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Marta Spagnoli

Untitled 2019, acrylic and oil on canvas, 150 x 200 cm, 59,05 x 78,74 in

Marta Spagnoli

Untitled 2019 (detail), acrylic and oil on canvas, 150 x 200 cm, 59,05 x 78,74 in

Marta Spagnoli

Titanoboa 2019, ink on canvas, 90 x 50 cm, 35,43 x 19,68 in

Marta Spagnoli

Titanoboa 2019 (detail), ink on canvas, 90 x 50 cm, 35,43 x 19,68 in

Marta Spagnoli

Ciondolo 2019, acrilyc and oil on canvas, 50 x 80 cm, 19,68 x 31,49 in

Marta Spagnoli

Whiteout 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Whiteout 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Whiteout 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Ko Yao Noi 2018, acrilyc and oil on canvas, 213 x 285 cm. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Selvaggi 2019, acrylic and oil on canvas, 214 x 348 cm. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Whiteout 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Whiteout 2020, acrylic and oil on canvas, 180 x 140 cm. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Il guerriero gallo 2020, acrylic and oil on canvas, 180 x 140 cm. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Whiteout 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Seeds for Praying 2019, brass, clay and terracotta, variable dimensions. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Whiteout 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio

Marta Spagnoli

Il sogno di ieri 2020, mixed media on paper, 23,8 x 16 cm (without frame), 9,37 x 6,29 in

Marta Spagnoli

Indio 2020, mixed media on paper, 23,8 x 16 cm (without frame), 9,37 x 6,29 in

Marta Spagnoli

Spire, gabbia, corazza 2020, mixed media on paper, 23,8 x 16 cm (without frame), 9,37 x 6,29 in

The fragment, a lacunose image, is a primary source, a suspension from belonging to a unitary form. This acts as a starting point to actively reconstruct a texture without hierarchies of signs, figures or spots. While working, the hypotheses formulated are in continuous process of narration thanks to the pictorial practice that allows the artist not to necessarily know how the image will result.The animal, the human and the infinite natural forms are among the interests that guide Marta Spagnoli between the choice of images with the value of testimonies, settled in the depths of life and in the memory of Man.The interrupted history, that is those fragmentary images where an impression and a memory is condensed, must be reconsidered, opened and rewritten in the form as still unexpressed potentialities of ever contemporary archeologies.

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