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Zhanna Kadyrova

Instrument 2024, pipe organ, fragments of fired Russian shells, 3,8 x 3 x 2,4 m, 1000 kg. Courtesy: Pinchuk Art Centre. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Instrument 2024, pipe organ, fragments of fired Russian shells, 3,8 x 3 x 2,4 m, 1000 kg. Courtesy: Pinchuk Art Centre. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Refugees 22 2024, metal frame, print on canvas, lightbox, 220 x 350 cm. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Refugees 21 2024, metal frame, print on canvas, lightbox, 210 x 300 cm. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Refugees 03 2024, metal frame, print on canvas, lightbox, 350 x 220 cm. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Monument to a New Monument 2023, plaster, metal, wood, 350 x 95 x 95 cm. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Monument to a New Monument 2023, plaster, metal, wood, 350 x 95 x 95 cm. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

HARMLESS WAR 2022, found metal with bullet holes and paint, 150 x 110 x 110 cm

Zhanna Kadyrova

HARMLESS WAR 2023, found metal with bullet holes and paint, ø 90 cm

Zhanna Kadyrova

Anxiety 2022, hand embroidery with hand-made and machine embroidered text, 32 x 68 cm

Zhanna Kadyrova

Anxiety 2022, hand embroidery with hand-made and machine embroidered text, 66 x 74 cm. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Anxiety 2022, hand embroidery with hand-made and machine embroidered text, 51 x 33 cm. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Region 2010, porcelain tiles, hardboard, colored spackle, 108 x 87 x 5 cm. Photo: Oak Taylor-Smith

Zhanna Kadyrova

Shots 2014, ceramic, plaster, glue, 60 x 60 x 2 cm. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Shots 2014, ceramic, plaster, glue, 60 x 60 x 2 cm. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Shots 2014, ceramic, plaster, particle board, glue, 60 x 60 x 2 cm. Photo: Rémi Lavalle

Zhanna Kadyrova

Shots 2014, ceramic, plaster, particle board, glue, 60 x 60 x 2 cm. Photo: Rémi Lavalle

Zhanna Kadyrova

Second Hand 2015-2019, scaffolding, ceramics collected from Darnitsky Silk Factory, cement, wood. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Second Hand 2015-2019, scaffolding, ceramics collected from Darnitsky Silk Factory, cement, wood. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Crowd. Day 2015, glass, newspapers, 140 x 600 cm, production PinchukArtCentre and GALLERIA CONTINUA, installation view Ukrainian Pavilion, 56th Venice Biennale

Zhanna Kadyrova

Crowd. Day 2015, glass, newspapers, 140 x 600 cm, production PinchukArtCentre and GALLERIA CONTINUA, installation view Ukrainian Pavilion, 56th Venice Biennale

Zhanna Kadyrova

ANXIETY exhibition view Galleria Continua San Gimignano, 2024. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Palianytsia (Tel Aviv) 2022. Found river stone, 50 Kg. Photo: Ela Bialkowska, OKNO Studio

Zhanna Kadyrova

Untitled 2014–2023, bricks, cement, wood, wallpaper, installation, variable dimensions, 'Daily Bread. A First Retrospective' Kunstverein Hannover, 2023, Photo: Andre Germar

Zhanna Kadyrova

Experiments 2014, composition of 3 prints, ink-jet print, acid, 220 x 110 cm, 'Daily Bread. A First Retrospective' Kunstverein Hannover, 2023, Photo: Andre Germar

Zhanna Kadyrova

PALIANYTSIA (PARIS) 2022, found river stone, variable dimensions. Photo: Oak Taylor-Smith

Zhanna Kadyrova

PALIANYTSIA (PARIS) 2022, found river stone, variable dimensions. Photo: Oak Taylor-Smith

Zhanna Kadyrova

Palianytsia 2022, video, 18' 56". Photo: Oak Taylor-Smith

Zhanna Kadyrova

Palianytsia 2022, video, 18' 56". Photo: Oak Taylor-Smith

Zhanna Kadyrova

Fruit 2021. Permanent installation at M17 Contemporary Art Center, Kyiv, Ukraine.

Zhanna Kadyrova

Fruits 2020, Shanghai International Sculpture Project JISP, Shanghai (China)

Zhanna Kadyrova

Fruits 2020, Shanghai International Sculpture Project JISP, Shanghai (China)

Zhanna Kadyrova: revealing the visual systems that influence society

Zhanna Kadyrova was born in 1981 in Brovary, then in the Ukrainian Soviet Socialist Republic. Her adolescence took place during the turning point between the fall of the Soviet Union and recovery of Ukrainian independence.Artistically active during the Ukraine’s “Orange” revolution as well as the globally famous Maidan protests of 2013, Kadyrova's art is therefore considerable in these aforementioned contexts. It has a collective outlook and considers its social and political implications deeply. In 2004 she co-founded the group “Revolutionary Experimental Space” (R.E.P.), whose goal was to encourage a reconsideration of public space and the development of a critical consciousness towards it, through installations and actions linked to the socio-economic history of Ukraine.
Her practice associates with history, communist propaganda materials, post-communist modernity, the idea of community, the concept of public space both in relationship to the private individual and the collective, and the relationship between the artwork and the viewer in a tendentially urban, collective dimension in terms of processes or location.
The materials she uses, like concrete, brick and tiles, tend to be far from traditional and are associated with construction and architectonical industries. Her works, rather than just presenting the viewer with images or representations of elements of civilisation, actively critique and bring to light the visual systems that are employed to impart messages on and influence society.

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