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Daniel Buren

Photo-souvenir: Les 3 Portiques, 2019, work in situ, wood, paint, white adhesive vinyl stripes large 8,7 cm, 253,5 x 297 x 43,5 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Les 3 Portiques, 2019, work in situ, wood, paint, white adhesive vinyl stripes large 8,7 cm, 253,5 x 297 x 43,5 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Les 2 Mosaïques empruntées, 2019, works in situ, White adhesive vinyl stripes large 8,7 cm, 525 x 945 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: La Porte, 2019, work in situ, White adhesive vinyl stripes large 8,7 cm and colored transparent adhesive vinyl. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Les Murs, 2019, works in situ, red colored room and blue colored room. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Les Murs, 2019, works in situ, red colored room and blue colored room. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Deux Verrières colorées, 2019, work in situ, colored transparent adhesive vinyl. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Deux Verrières colorées, 2019, work in situ, colored transparent adhesive vinyl. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: La Cabane éclatée transparente II, 2000-2018, situated work, Plexiglas, wood, cotton canvas in white and black alternated and vertical stripes of 8,7 cm each, white paint, 234,9 x 234,9 x 237,5 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Losange 1, 2019, aluminium prisms, satin paint, aluminium Alucobond panels, 8.7 cm black vinyl stripes, glue, total measures: 247 x 247 x 30, 45 cm; each prism: 49,4 x 49,4 x 30,45 cm; each mirror: 49,4 x 49,4 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Losange 1, 2019, aluminium prisms, satin paint, aluminium Alucobond panels, 8.7 cm black vinyl stripes, glue, total measures: 247 x 247 x 30, 45 cm; each prism: 49,4 x 49,4 x 30,45 cm; each mirror: 49,4 x 49,4 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Losange 2, 2019, aluminium prisms, satin paint, aluminium Alucobond panels, 8.7 cm black vinyl stripes, glue, total measures: 247 x 247 x 30,45 cm; each prism: 49,4 x 49,4 x 30,45 cm; each mirror: 49,4 x 49,4 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Prismes et miroirs - DB 3, 2018, aluminium prisms, satin paint, aluminium Alucobond panels, 8.7 cm black vinyl stripes, glue, total measures: 217,5 x 217,5 x 30,45; each prism: 43,5 x 43,5 x 30,45 cm; each mirror: 43,5 x 43,5 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Pyramidal, haut-relief - A 8, 2016, aluminium prisms, acrylic satin paint, aluminium Alucobond panels, 8.7 cm black vinyl stripes, glue, total measures: 261 x 478,5 x 30,45 cm; each prism: 43,5 x 43,5 x 30,45 cm; each mirror: 43,5 x 43,5 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Pyramidal, haut-relief - A 8, 2016, aluminium prisms, acrylic satin paint, aluminium Alucobond panels, 8.7 cm black vinyl stripes, glue, total measures: 261 x 478,5 x 30,45 cm; each prism: 43,5 x 43,5 x 30,45 cm; each mirror: 43,5 x 43,5 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Colore, luce, proiezione, ombra, trasparenza, lavoro situato n°6, 2015, situated work, adhesive colored transparent vinyl, white matt adhesive stripes large 8,7 cm on transparent Plexiglas, metallic structure, 200 x 200 cm. Exhibition ’De cualquier manera, trabajos in situ y situados’, Museo de Arte Italiano, Lima, 2019. Photo Pablo Murrugarra.

Daniel Buren

Photo-souvenir: Swisshouse Rossa, work in situ and permanent, 2017, Rossa, Swisse. Photo: Alexandre Zveiger, Lugano, Switzerland. © Daniel Buren – ADAGP, Paris

Daniel Buren

Photo-souvenir: Swisshouse Rossa, work in situ and permanent, 2017, Rossa, Swisse. Photo: Alexandre Zveiger, Lugano, Switzerland. © Daniel Buren – ADAGP, Paris

Daniel Buren

Photo-souvenir: Swisshouse Rossa, work in situ and permanent, 2017, Rossa, Swisse. Photo: Alexandre Zveiger, Lugano, Switzerland. © Daniel Buren – ADAGP, Paris

Daniel Buren

Photo-souvenir: Swisshouse Rossa, work in situ and permanent, 2017, Rossa, Swisse. Photo: Alexandre Zveiger, Lugano, Switzerland. © Daniel Buren – ADAGP, Paris

Daniel Buren

Photo-souvenir: Circa il ritorno di una svolta – Iscrizioni. Versione IV, 1986 - 2010, work in situ, tables of rough wood, paint, ink, 123 x 1480 x 990 cm, © DB-ADAGP Paris. Photo Ela Bialkowska

Daniel Buren

Photo-souvenir: Autour du retour d’un détour – Inscriptions. Versions VI, 1986-2017, work in situ, GALLERIA CONTINUA, Les Moulins, October 2017, tables of rough wood, paint, ink, 17,35 x 9,88 m. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: Autour du retour d’un détour – Inscriptions. Versions VI, 1986-2017, work in situ, GALLERIA CONTINUA, Les Moulins, October 2017, tables of rough wood, paint, ink, 17,35 x 9,88 m. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: Autour du retour d’un détour – Inscriptions. Versions VI, 1986-2017, work in situ, GALLERIA CONTINUA, Les Moulins, October 2017, tables of rough wood, paint, ink, 17,35 x 9,88 m. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: Autour du retour d’un détour – Inscriptions. Versions VI, 1986-2017, work in situGALLERIA CONTINUA, Les Moulins, October 2017, tables of rough wood, paint, ink, 17,35 x 9,88 m. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: À L’Échelle 1/1 - Hors Échelle, 2017, work in situ, GALLERIA CONTINUA, Les Moulins, white adhesive vinyl large 8,7 cm, colored paint. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: 'Continua… Continua, d’une Déchirure l’autre de 1986 à 2017' 2017, work retrospective and in situ, Galleria Continua, Les Moulins, adhesive vinyl, paper. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: Continua… Continua, d’une Déchirure l’autre de 1986 à 2017, 2017, work retrospective and in situGALLERIA CONTINUA, Les Moulins, adhesive vinyl, paper. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: Continua… Continua, d’une Déchirure l’autre de 1986 à 2017, 2017, work retrospective and in situGALLERIA CONTINUA, Les Moulins, adhesive vinyl, paper. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: Trois couleurs sur le Grand Morin, 2017, work in situGALLERIA CONTINUA, Les Moulins, auto-adhesive coloured translucide vinyls, auto-adhesive white vinyls, 50 x 170 cm each window. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: La scacchiera arcobaleno ondeggiante, 2016, work in situ, Palatino, Roma, 35 flags of coloured fabric printed with white vertical stripes 8,7 cm large, metal, © DB-ADAGP Paris. Photo Lorenzo Fiaschi

Daniel Buren

Photo-souvenir: La scacchiera arcobaleno ondeggiante, 2016, work in situ, Palatino, Roma, 35 flags of coloured fabric printed with white vertical stripes 8,7 cm large, metal, © DB-ADAGP Paris. Photo Lorenzo Fiaschi

Daniel Buren

Photo-souvenir: Le Grand Losange, 2016, work in situ, Galerie Aveline Jean-Marie Rossi, Paris, white adhesive vinyl large 8,7 cm, black paint, colored translucid vinyl, © DB-ADAGP Paris. Photo Vanni Bassetti

Daniel Buren

Photo-souvenir: Le Grand Losange, 2016, work in situ, Galerie Aveline Jean-Marie Rossi, Paris, white adhesive vinyl large 8,7 cm, black paint, colored translucid vinyl, © DB-ADAGP Paris. Photo Vanni Bassetti

Daniel Buren

Photos-souvenir: Promenade à La Havane, work in situ, Biennale d'art contemporain, La Havana, May 2015. Detail © DB-ADAGP Paris 

Daniel Buren

Photos-souvenir: Promenade à La Havane, work in situ, Biennale d'art contemporain, La Havana, May 2015. Detail © DB-ADAGP Paris 

Daniel Buren

Photos-souvenir: Promenade à La Havane, work in situ, Biennale d'art contemporain, La Havana, May 2015. Detail © DB-ADAGP Paris 

Daniel Buren

Photo-souvenir: En voiture! Atten au départ!, work in situ, Biennale d'art contemporain, Casablanca station, La Havana, May 2015. Detail © DB-ADAGP Paris, Photo: Lorenzo Fiaschi

Daniel Buren

Photo-souvenir: Una cosa tira l'altra, lavori in situ e situati, 1965-2015, installation view GALLERIA CONTINUA, San Gimignano, February 2015, © DB-ADAGP Paris. Photo Ela Bialkowska

Daniel Buren

Photo-souvenir: Una cosa tira l'altra, 2015, works in situ and situated, scaffolding, white matt adhesive vinyl large 8,7 cm on green painted wood, work space dimension. Photo Ela Bialkowska

Daniel Buren

Photo-souvenir: Una cosa tira l'altra, 2015, works in situ and situated, scaffolding, white matt adhesive vinyl large 8,7 cm on green painted wood, work space dimension. Photo Ela Bialkowska

Daniel Buren

Photo-souvenir: Una cosa tira l'altra, 2015, works in situ and situated, scaffolding, white matt adhesive vinyl large 8,7 cm on green painted wood, work space dimension. Photo Ela Bialkowska

Daniel Buren

Photo-souvenir: Il muro tagliato e proiettato, 2015, work in situ, blue matt adhesive vinyl large 8,7 cm on wood, © DB-ADAGP Paris. Photo Ela Bialkowska

Daniel Buren

Photo-souvenir: Il muro tagliato e proiettato, 2015, work in situ, blue matt adhesive vinyl large 8,7 cm on wood, © DB-ADAGP Paris. Photo Ela Bialkowska

Daniel Buren

Photo-souvenir: Colore, luce, proiezione, ombra, trasparenza, lavoro situato n°6, 2015, situated work, adhesive colored transparent vinyl, white matt adhesive stripes large 8,7 cm on transparent Plexiglas, metallic structure, 200 x 200 cm, © DB-ADAGP Paris. Photo Ela Bialkowska

Daniel Buren

Photo-souvenir: Colore, luce, proiezione, ombra, trasparenza, lavoro situato n°6, 2015, situated work, adhesive colored transparent vinyl, white matt adhesive stripes large 8,7 cm on transparent Plexiglas, metallic structure, 200 x 200 cm, © DB-ADAGP Paris. Photo Ela Bialkowska

Daniel Buren

Photo-souvenir: Des Oculi aux Tondi, 25 travaux in situ et situés pour les 25 ans de Galleria Continua, 2015, situated work, colored Plexiglas Altuglas, translucent white adhesive stripes of 8,7 cm large on transparent Plexiglas, black steel satin frame, cable, 215 cm ø each, © DB-ADAGP Paris. Photo Marc Domage

Daniel Buren

Photo-souvenir: Des Oculi aux Tondi, 25 travaux in situ et situés pour les 25 ans de Galleria Continua, 2015, situated work, colored Plexiglas Altuglas, translucent white adhesive stripes of 8,7 cm large on transparent Plexiglas, black steel satin frame, cable, 215 cm ø each, © DB-ADAGP Paris. Photo Marc Domage

Daniel Buren

Photo-souvenir: Des Oculi aux Tondi, 25 travaux in situ et situés pour les 25 ans de Galleria Continua, 2015, situated work, colored Plexiglas Altuglas, translucent white adhesive stripes of 8,7 cm large on transparent Plexiglas, black steel satin frame, cable, 215 cm ø each, © DB-ADAGP Paris. Photo Marc Domage

Daniel Buren

Photo-souvenir: Couleurs et Ombres portées N°8, 2006, situated work, white matt adhesive vinyl and blue adhesive vinyl on transparent Plexiglas, white paint on metallic structure, cable, 200 x 200 cm, © DB-ADAGP Paris. Photo Ela Bialkowska

Daniel Buren

Photo-souvenir: Double rythme pour un mur, 2 x 5 couleurs et 2 x 6 formes + une demie, October 2015, work in situ, GALLERIA CONTINUA, Les Moulins, strips of white paint large 8,7 cm on colored painted wall, 339 x 4252 cm, © DB-ADAGP Paris. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: Double rythme pour un mur, 2 x 5 couleurs et 2 x 6 formes + une demie, octobre 2015, work in situ, GALLERIA CONTINUA, Les Moulins, strips of white paint large 8,7 cm on colored painted wall, 339 x 4252 cm, © DB-ADAGP Paris. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: Pour Trois Couleurs, c'est plié, 2014, work in situ, white stripes painted (8,7 cm large), and blue, yellow and green paint on three walls, © DB-ADAGP Paris. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: Trois drapeaux pour un losange, ou le rouge est mis, 2014, work in situ, red fabric with white vertical stripes (silk-screen) each one 8,7 cm large, each flag: 675 x 217,5 cm, © DB-ADAGP Paris. Photo Oak Taylor-Smith

Daniel Buren

Photo-souvenir: De travers et trop grand - bleu, 2013, work in situ, blue adhesive vinyl large 8,7 cm on white wall, 350 x 350 cm (variable dimensions), © DB-ADAGP Paris

Daniel Buren

Photo-souvenir: Vitrage pour Sainte-Marie, 2012, work in situ, coloured adhesive vinyl, white and black adhesive vinyl large 8,7 cm, white paint, © DB-ADAGP Paris. Photo Alicia Luxem

Daniel Buren

Photo-souvenir: Vitrage pour Sainte-Marie, 2012, work in situ, coloured adhesive vinyl, white and black adhesive vinyl large 8,7 cm, white paint, © DB-ADAGP Paris. Photo Alicia Luxem

Daniel Buren

Photo-souvenir: Vitrage pour Sainte-Marie, 2012, work in situ, coloured adhesive vinyl, white and black adhesive vinyl large 8,7 cm, white paint, © DB-ADAGP Paris. Photo Alicia Luxem

Daniel Buren

Photo-souvenir: Couleurs et Ombres portées pour une cabane éclatée au toit pointu, 2006, work in situ and situated, wood, colour filters on glass, 6700 x 1000 x 1000 cm, © DB-ADAGP Paris

Daniel Buren

Photo-souvenir: Couleurs et Ombres portées pour une cabane éclatée au toit pointu, 2006, work in situ and situated, wood, colour filters on glass, 6700 x 1000 x 1000 cm, © DB-ADAGP Paris

Daniel Buren

Photo-souvenir: Périmètre - Blanc, 1969-2015, work in situ, white adhesive vinyl large 8,7 x 52 cm on colored wall, work, © DB-ADAGP Paris. Photo Oak Taylor-Smith

Buren’s Art goes through coloured stripes fixed on both paper and buildings as visual instruments in order to define the space. 
Daniel Buren is a French artist who studied in Paris at the École Nationale Supérieure des Métiers d’Art e l’École des Beaux-Arts. Making of his practice his own brand, Buren, has reinvented the idea of painter and artist in general. In fact, his stripes brush strokes sometimes become real sculptures. There is no single way of observing them, but it is fragmented into a thousand pieces, in different points of view that put the user in a constant relationship with forms, usually geometric and abstract.
What strikes most about Buren is the capability to reinvent places and visions starting from a single point, that almost surprises the spectator. There’s a kind of timelessness in his works where primary colours play with our eyes. His solid characteristic is to work in situ; in fact, his works deal with a minimalistic trend and he based his expressive language on a variety of supports as paper, plastic, wood and canvas. At the same time, he expressed his Art on walls, bleachers and windows using coloured stripes in white and blue as visual instruments that should define spaces. 
It is the work that acquires meaning, according to the context in which it develops and in which it is presented to the public. In this way, buren has only a marginal role in which the state of affairs claims an essential reality and a simplicity of things.
He exhibited at the Venice Biennial many times, and in 1986 when he represented France he won the Golden Lion for the best pavilion. In 2002 at the Centre Pompidou he staged the exhibition “Le musée qui n'existait pas”, a labyrinth composed by seventy coloured cells with plays of mirrors. 
Moreover, in 2010 it has been inaugurated his first permanent at Macro (Contemporary Museum in Rome).

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