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Leandro Erlich

exhibition view 'Soprattutto' GALLERIA CONTINUA / Roma, 2020. Photo: Giovanni De Angelis

Leandro Erlich

The Cloud (UK) 2016, Ultra clear glass, ceramic ink, wood, light, 199,5 x 205 x 81 cm. Photo: Giovanni De Angelis

Leandro Erlich

Cloud - White Bear 2014, Wenge wood, ultra clear glass, ceramic ink, led lights, 175 x 91 x 50 cm. Photo: Giovanni De Angelis

Leandro Erlich

Soprattutto 2020, Wool, 200 x 300 cm. Photo: Giovanni De Angelis

Leandro Erlich

exhibition view 'Soprattutto' GALLERIA CONTINUA / Roma, 2020. Photo: Giovanni De Angelis

Leandro Erlich

Nubes de Roma 2020, Fine Art print Hahnemuhle Ultrasmooth Paper, 30 x 40 cm | 11,81 x 15,78 in. Photo: Giovanni De Angelis

Leandro Erlich

Nubes de Roma 2020, Fine Art print Hahnemuhle Ultrasmooth Paper, 30 x 40 cm | 11,81 x 15,78 in. Photo: Giovanni De Angelis

Leandro Erlich

Le Nœud Mécanique, 2018, installation in situ, Ph Gabriel de La Chapelle

Leandro Erlich

Changing Rooms, 2008, wood structure, golden frames, mirrors, curtains, stools, clothes hooks, variable dimensions. Photo Henriette DesjonquËres & Paul Fargues

Leandro Erlich

Sailboat & Reflection - Black Bronze, 2016, casted bronze, 130 x 52 x 21 cm

Leandro Erlich

Sailboat & Reflection - Black Bronze, 2016, casted bronze, 130 x 52 x 21 cm

Leandro Erlich

White Flight Overnight, Black Flight Overday, 2015, Fiberglass resin, metal structure, video animation, 2 LED TV 32 inch, 2 projectors BrightSigh

Leandro Erlich

The Cloud - Hem, 2014, ultra clear glass, ceramic ink, solid surface base, 58 x 85 x 44 cm

Leandro Erlich

Invisible Garden, 2013, metal, glass, mirrors, plastic plants, 4170 x 3050 x 4310 cm

Leandro Erlich

Changing Rooms, 2008, wood structure, golden frames, mirrors, curtains, stools, clothes, hooks, variable dimensions, Photo Ela Bialkowska

Leandro Erlich

Elevator Maze, 2007, wood, aluminum, mirrors, light, 85 x 65 x 30 cm, plinth: 65 x 85 x 120 cm, Photo Ela Bialkowska

Leandro Erlich

Elevator Maze, 2007, wood, aluminum, mirrors, light, 85 x 65 x 30 cm, plinth: 65 x 85 x 120 cm, Photo Ela Bialkowska

Leandro Erlich

Television Crew, 2006, print, wood, 85 x 66 cm

Leandro Erlich

Smoking Room, 2006, glass, aluminium, lights, variable dimensions

Leandro Erlich

Le cabinet du psychanalyste, 2005, mixed media, variable dimensions, Photo Marc Domage

Leandro Erlich

Leandro-Erlich, Le cabinet du psychanalyste, 2005, mixed media, variable dimensions, Photo Marc Domage

Leandro Erlich

Le cabinet du psychanalyste, 2005, mixed media, variable dimensions, Photo Marc Domage

Leandro Erlich

The Staircase, 2005, metal, wood, vinyl tiles, 450 x 350 x 1500 cm

Leandro Erlich

Bâtiment, 2004, print, mirror, 800 x 600 x 1200 cm, Photo Henriette DesjonquËres & Paul Fargues

Leandro Erlich

Bâtiment, 2004, print, mirror, 800 x 600 x 1200 cm, Photo Henriette DesjonquËres & Paul Fargues

Leandro Erlich

Bâtiment, 2004, print, mirror, 800 x 600 x 1200 cm, Photo Henriette DesjonquËres & Paul Fargues

Leandro Erlich

El Ballet Studio, 2002, C-print, 41,7 x 57,3 x 3 cm

Leandro Erlich

El Ballet Studio, 2002, C-print, 41,7 x 57,3 x 3 cm

Leandro Erlich: The Democracy of The Symbol

Leandro Erlich is an artist, but sometimes his works would lead you to think that he could also be a scenographer or an architect of uncertainty. His work hinges itself on the “trompe-œil”, embodying this in all its meanings through his meticulous attention to detail and commitment to the surprise. He pays the utmost care and attention to the aesthetic aspect of his work while always revealing his tricks. Erlich’s works play with images and motifs that are recognisable to our everyday lives and he uses their context as a stage for creating a fictional world that is obtained through psychological subversions of shared, public and familiar spaces. The visceral sensations of body-displacement and dislocation are a reminder that the perceptual world that surrounds us is far more fragile and temporary than we believe. Crucial to this suspension of disbelief is the viewer and the interaction of the spectator. Erlich manages to capture his audience through his child-like imagination that manages to affront themes and issues that are profoundly touching to contemporary man.

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