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Arcangelo Sassolino

ST 2022, rubber and hydraulic piston, 52 x 36,5 x 19 cm, 20.47 x 14.37 x 7.48 in. Photo: Oak Taylor-Smith

Arcangelo Sassolino

'Forme et Temps' exhibition view, GALLERIA CONTINUA / Paris. Photo: Oak Taylor-Smith

Arcangelo Sassolino

Ottaviano 2022, air, tire, steel, 103 x 98 x 77 cm, 40.55 x 38.58 x 30.31 in. Photo: Oak Taylor-Smith

Arcangelo Sassolino

Untitled 2018, cement, steel, 161 x 149 x 21 cm. Photo: Oak Taylor-Smith

Arcangelo Sassolino

Tanto dopo 2022, glass and steel, 79 x 76 x 11 cm, 31.10 x 29.92 x 4.33 in. Photo: Oak Taylor-Smith

Arcangelo Sassolino

Senza Titolo 18 2022, cement and steel, 73 x 72 x 13,3 cm, 28.74 x 28.34 x 5.23 in. Photo: Oak Taylor-Smith

Arcangelo Sassolino

Momento 2020, paper and steel, 29 x 30 x 46,5 cm, 11.41 x 11.18 x 18.30 in. Photo: Oak Taylor-Smith

Arcangelo Sassolino

Senza Titolo 2022, paper and steel, 30 x 26 x 12,7 cm, 11.81 x 10.24 x 5 in. Photo: Oak Taylor-Smith

Arcangelo Sassolino

Così però 2020, glass, steel, polyester, 101 x 43 x 12,5 cm, 39,76 x 16,92 x 4,92 in. Photo: Oak Taylor-Smith

Arcangelo Sassolino

Malta Pavilion, 59th International Art Exhibition – La Biennale di Venezia, 2022. Photo: Agostino Osio - Alto Piano

Arcangelo Sassolino

Malta Pavilion, 59th International Art Exhibition – La Biennale di Venezia, 2022. Photo: Agostino Osio - Alto Piano

Arcangelo Sassolino

Malta Pavilion, 59th International Art Exhibition – La Biennale di Venezia, 2022. Photo: Agostino Osio - Alto Piano

Arcangelo Sassolino

Malta Pavilion, 59th International Art Exhibition – La Biennale di Venezia, 2022. Photo: Agostino Osio - Alto Piano

Arcangelo Sassolino

Malta Pavilion, 59th International Art Exhibition – La Biennale di Venezia, 2022. Photo: Agostino Osio - Alto Piano

Arcangelo Sassolino

Malta Pavilion, 59th International Art Exhibition – La Biennale di Venezia, 2022. Photo: Agostino Osio - Alto Piano

Arcangelo Sassolino

L’impossibile chiusura del cerchio 2020, Glass and steel, Variable dimensions. Photo: Nestor Kim 

Arcangelo Sassolino

L’impossibile chiusura del cerchio 2020, Glass and steel, Variable dimensions. Photo: Nestor Kim 

Arcangelo Sassolino

I.U.B.P., 2017, air, tire, steel, 70 x 29 x 86 cm, Photo Pamela Randon

Arcangelo Sassolino

I.U.B.P., 2017, air, tire, steel, 70 x 29 x 86 cm, Photo Pamela Randon

Arcangelo Sassolino

Nucleo, 2016, steel and glass, h 200 x 75 x 40 cm

Arcangelo Sassolino

Nucleo, 2016, steel and glass, h 200 x 75 x 40 cm

Arcangelo Sassolino

Mai più come prima, 2016, 11 glasses, steel clamp, 139 x 39,5 x 17,5 cm, Photo Pamela Randon

Arcangelo Sassolino

Mai più come prima, 2016, 11 glasses, steel clamp, 139 x 39,5 x 17,5 cm, Photo Pamela Randon

Arcangelo Sassolino

Untitled, 2016, black concrete, 117 x 101 x 29 cm, Photo Pamela Randon

Arcangelo Sassolino

Untitled, 2016, black concrete, 117 x 101 x 29 cm, Photo Pamela Randon

Arcangelo Sassolino

Untitled, 2016, black concrete, 117 x 101 x 29 cm, Photo Pamela Randon

Arcangelo Sassolino

Untitled, 2016, black concrete, 117 x 101 x 29 cm, Photo Pamela Randon

Arcangelo Sassolino

Canto V, 2016, wood, steel, hydraulic system, 183 x 485 x 53 cm, Photo Ela Bialkowska

Arcangelo Sassolino

Canto V, 2016, wood, steel, hydraulic system, 183 x 485 x 53 cm, Photo Ela Bialkowska

Arcangelo Sassolino

Canto V, 2016, wood, steel, hydraulic system, 183 x 485 x 53 cm, Photo Ela Bialkowska

Arcangelo Sassolino

Untitled, 2016, blue concrete, 97 x 96 x 21 cm, Photo Pamela Randon

Arcangelo Sassolino

Untitled, 2016, blue concrete, 97 x 96 x 21 cm, Photo Pamela Randon

Arcangelo Sassolino

Piccole Guerre, 2016, stainless still, glass, nitrogen, variable dimensions, Photo Ela Bialkowska

Arcangelo Sassolino

Piccole Guerre, 2016, stainless still, glass, nitrogen, variable dimensions, Photo Ela Bialkowska

Arcangelo Sassolino

Piccole Guerre, 2016, stainless still, glass, nitrogen, variable dimensions, Photo Ela Bialkowska

Arcangelo Sassolino

Piccole Guerre, 2016, stainless still, glass, nitrogen, variable dimensions, Photo Ela Bialkowska

Arcangelo Sassolino

Untitled, 2016, black cement, 101 x 97 x 19 cm, Photo Pamela Randon

Arcangelo Sassolino

Untitled, 2016, black cement, 101 x 97 x 19 cm, Photo Pamela Randon

Arcangelo Sassolino

LE SOLITE COSE, 2017, steel and soccer balls, 53 x 53 x 51 cm, Photo Pamela Randon

Arcangelo Sassolino

LE SOLITE COSE, 2017, steel and soccer balls, 53 x 53 x 51 cm, Photo Pamela Randon

Arcangelo Sassolino

I.U.B.P., 2015, air, tire, steel, 85 x 85 x 76 cm

Arcangelo Sassolino

I.U.B.P., 2015, air, tire, steel, 85 x 85 x 76 cm

Arcangelo Sassolino

Senza titolo, 2015, pressed paper at 1000 Ton, 27 x 41 x 55 cm

Arcangelo Sassolino

Stelle, 2014, glass and pvc, 83 x 81 x 13 cm, Photo Pamela Randon

Arcangelo Sassolino

Stelle, 2014, glass and pvc, 83 x 81 x 13 cm, Photo Pamela Randon

Arcangelo Sassolino

I.U.B.P., 2013, tire and ratchet tie, 55 x 55 x 25 cm

Arcangelo Sassolino

I.U.B.P., 2013, tire and ratchet tie, 55 x 55 x 25 cm

Arcangelo Sassolino

Analisi, 2013, steel, industrial paint, 35 x 22 x 25 cm

Arcangelo Sassolino

Analisi, 2013, steel, industrial paint, 35 x 22 x 25 cm

Arcangelo Sassolino

Il vuoto attorno, 2012, steel and glass, 173 x 111 x 15 cm, Photo Pamela Randon

Arcangelo Sassolino

Il vuoto attorno, 2012, steel and glass, 173 x 111 x 15 cm, Photo Pamela Randon

Arcangelo Sassolino

elisa, 2012, steel, hydraulic oil pump, plc (digital computer used for automation of electromechanical processes), 490 x 770 x 570 cm

Arcangelo Sassolino

elisa, 2012, steel, hydraulic oil pump, plc (digital computer used for automation of electromechanical processes), 490 x 770 x 570 cm

Arcangelo Sassolino

Piccolo animismo, 2011, stainless steel, air, rubber, pneumatic system, plc, 300 x 400 x 200 cm, Photo Ela Bialkowska

Arcangelo Sassolino

Piccolo animismo, 2009, PVC, pneumatic system, 95 x 100 x 115 cm, Photo by: Ela Bialkowska

Arcangelo Sassolino

Piccolo animismo, 2009, PVC, pneumatic system, 95 x 100 x 115 cm, Photo by: Ela Bialkowska

Arcangelo Sassolino

untitled, 2006, steel, hydraulic oil system, 97 x 160 x 160 cm, Photo Pamela Randon

Arcangelo Sassolino

untitled, 2006, steel, hydraulic oil system, 97 x 160 x 160 cm, Photo Pamela Randon

Arcangelo Sassolino

In, 2002, reinforced concrete, 200 x 270 x 12 cm, Photo Pamela Randon

Arcangelo Sassolino

In, 2002, reinforced concrete, 200 x 270 x 12 cm, Photo Pamela Randon

Arcangelo Sassolino: tension, anticipation and risk

Arcangelo Sassolino was born in Vicenza, Italy in 1967 where he still lives and works. His works and installations explore mechanical behavior in machines and materials as well as the physical properties and results of forces. Sassolino’s studio location, in the industrial north of Italy where the landscape has given way to industrial factories and an urban landscape, provides an endless resource in mechanical and industrial production. By applying to materials physical natural phenomena such as gravity, speed or pressure, a new potential is unlocked and allows a manipulation in the solidity of certain constituents. The functionality of the machinery used to exert these forces becomes an aesthetic of its own. 

Establishing a relationship with the viewer is achieved through the creation of tension, expectancy and risk. Many of his works incorporate movement and inertia which encourage another type of reaction; a breakage or destruction is an “accident” determined by the machine’s process that is designed by the artist. This expectation and awareness of risk, alongside the strong aesthetic of the works are important in the onlooker’s experience. 

Amongst his most recent solo shows we mention: “Arcangelo Sassolino, fragilissimo”, Galleria dello Scudo, Verona, Italy 2019; “Arcangelo Sassolino”, Villa Medici, Roma, Italy 2019;  “Arcangelo Sassolino: Warped Matter, Curved Time”, Pearl Lam Galleries H Queen’s, Hong Kong 2018; “The Way We Were”, Galleria Continua/Le Moulin, Boissy-le-Châtel, France 2018. Amongst his most recent group shows we mention: “Artistic Intelligence”, Kunstverein, Hannover, DEU, curated by Sergey Harutoonian 2019; “Artistes & Robots”, Grand Palais, Paris, France 2019; “The Transported Man”, curated by Marc- Olivier Wahler, Broad Art Museum, MSU, USA 2017; “Prototypology”, curated by Aaron Moulton, Gagosian Gallery, Rome, Italy 2016. 

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