ANA MARIA TAVARES

Sortir du silence : au-delà de la modernité exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo

Sortir du silence : au-delà de la modernité exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo

Sortir du silence : au-delà de la modernité exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo

Deviant Topographies from Paxton to Burle Marx I (from the Social Hieroglyphs series) 2015, pigmented mineral ink print on Canson, crochet, museum glass, plexiglas and stainless steel, 180 x 120 x 85 cm. Photo: Allison Borgo

Deviant Topographies from Paxton to Burle Marx I (from the Social Hieroglyphs series) 2015, pigmented mineral ink print on Canson, crochet, museum glass, plexiglas and stainless steel, 180 x 120 x 85 cm. Photo: Allison Borgo

Sortir du silence : au-delà de la modernité exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo

Opium. Deviant Double_Day R (from the Social Hieroglyphs series) 2011, aluminum composite material, Dibond, colored and silver stainless steel, UV digital printing, electrostatic painting, 152 x 283 x 18 cm. Photo: Allison Borgo

Eclipses II, III, V and IX (from the Social Hieroglyphs series) 2015, digital ceramic printing on glass, mirror and rubber, 80 x 162 x 2,5 cm. Photo: Allison Borgo

Nature Sauvage II 2023, grafite on Hahnemühle Britannia 300g paper, 200 x 125 cm. Photo: Allison Borgo

'Insane Façades' 2022. Exhibition view at GALLERIA CONTINUA / São Paulo. Photo: Ruy Teixeira

'Insane Façades' 2022. Exhibition view at GALLERIA CONTINUA / São Paulo. Photo: Ruy Teixeira

'Insane Façades' 2022. Exhibition view at GALLERIA CONTINUA / São Paulo. Photo: Ruy Teixeira

No lugar mesmo: uma antologia de Ana Maria Tavares. Pinacoteca do Estado de São Paulo, São Paulo, Exit III com Parede Niemeyer (Estação Luz), 2016, Carroussel (para Duchamp), 1997. Photo: Ruy Teixeira

Rotação Infinita: Invenzione para Piranesi (da série Airshaft), 2015. Projection: 14,30 x 3,70 m, 20’ loop. Format: HD1080. Digital Modeling and Editing: Pedro Perez Machado. Photo: Pedro Perez Machado

Vitrine VII para Lina Bo Bardi (da série Paisagens Perdidas), 2014. UV printing on glass, stainless steel, marble and granite. Variable dimensions. Photo: Companhia de Foto

Vitórias régias para o Rio Cocó (Natural‑Natural), 2013. Acrylic, stainless steel and various fabrics and yarns. Exhibition: Dragão do Mar, Fortaleza. Brasil. Variable dimensions. Photo: João Tavares Pini

Parede Loos com Paraíso (da série Bunker, O Homem Ilha), 2014, black stripes on white walls, sound piece and video projection. 3D modeling and rendering: Pedro Perez Machado. Music: Ana Maria Tavares and Pedro Perez Machado. Photo: Isabella Matheus

Parede Loos, 2014, Coluna com Retrovisor, 1997, Coluna com Banco de Elevador, 1997, Hipótese Espacial I com Poltrona Super‑Soft e Parede DOT, 2004. Exhibition: No lugar mesmo: uma antologia de Ana Maria Tavares. Pinacoteca do Estado de São Paulo, Brasil. Photo: Isabela Mateus

Enigmas de uma Noite com Midnight Daydreams (da Série Dreams Stations), 2004, Armchairs, cabins, stainless steel, glass, leather, mirrors. 16mm Video Projection to DVD, Audio, 350m², Exhibition: Instituto Tomie Ohtake, São Paulo, Brasil, 2004. Photo: João Musa

Numinosum, 2004, Stainless steel, mirror vinyl with plotted text and audio 144 m², Exhibition: 21st Century Museum of Contemporary Art, Kanasawa, Japan, 2004. Photo: Anzai