Fantasmata 2025, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
San Gimignano
Beijing
Les Moulins
Habana
Roma
Sao Paulo
Paris
Fantasmata 2025, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Fantasmata 2025, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Fantasmata 2025, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Fantasmata 2025, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Fantasmata 2025, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Fantasmata I 2024, acrylic and oil on canvas, 160 x 230 cm. Photo: Ela Bialkowska, OKNO Studio
Fantasmata II 2024, acrylic, oil, graphite on canvas, 160 x 230 cm. Photo: Ela Bialkowska, OKNO Studio
Fantasmata III 2024, acrylic, oil, graphite on canvas, 160 x 230 cm. Photo: Ela Bialkowska, OKNO Studio
Algae VII 2025, acrylic and oil on canvas, 45 x 55 cm. Photo: Ela Bialkowska, OKNO Studio
Algae IV 2025, acrylic and oil on canvas, 45 x 55 cm. Photo: Ela Bialkowska, OKNO Studio
Algae VI 2025, acrylic and oil on canvas, 45 x 55 cm. Photo: Ela Bialkowska, OKNO Studio
Algae I 2024, acrylic ink and oil on canvas, 45 x 55 cm. Photo: Ela Bialkowska, OKNO Studio
Algae VIII 2025, acrylic and oil on canvas, 45 x 55 cm. Photo: Ela Bialkowska, OKNO Studio
Algae III 2024, acrylic ink and oil on canvas, 45 x 55 cm. Photo: Ela Bialkowska, OKNO Studio
Algae V 2025, acrylic and oil on canvas, 45 x 55 cm. Photo: Ela Bialkowska, OKNO Studio
Scavengers exhibition views Galleria Continua Paris, 2024. Photo: Hafid Lhachmi
Scavengers exhibition views Galleria Continua Paris, 2024. Photo: Hafid Lhachmi
Scavengers exhibition views Galleria Continua Paris, 2024. Photo: Hafid Lhachmi
Scavengers exhibition views Galleria Continua Paris, 2024. Photo: Hafid Lhachmi
In primo luogo 2022. Exhibition view, Galleria Continua / Roma. Photo: Giorgio Benni
In primo luogo 2022. Exhibition view, Galleria Continua / Roma. Photo: Giorgio Benni
In primo luogo 2022. Exhibition view, Galleria Continua / Roma. Photo: Giorgio Benni
Vortici III 2022, acrylic and oil on canvas, 100 x 110 cm, 39.37 x 43.30 in. Photo: Giorgio Benni
Origin III 2022, mixed media on paper, 35 x 20 cm, 13.77 x 7.87 in. Photo: Giorgio Benni
Origin VIII 2022, mixed media on paper, 36 x 20 cm, 14.17 x 7.87 in. Photo: Giorgio Benni
Origin IX 2022, mixed media on paper, 35 x 20 cm, 13.77 x 7.87 in. Photo: Giorgio Benni
Origin X 2022, mixed media on paper, 36 x 20 cm, 14.17 x 7.87 in. Photo: Giorgio Benni
Senza Titolo 2022, mixed media on paper, 26 x 21 cm, 10.23 x 8.26 in. Photo: Giorgio Benni
Senza Titolo 2022, mixed media on paper, 20,5 x 25,6 cm, 8.07 x 10.07 in. Photo: Giorgio Benni
Senza Titolo 2022, mixed media on paper, 26 x 21 cm, 10.23 x 8.26 in. Photo: Giorgio Benni
Teriantropo II 2022, mixed media on paper, 21 x 26 cm, 8.26 x 10.23 in. Photo: Giorgio Benni
Untitled 2021, acrylic and oil on canvas, 55 x 45 cm, 21.65 x 17.71 in. Photo: Oak Taylor-Smith
'Earthly Body' exhibition view. Galleria Continua / Les Moulins. Photo: Oak Taylor-Smith
Pilgrims 2021, mixed media on canvas, 200 x 300 cm, 78.74 x 118.11 in. Photo: Oak Taylor-Smith
Idra Femmina 2017, acrilyc and oil on canvas, 214 x 348 cm, 84,25 x 137 in. Photo: Oak Taylor-Smith
'Earthly Body' exhibition view. Galleria Continua / Les Moulins. Photo: Oak Taylor-Smith
The Nest 2021, acrylic and oil on canvas, 180 x 200 cm, 70.86 x 78.74 in. Photo: Oak Taylor-Smith
'Earthly Body' exhibition view. Galleria Continua / Les Moulins. Photo: Oak Taylor-Smith
Discendente I (studio) 2021, inks and pen on paper, 20,6 x 26 cm, 8.11 x 10.23 in. Photo: Oak Taylor-Smith
Vernino 2020, mixed media on canvas, 40 x 30 cm, 15,74 x 11,81 in. Photo: Duccio Benvenuti - Art Store
Vernino 2020, mixed media on canvas, 40 x 30 cm, 15,74 x 11,81 in. Photo: Duccio Benvenuti - Art Store
Piperino 2020, oil on canvas, 190 x 140 cm, 74,80 x 55,11 in. Photo: Duccio Benvenuti - Art Store
Fiere d'avorio 2020, oil on canvas, 190 x 130 cm, 74,80 x 51,18 in. Photo: Duccio Benvenuti - Art Store
Nembo 2020, oil on canvas, 90 x 110 cm, 35,43 x 43,30 in. Photo: Duccio Benvenuti - Art Store
Nembo 2020, oil on canvas, 90 x 110 cm, 35,43 x 43,30 in. Photo: Duccio Benvenuti - Art Store
L’Animale 2020, mixed media on canvas, 200 x 100 cm, 78,74 x 39,37 in. Photo: Duccio Benvenuti - Art Store
L’Animale 2020, mixed media on canvas, 200 x 100 cm, 78,74 x 39,37 in. Photo: Duccio Benvenuti - Art Store
Novello 2019, ink on canvas, 50 x 50 cm, 19,68 x 19,68 in. Photo: Duccio Benvenuti - Art Store
Selvaggi 2019, acrylic and oil on canvas, 214 x 348 cm. Photo: Ela Bialkowska, OKNO Studio
Selvaggi 2019, acrylic and oil on canvas, 214 x 348 cm. Photo: Ela Bialkowska, OKNO Studio
Fosca Livrea 2017, acrilyc and oil on canvas, 69 x 84 cm, 27,16 x 33,07 in. Photo: Pamela Bralia
Fosca Livrea 2017, acrilyc and oil on canvas, 69 x 84 cm, 27,16 x 33,07 in. Photo: Pamela Bralia
Whiteout 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Whiteout 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Whiteout 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
The fragment, a lacunose image, is a primary source, a suspension from belonging to a unitary form. This acts as a starting point to actively reconstruct a texture without hierarchies of signs, figures or spots. While working, the hypotheses formulated are in continuous process of narration thanks to the pictorial practice that allows the artist not to necessarily know how the image will result.The animal, the human and the infinite natural forms are among the interests that guide Marta Spagnoli between the choice of images with the value of testimonies, settled in the depths of life and in the memory of Man.The interrupted history, that is those fragmentary images where an impression and a memory is condensed, must be reconsidered, opened and rewritten in the form as still unexpressed potentialities of ever contemporary archeologies.
Adel Abdessemed Etel Adnan Ai Weiwei Leila Alaoui Juan Araujo Kader Attia Barbana Bojadzi Daniel Buren Cai Guo-Qiang Alejandro Campins Iván Capote Yoan Capote Loris Cecchini Elizabet Cerviño Chen Zhen Nikhil Chopra Marcelo Cidade Carlos Cruz-Diez Jonathas de Andrade Berlinde De Bruyckere Leandro Erlich Carlos Garaicoa Osvaldo González Antony Gormley Gu Dexin Shilpa Gupta Subodh Gupta Carsten Höller Eva Jospin JR Ilya & Emilia Kabakov Zhanna Kadyrova Kan Xuan Anish Kapoor André Komatsu Jannis Kounellis Julio Le Parc Luis López-Chávez Jorge Macchi Ahmed Mater Cildo Meireles José Mesías Sabrina Mezzaqui Moataz Nasr Rudi Ninov Giovanni Ozzola Ornaghi & Prestinari Hans Op de Beeck Michelangelo Pistoletto Susana Pilar Qiu Zhijie Tobias Rehberger Arcangelo Sassolino Manuela Sedmach Serse Kiki Smith Nedko Solakov Marta Spagnoli José Antonio Suárez Londoño Hiroshi Sugimoto Sun Yuan & Peng Yu Ana Maria Tavares Pascale Marthine Tayou Armando Testa Nari Ward Sislej Xhafa José Yaque Zhuang Hui
