two-coat water-based paint on birch, pine and MDF, 184 x 250,5 x 12,5 cm. Photo: Allison Borgo
O (Omicrón) 2023, Acrylic and two-coat water-based paint on birch, pine and MDF, metaland thread, 250 x 250 x 10 cm. Photo: Allison Borgo
Entre espinas, Between thorns 2024, acacia thorns, oak and linden stems, balsa wood, metal, variable dimensions. Photo: Allison Borgo
Toda utopía pasa por la barriga II, All Utopia Goes Through the Belly II 2024, glass, wood, acrylic, PVC, edible elements, charcoal, stones, variable dimensions. Photo: Allison Borgo
Cristalography III 2024, crystallographic model in cardboard, iron, wood (Austria ca. 1900), aluminum, glass, two-coat water-based paint, MDF, tapir, linden and pine wood, 161 x 55 x 55 cm. Photo: Allison Borgo
Sin Título (Trotcha Perspectiva) / Untitled (Trotcha Perspectiva) 2022, dyptich: pins and thread on B/W Lambda photograph, mounted and laminated on Gator Board, 125 x 160 cm | 49.25 x 62.99 in each one. Photo: Oak Taylor-Smith
Sin Título (Trotcha Perspectiva) / Untitled (Trotcha Perspectiva) 2022, dyptich: pins and thread on B/W Lambda photograph, mounted and laminated on Gator Board, 125 x 160 cm | 49.25 x 62.99 in each one. Photo: Oak Taylor-Smith
De la serie Puzzles: Honda 2022, photography B / W printed on puzzle, laminated photography in Dibond, wood, Plexiglas, 69 x 97 x 11 cm, 27.16 x 38.18 x 4.33 in. Photo: Duccio Benvenuti - Art Store
De la serie Puzzles: Honda 2022, photography B / W printed on puzzle, laminated photography in Dibond, wood, Plexiglas, 69 x 97 x 11 cm, 27.16 x 38.18 x 4.33 in. Photo: Duccio Benvenuti - Art Store
Partitura / Score 2017, sound, video-animation, music stands, tablets, paper, ink, variable dimensions. Photo: Ela Bialkowska, OKNO Studio
Partitura / Score 2017, sound, video-animation, music stands, tablets, paper, ink, variable dimensions. Photo: Ela Bialkowska, OKNO Studio
Partitura / Score 2017, sound, video-animation, music stands, tablets, paper, ink, variable dimensions. Photo: Ela Bialkowska, OKNO Studio
Ciudad Archivo / Archive city 2020, cardboard, lacquered MDF, neon, metal, variable dimensions. Photo: Ela Bialkowska, OKNO Studio
Ciudad Archivo / Archive city 2020, cardboard, lacquered MDF, neon, metal, variable dimensions. Photo: Ela Bialkowska, OKNO Studio
Ciudad Archivo / Frases falsas 2020, cardboard, lacquered MDF, lead linotypes, neon, metal, 66 x 89 x 60 cm, 25,98 x 35,03 x 23,62 in. Photo: Ela Bialkowska, OKNO Studio
Ciudad Archivo / J’accuse 2020, cardboard, lacquered MDF, neon, metal, 101 x 135 x 100 cm, 39,7 x 53,1 x 39,4 in.
Ciudad Archivo / Suffering! / Enjoying! 2021, diptych: cardboard, lacquered MDF, neon, metal, 137 x 41 x 31 cm | 101 x 78 x 14 cm, 53.93 x 16.14 x 12.20 in | 39.76 x 30.70 x 5.51 in. Photo: Ela Bialkowska, OKNO Studio
Ciudad Archivo / Suffering! / Enjoying! 2021, diptych: cardboard, lacquered MDF, neon, metal, 137 x 41 x 31 cm | 101 x 78 x 14 cm, 53.93 x 16.14 x 12.20 in | 39.76 x 30.70 x 5.51 in. Photo: Ela Bialkowska, OKNO Studio
Vertical 2021, acrylic on birch wood, 250 x 62 cm, 98.42 x 24.40 in. Photo: Ela Bialkowska, OKNO Studio
Vertical 2021, acrylic on birch wood, 250 x 62 cm, 98.42 x 24.40 in. Photo: Ela Bialkowska, OKNO Studio
Vertical IX 2021, acrylic on birch wood, 250 x 62 cm, 98.42 x 24.40 in. Photo: Ela Bialkowska, OKNO Studio
Vertical IV 2021, acrylic on birch wood, 250 x 62 cm, 98.42 x 24.40 in. Photo: Ela Bialkowska, OKNO Studio
De la serie lo viejo y lo Nuevo (Grue) / From the series The old and the new (Grue) 2021-2022, 19th century French etching and hand cutted paper, 125 x 33 x 33 cm, 49.21 x 12.99 x 12.99 in. Photo: Oak Taylor-Smith
De la serie lo viejo y lo Nuevo (Grue) / From the series The old and the new (Grue) 2021-2022, 19th century French etching and hand cutted paper, 125 x 33 x 33 cm, 49.21 x 12.99 x 12.99 in. Photo: Oak Taylor-Smith
Soñamos en la superficie rayada de un cristal 2021, mirrors and metal supports, variable dimensions. Photo: Ela Bialkowska, OKNO Studio
Soñamos en la superficie rayada de un cristal 2021, mirrors and metal supports, variable dimensions. Photo: Ela Bialkowska, OKNO Studio
Mantas de corte / Cutting mats 2010-2020, hand cut adhesive tape on cutting mat, 29,8 x 44,8 cm | 11.73 x 17,63 in, 35 x 50 x 4 cm | 13.77 x 19.68 x 1.57 in framed, 44,8 x 29,8 cm | 17,63 x 11.73 in, 50 x 35 x 4 cm | 19.68 x 13.77 x 1.57 in framed. Photo: Ela Bialkowska, OKNO Studio. Photo: Oak Taylor-Smith
Agua de mar - El Coliseo / Sea Water - Coliseum 2020, electrostatic photography printed on methacrylate and Dibond, Forex, wood and metal, 180 x 220 x 15 cm. Photo: Oak Taylor-Smith
Agua de mar - El Coliseo / Sea Water - Coliseum 2020, electrostatic photography printed on methacrylate and Dibond, Forex, wood and metal, 180 x 220 x 15 cm. Photo: Oak Taylor-Smith
Agua de mar - El Coliseo / Sea Water - Coliseum 2020, electrostatic photography printed on methacrylate and Dibond, Forex, wood and metal, 180 x 220 x 15 cm. Photo: Oak Taylor-Smith
De la serie Puzzles: Trocha 2019, photography B/W printed on puzzle, laminated photography in Dibond, wood, Plexiglas, 69,3 x 97,3 x 12,5 cm, 27,16 x 38,18 x 4,92 in. Photo: Oak Taylor-Smith
De la serie Puzzles: Trocha 2019, photography B/W printed on puzzle, laminated photography in Dibond, wood, Plexiglas, 69,3 x 97,3 x 12,5 cm, 27,16 x 38,18 x 4,92 in. Photo: Oak Taylor-Smith
Zero 2020, domino set in methacrylate and metal, wooden table and chairs. Photo: Nestor Kim
Zero 2020, domino set in methacrylate and metal, wooden table and chairs. Photo: Nestor Kim
Zero 2020, domino set in methacrylate and metal, wooden table and chairs. Photo: Nestor Kim
Modelo C-VI / Model C-VI 2020, Graphite drawing on Guarro paper 240 gr, 50 x 70 cm, 19,68 x 27,55 in. Photo: Oak Taylor-Smith
País siniestro/ Sinister Country 2010 - 2020, hand cut adhesive tape on cutting blanket, 29,8 x 44,8 cm, 11,73 x 17,63 in. Photo: Oak Taylor-Smith
Birlibirloque (Malecón IV) 2018. 3D model engraved in glass, B/W photographs diptych printed on Ilford FB paper. Model: 25 x 11 x 14 cm. Photographs: 70 x 58 x 4,5 cm each. Photo: Nestor Kim
Exhibition view ‘UMBRALES’, Galleria Continua, Habana. Photo: Nestor Kim
Sin título / Untitled (Fábrica y humos) 2012. Thread, pins. Photo: Nestor Kim
From the series The Old and the New (Hombres en Equilibrio) 2011. Photographic print on Hahnemüehle paper 188 g, hand cut cardboard, 29,7 x 42 x 11 cm. Photo: Nestor Kim
Patologías Urbanas / Urban Pathologies 2018, site-specific installation. Paper, ink. Photo Nestor Kim
Patologías Urbanas / Urban Pathologies 2018, site-specific installation. Paper, ink. Photo Nestor Kim
Patologías Urbanas / Urban Pathologies 2018, site-specific installation. Paper, ink. Photo Nestor Kim
Sin Título/ Untitled (Torres de Petróleo) 2019, pins and thread on Lambda photography mounted and laminated on Gator Board, 125 x 155 cm. Photo: Oak Taylor-Smith
Sin Título/ Untitled (Torres de Petróleo) 2019, pins and thread on Lambda photography mounted and laminated on Gator Board, 125 x 155 cm. Photo: Oak Taylor-Smith
Sin Título/ Untitled (Torres de Petróleo) 2019, pins and thread on Lambda photography mounted and laminated on Gator Board, 125 x 155 cm. Photo: Oak Taylor-Smith
Abismo, 2017, Rotoscopic animation, sound, HD 1080 p, 9 min. Music: “Abîme des oiseaux” by Olivier Messiaen. Performed by Mahé Marty, clarinet. Photo Ela Bialkowska
Abismo, 2017, Rotoscopic animation, sound, HD 1080 p, 9 min. Music: “Abîme des oiseaux” by Olivier Messiaen. Performed by Mahé Marty, clarinet. Photo Ela Bialkowska
Vuelos endémicos II (4) / Endemic flights II (4), 2016, Installation, Three hand cut stamps: one old stamp United States Postage 1942, one old stamp Third Reich 1938, one recreation of the Basel Dove Stamp 2016, ethacrylate, wood, magnifying glass, leather and velvet box, 18 x 33.7 x 9.3 cm (closed). Photo Ela Bialkowska
Vuelos endémicos II (4) / Endemic flights II (4), 2016, Installation, Three hand cut stamps: one old stamp United States Postage 1942, one old stamp Third Reich 1938, one recreation of the Basel Dove Stamp 2016, ethacrylate, wood, magnifying glass, leather and velvet box, 18 x 33.7 x 9.3 cm (closed). Photo Ela Bialkowska
Vuelos endémicos II (4) / Endemic flights II (4), 2016, Installation, Three hand cut stamps: one old stamp United States Postage 1942, one old stamp Third Reich 1938, one recreation of the Basel Dove Stamp 2016, ethacrylate, wood, magnifying glass, leather and velvet box, 18 x 33.7 x 9.3 cm (closed). Photo Ela Bialkowska
exhibition view at GALLERIA CONTINUA / Beijing, 2017, Ph Oak Taylor-Smith
Bestiary, exhibition view at GALLERIA CONTINUA / Beijing, 2017
Bestiary, exhibition view at GALLERIA CONTINUA / Beijing, 2017
exhibition view at GALLERIA CONTINUA / Beijing, 2017, Ph Oak Taylor-Smith
Bestiary, exhibition view at GALLERIA CONTINUA / Beijing, 2017
Bestiary, exhibition view at GALLERIA CONTINUA / Beijing, 2017
Escala 1:1 (Metal) / Scale 1:1 (Metal), 2014 12 pieces, metal, serigraphic ink variable dimensions, Photo ©EVERTON BALLARDIN
exhibition view at GALLERIA CONTINUA / Beijing, 2017, Ph Oak Taylor-Smith
Sumitsubo 2016, found object, japanese paper, thread, pins, and wood table, table: 90 x 240 x 50 cm. Photo: Oak Taylor-Smith
Bestiary, exhibition view at GALLERIA CONTINUA / Beijing, 2017
Av. 10 de Octubre y Acosta, La Habana 2012, print on gelatine film mounted on bone, 12 x 15 cm
Saving the Safe 2017, 6 gold sculptures in 21 Kt, safe boxes, rotating bases, LED lights, wood, dimensions variable. Photo: Sebastiano Pellion. Installation view Art Basel Unlimited 2017
Saving the Safe - European Central Bank (ECB) 2017, sculpture in 21 Kt, safe box, rotating base, LED light, wood, 12 x 7,5 x 8,5 cm. Photo: Sebastiano Pellion
Saving the Safe - European Central Bank (ECB) 2017, sculpture in 21 Kt, safe box, rotating base, LED light, wood, 12 x 7,5 x 8,5 cm. Photo: Sebastiano Pellion
Y después, qué haremos? / And after, what will we do? 2016, Installation. Wood and cristal resin, variable dimensions. Photo: Ela Bialkowska
Y después, qué haremos? / And after, what will we do?, 2016, wood and cristal resin, site specific dimensions, Photo Ela Bialkowska, OKNO studio
Y después, qué haremos? / And after, what will we do?, 2016, wood and cristal resin, site specific dimensions, Photo Ela Bialkowska, OKNO studio
Y después, qué haremos? / And after, what will we do? 2016, Installation. Wood and cristal resin, variable dimensions. Photo: Ela Bialkowska
Testigos: Paisaje VII / Witnesses: Landscape VII 2015, Frottage and graphite on paper Bioprima Book 100 gr. Balsa wood model, 60 x 80 cm. Photo: Oak Taylor-Smith
The Roots of the World, 2016 wood table, laser cut stainless steel and knives handles table: 90 x 50 x 160 cm, Photo Ela Bialkowska, OKNO studio
The Roots of the World, 2016 wood table, laser cut stainless steel and knives handles table: 90 x 50 x 160 cm, Photo Ela Bialkowska, OKNO studio
Dr. F. Krantz Collection 2014, white Carrara marble, cristal, model Dr. F. Krantz Collection, Bonn, ca. 1900-1920, 42 x 36 x 24 cm. Photo: Sebastiano Pellion di Persano
L´Optimiste, solo exhibition at Galleria Continua, Le Moulin, 2012. Photo: Oak Taylor-Smith
L´Optimiste, solo exhibition at Galleria Continua, Le Moulin, 2012. Photo: Oak Taylor-Smith
De la serie: El dibujo, la escritura , la abstracción (La Abstracción V, Yves Klein visit) / From the series Drawing, Writing, Abstraction (Abstraction V, Yves Klein visit), photograph, 1997-2012 Ilfordjet print color photographs mounted and laminated on Plexiglas and aluminium 188 x 155 cm, 2014-06a-Carlos-Garaicoa-fragil-Continua.jpg, Proyecto Frágil (Santander) / Project Fragile (Santander), 2014, Glass, magnets, Plexiglass, wood, 1532 x 704 x 125 cm, Photo Oak Taylor-Smith
Fin de Silencio/ End of Silence, 2010 7 tapestries, 2 Mini DVD video transferred on DVD ambient size; video 15' 45'' looped, Photo Ela Bialkowska
Fin de Silencio/ End of Silence, 2010 7 tapestries, 2 Mini DVD video transferred on DVD ambient size; video 15' 45'' looped, Photo Ela Bialkowska
Fin de Silencio/ End of Silence, 2010 7 tapestries, 2 Mini DVD video transferred on DVD ambient size; video 15' 45'' looped, Photo Ela Bialkowska
De como la tierra se quiere parecer al cielo I, 2005, Holograph, smoke, light, metal, 12, 43 x 13,18 x 05 m, Photo Ela Bialkowska
De como la tierra se quiere parecer al cielo I, 2005, Holograph, smoke, light, metal, 12, 43 x 13,18 x 05 m, Photo Ela Bialkowska
Carlos Garaicoa explores international societies by approaching urban environments and the context of the city. With a great interest in architecture and urbanism, some of his works are reminiscent of scale modelling and they become a landscape onto which our fears, emotions, thoughts and reflections are projected. Taking his native Havana as his starting point, his work has constantly evolved over the years taking in more diverse cityscapes and including common materials and objects. He now lives and works in Madrid where his studio annually opens to host dual shows with both experienced and new artists. Garaicoa is concerned with the relationship between art and urban spaces and subsequently between rule and utopia. These dualities are elaborated upon in his works that have approached the Cuban context and, latterly, international society. The possibilities, decadence and limits of the concept of utopia are frequently exercised before the viewer through sculpture, installation and drawing, amongst other mediums.The use of architectural language and the city as a generating engine of narratives and languages are absolutely fundamental for understanding Garaicoa’s work and they define him as an artist and intellectual.
Adel Abdessemed Etel Adnan Ai Weiwei Leila Alaoui Juan Araujo Kader Attia Barbana Bojadzi Daniel Buren Cai Guo-Qiang Alejandro Campins Iván Capote Yoan Capote Loris Cecchini Elizabet Cerviño Chen Zhen Nikhil Chopra Marcelo Cidade Carlos Cruz-Diez Jonathas de Andrade Berlinde De Bruyckere Leandro Erlich Carlos Garaicoa Osvaldo González Antony Gormley Gu Dexin Shilpa Gupta Subodh Gupta Carsten Höller Eva Jospin JR Ilya & Emilia Kabakov Zhanna Kadyrova Kan Xuan Anish Kapoor André Komatsu Jannis Kounellis Julio Le Parc Luis López-Chávez Jorge Macchi Ahmed Mater Cildo Meireles José Mesías Sabrina Mezzaqui Moataz Nasr Rudi Ninov Giovanni Ozzola Ornaghi & Prestinari Hans Op de Beeck Michelangelo Pistoletto Susana Pilar Qiu Zhijie Tobias Rehberger Arcangelo Sassolino Manuela Sedmach Serse Kiki Smith Nedko Solakov Marta Spagnoli José Antonio Suárez Londoño Hiroshi Sugimoto Sun Yuan & Peng Yu Ana Maria Tavares Pascale Marthine Tayou Armando Testa Nari Ward Sislej Xhafa José Yaque Zhuang Hui