Galleria Continua
San Gimignano
Beijing
Les Moulins
Habana
Moataz Nasr

Moataz Nasr, The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

Moataz Nasr

Moataz Nasr, The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

Moataz Nasr

Moataz Nasr, The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

Moataz Nasr

Moataz Nasr, The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

Moataz Nasr

Moataz Nasr, The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

Moataz Nasr

Moataz Nasr, The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

Moataz Nasr

Moataz Nasr, The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

Moataz Nasr

Moataz Nasr, The Mountain, 2017, installazione video, 12 minutes, 2017, video installation, 12 minutes

Moataz Nasr

Moataz Nasr, Rose (The slave Market), 2016, cotton paper C-print on Dibond, from Una esclava en venta by José Jiménez Aranda (1837-1903), 185 cm x 146,5 cm, © Museo Nacional del Prado, Photo Ela Bialkowska, Photo Rémi Lavalle

Moataz Nasr

Moataz Nasr, Rose (The slave Market), 2016, cotton paper C-print on Dibond, from Una esclava en venta by José Jiménez Aranda (1837-1903), 185 cm x 146,5 cm, © Museo Nacional del Prado, Photo Ela Bialkowska, Photo Rémi Lavalle

Moataz Nasr

Moataz Nasr, The Minaret, 2016, wood, iron, light, crystal, 600 x 600 x 670 cm - wood sculpture: 500 x 300 x 300 cm, Photo Bernardo Ricci

Moataz Nasr

Moataz Nasr, The Minaret, 2016, wood, iron, light, crystal, 600 x 600 x 670 cm - wood sculpture: 500 x 300 x 300 cm, Photo Bernardo Ricci

Moataz Nasr

Moataz Nasr, The Minaret, 2016, wood, iron, light, crystal, 600 x 600 x 670 cm - wood sculpture: 500 x 300 x 300 cm, Photo Bernardo Ricci

Moataz Nasr

Moataz Nasr, The Minaret, 2016, wood, iron, light, crystal, 600 x 600 x 670 cm - wood sculpture: 500 x 300 x 300 cm, Photo Bernardo Ricci

Moataz Nasr

Moataz Nasr, Arabesque I (Lost Heritage), 2013, matches, wood, Plexiglas, 180 x 180 x 10 cm, da--> Photo Oak Taylor-Smith, dg--> Photo Alvaro Scarpellini, Pisa

Moataz Nasr

Moataz Nasr, Arabesque I (Lost Heritage), 2013, matches, wood, Plexiglas, 180 x 180 x 10 cm, da--> Photo Oak Taylor-Smith, dg--> Photo Alvaro Scarpellini, Pisa

Moataz Nasr

Moataz Nasr, The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, The return of a Griffin, 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council., di-ds ---> Photo Cesare Bonifazi Martinozzi, dw-eh ---> Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm, Photo Cesare Bonifazi Martinozzi

Moataz Nasr

Moataz Nasr, Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm, Photo Cesare Bonifazi Martinozzi

Moataz Nasr

Moataz Nasr, Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm, Photo Cesare Bonifazi Martinozzi

Moataz Nasr

Moataz Nasr, Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm, Photo Cesare Bonifazi Martinozzi

Moataz Nasr

Moataz Nasr, Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm, Photo Cesare Bonifazi Martinozzi

Moataz Nasr

Moataz Nasr, Ballons, 2012, balloons, 70 x 21 x 21 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Ballons, 2012, balloons, 70 x 21 x 21 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Ballons, 2012, balloons, 70 x 21 x 21 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Elshaab, 2012, 25 ceramic characters, about 27 x 6 x 10 cm each, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Light over Shadows, 2012, animal skin, Ø 86 cm, da ---> Photo Oak Taylor-Smith, de ---> Photo Leif Gabrielsen

Moataz Nasr

Moataz Nasr, Light over Shadows, 2012, animal skin, Ø 86 cm, da ---> Photo Oak Taylor-Smith, de ---> Photo Leif Gabrielsen

Moataz Nasr

Moataz Nasr, I am Free, 2012, interactive site specific installation, 840 x 1640 x 84 cm, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, I am Free, 2012, interactive site specific installation, 840 x 1640 x 84 cm, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, I am Free, 2012, interactive site specific installation, 840 x 1640 x 84 cm, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, I am Free, 2012, interactive site specific installation, 840 x 1640 x 84 cm, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Falcon Anwar, 2012, neon lights, 170 x 185 cm, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Moataz Nasr

Moataz Nasr, Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Moataz Nasr

Moataz Nasr, Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Moataz Nasr

Moataz Nasr, Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Moataz Nasr

Moataz Nasr, Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Moataz Nasr

Moataz Nasr, Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Moataz Nasr

Moataz Nasr, Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Moataz Nasr

Moataz Nasr, Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Moataz Nasr

Moataz Nasr, Merge and Emerge, 2011, 3 videos, 6’25” each, loop

Moataz Nasr

Moataz Nasr, The Maze (The People Want the Fall of the Regime), 2011, Kufi caligraphy on grass site-specific project, Jardin des Tuileries, Paris, France (October 18 – 23, 2011), 28 x 2 8m, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, The Maze (The People Want the Fall of the Regime), 2011, Kufi caligraphy on grass site-specific project, Jardin des Tuileries, Paris, France (October 18 – 23, 2011), 28 x 2 8m, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, The Maze (The People Want the Fall of the Regime), 2011, Kufi caligraphy on grass site-specific project, Jardin des Tuileries, Paris, France (October 18 – 23, 2011), 28 x 2 8m, Photo Oak Taylor-Smith

Moataz Nasr

Moataz Nasr, Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm, Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm, Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm, Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm, Photo Ela Bialkowska

Moataz Nasr

Moataz Nasr, Oxymoron, 2010, diptych; green neon, 90 x 125 x 8 cm e 95 x 130 x 8 cm

Moataz Nasr

Moataz Nasr, Oxymoron, 2010, diptych; green neon, 90 x 125 x 8 cm e 95 x 130 x 8 cm

Moataz Nasr

Moataz Nasr, Oxymoron, 2010, diptych; green neon, 90 x 125 x 8 cm e 95 x 130 x 8 cm

Moataz Nasr

Moataz Nasr, Father and Son, 2004, video, 14’, loop

Moataz Nasr

Moataz Nasr, Father and Son, 2004, video, 14’, loop

Moataz Nasr

Moataz Nasr, Father and Son, 2004, video, 14’, loop

Moataz Nasr

Moataz Nasr, Father and Son, 2004, video, 14’, loop

Moataz Nasr

Moataz Nasr, Father and Son, 2004, video, 14’, loop

Moataz Nasr

Moataz Nasr, Father and Son, 2004, video, 14’, loop

Moataz Nasr

Moataz Nasr, exhibition view GALLERIA CONTINUA / Les Moulins, 2017

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