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Ana Maria Tavares

'New Works' exhibition view, 2024. Galleria Continua / São Paulo. Photo: Maru Basílio

Ana Maria Tavares

'New Works' exhibition view, 2024. Galleria Continua / São Paulo. Photo: Maru Basílio

Ana Maria Tavares

'New Works' exhibition view, 2024. Galleria Continua / São Paulo. Photo: Maru Basílio

Ana Maria Tavares

'New Works' exhibition view, 2024. Galleria Continua / São Paulo. Photo: Maru Basílio

Ana Maria Tavares

Sortir du silence : au-delà de la modernité exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo

Ana Maria Tavares

Sortir du silence : au-delà de la modernité exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo

Ana Maria Tavares

Sortir du silence : au-delà de la modernité exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo

Ana Maria Tavares

Sortir du silence : au-delà de la modernité exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo

Ana Maria Tavares

Deviant Topographies from Paxton to Burle Marx I (from the Social Hieroglyphs series) 2015, pigmented mineral ink print on Canson, crochet, museum glass, plexiglas and stainless steel, 180 x 120 x 85 cm. Photo: Allison Borgo

Ana Maria Tavares

Deviant Topographies from Paxton to Burle Marx I (from the Social Hieroglyphs series) 2015, pigmented mineral ink print on Canson, crochet, museum glass, plexiglas and stainless steel, 180 x 120 x 85 cm. Photo: Allison Borgo

Ana Maria Tavares

Sortir du silence : au-delà de la modernité exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo

Ana Maria Tavares

Opium. Deviant Double_Day R (from the Social Hieroglyphs series) 2011, aluminum composite material, Dibond, colored and silver stainless steel, UV digital printing, electrostatic painting, 152 x 283 x 18 cm. Photo: Allison Borgo

Ana Maria Tavares

Eclipses II, III, V and IX (from the Social Hieroglyphs series) 2015, digital ceramic printing on glass, mirror and rubber, 80 x 162 x 2,5 cm. Photo: Allison Borgo

Ana Maria Tavares

Nature Sauvage II 2023, grafite on Hahnemühle Britannia 300g paper, 200 x 125 cm. Photo: Allison Borgo

Ana Maria Tavares

'Insane Façades' 2022. Exhibition view at GALLERIA CONTINUA / São Paulo. Photo: Ruy Teixeira

Ana Maria Tavares

'Insane Façades' 2022. Exhibition view at GALLERIA CONTINUA / São Paulo. Photo: Ruy Teixeira

Ana Maria Tavares

'Insane Façades' 2022. Exhibition view at GALLERIA CONTINUA / São Paulo. Photo: Ruy Teixeira

Ana Maria Tavares

No lugar mesmo: uma antologia de Ana Maria Tavares. Pinacoteca do Estado de São Paulo, São Paulo, Exit III com Parede Niemeyer (Estação Luz), 2016, Carroussel (para Duchamp), 1997. Photo: Ruy Teixeira

Ana Maria Tavares

Rotação Infinita: Invenzione para Piranesi (da série Airshaft), 2015. Projection: 14,30 x 3,70 m, 20’ loop. Format: HD1080. Digital Modeling and Editing: Pedro Perez Machado. Photo: Pedro Perez Machado

Ana Maria Tavares

Vitrine VII para Lina Bo Bardi (da série Paisagens Perdidas), 2014. UV printing on glass, stainless steel, marble and granite. Variable dimensions. Photo: Companhia de Foto

Ana Maria Tavares

Vitórias régias para o Rio Cocó (Natural‑Natural), 2013. Acrylic, stainless steel and various fabrics and yarns. Exhibition: Dragão do Mar, Fortaleza. Brasil. Variable dimensions. Photo: João Tavares Pini

Ana Maria Tavares

Parede Loos com Paraíso (da série Bunker, O Homem Ilha), 2014, black stripes on white walls, sound piece and video projection. 3D modeling and rendering: Pedro Perez Machado. Music: Ana Maria Tavares and Pedro Perez Machado. Photo: Isabella Matheus

Ana Maria Tavares

Parede Loos, 2014, Coluna com Retrovisor, 1997, Coluna com Banco de Elevador, 1997, Hipótese Espacial I com Poltrona Super‑Soft e Parede DOT, 2004. Exhibition: No lugar mesmo: uma antologia de Ana Maria Tavares. Pinacoteca do Estado de São Paulo, Brasil. Photo: Isabela Mateus

Ana Maria Tavares

Enigmas de uma Noite com Midnight Daydreams (da Série Dreams Stations), 2004, Armchairs, cabins, stainless steel, glass, leather, mirrors. 16mm Video Projection to DVD, Audio, 350m², Exhibition: Instituto Tomie Ohtake, São Paulo, Brasil, 2004. Photo: João Musa

Ana Maria Tavares

Numinosum, 2004, Stainless steel, mirror vinyl with plotted text and audio 144 m², Exhibition: 21st Century Museum of Contemporary Art, Kanasawa, Japan, 2004. Photo: Anzai

Ana Maria Tavares: a journey through poetic landscapes and intimate spaces

Tavares' works often transport the viewer into dreamlike landscapes and intimate, contemplative spaces. For the past decade, she has delved into the realms of multimedia art, exploring the intersection of sound, light, and space. Her paintings, sculptures, and installations are imbued with a sense of poetic storytelling, inviting viewers to immerse themselves in a world where time seems suspended. Tavares pays meticulous attention to detail, creating intricate, layered compositions that weave together elements of nature and human emotion. Whether she is capturing the tranquility of a secluded forest or the fleeting beauty of a passing moment, Tavares' art speaks to the essence of our human experience. In her recent series, such as 'Whispers of Silence' (2023) and 'Echoes of Memory' (2021), Tavares invites viewers to reflect on the passage of time and the ephemeral nature of existence. Through her evocative artworks, she invites us to pause, contemplate, and rediscover the beauty in the ordinary.

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