
Eco-Lab exhibition view GALLERIA CONTINUA / Beijing, 2024. Photo: LITTLE DINOSAUR FILM & VISUAL STUDIO
Eco-Lab exhibition view GALLERIA CONTINUA / Beijing, 2024. Photo: LITTLE DINOSAUR FILM & VISUAL STUDIO
Eco-Lab exhibition view GALLERIA CONTINUA / Beijing, 2024. Photo: LITTLE DINOSAUR FILM & VISUAL STUDIO
Eco-Lab exhibition view GALLERIA CONTINUA / Beijing, 2024. Photo: LITTLE DINOSAUR FILM & VISUAL STUDIO
Eco-Lab exhibition view GALLERIA CONTINUA / Beijing, 2024. Photo: LITTLE DINOSAUR FILM & VISUAL STUDIO
Eco-Lab exhibition view GALLERIA CONTINUA / Beijing, 2024. Photo: LITTLE DINOSAUR FILM & VISUAL STUDIO
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020. Photo: Dong Lin
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020. Photo: Dong Lin
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020. Photo: Dong Lin
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020. Photo: Dong Lin
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020. Photo: Dong Lin
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020. Photo: Dong Lin
The Skeleton Fantasy Show Lecture No.2, 2020. Photo: Dong Lin
The Unicorn Workshop Lecture No.6, 2020. Photo: Dong Lin
Tellurian 4: Ideological Geography 2018, Chinese ink on paper globe, copper, 30 cm diameter. Photo: Dong Lin
Tellurian 5: Geography of Interests 2018, Chinese ink on paper globe, copper, 47 cm diameter. Photo: Dong Lin
Map of China - Arabia 2019, ink on paper, 370 x 880 cm, 145,66 x 346,45 in. Photo: Sun Shi
Map of China - Arabia 2019, ink on paper, 370 x 880 cm, 145,66 x 346,45 in. Photo: Sun Shi
Map of international Sinology 2019, ink on paper, 5 elements: 1,25 x 3,3m each, 5 elements: 49,21 x 129,92 in each. Photo: Sun Shi
Map of Mythology 2019, Chinese ink on paper, 245 x 125 cm. Photo: Ela Bialkowska
Map of Mythology 2019, Chinese ink on paper, 245 x 125 cm. Photo: Ela Bialkowska
Racing Against Time, 2016, exhibition views, Galleria Continua San Gimignano, Photo by: Ela Bialkowska
Racing Against Time, 2016, exhibition views, Galleria Continua San Gimignano, Photo by: Ela Bialkowska
Racing Against Time, 2016, exhibition views, Galleria Continua San Gimignano, Photo by: Ela Bialkowska
Racing Against Time, 2016, exhibition views, Galleria Continua San Gimignano, Photo by: Ela Bialkowska
Racing Against Time, 2016, exhibition views, Galleria Continua San Gimignano, Photo by: Ela Bialkowska
Originally, I Am Not the Currency, installation, 2015 patterned paper relief, chinese ink 178 x 118 cm
The end of the world (Red) / 世界的尽头, 2016, rubbed ink on traditional paper, 170 x 71 cm
The end of the world (Red) / 世界的尽头, 2016, rubbed ink on traditional paper, 170 x 71 cm
The end of the world (Green) / 世界的尽头, drawing, 2016 rubbed ink on traditional paper 79 x 186 cm
The end of the world (Green) / 世界的尽头, drawing, 2016 rubbed ink on traditional paper 79 x 186 cm
JINLING Chronicle Theater Project - series, 2010-2015, multi-faceted project including writing, painting, installation and theatrical performances, installation view Arsenale Biennale di Venezia 2015
JINLING Chronicle Theater Project - series, 2010-2015, multi-faceted project including writing, painting, installation and theatrical performances, installation view Arsenale Biennale di Venezia 2015
JINLING Chronicle Theater Project - series, 2010-2015, multi-faceted project including writing, painting, installation and theatrical performances, installation view Arsenale Biennale di Venezia 2015
JINLING Chronicle Theater Project - series, 2010-2015, multi-faceted project including writing, painting, installation and theatrical performances, installation view Arsenale Biennale di Venezia 2015
JINLING Chronicle Theater Project - series, 2010-2015, multi-faceted project including writing, painting, installation and theatrical performances, installation view Arsenale Biennale di Venezia 2015
The Expansion, installation, 2015 patterned paper relief, chinese ink 134 x 176 cm
The Expansion, installation, 2015 patterned paper relief, chinese ink 134 x 176 cm
War of Towers, installation, 2015 patterned paper relief, chinese ink 450 x 199 cm (3 pieces each 150 x 199 cm)
War of Towers, installation, 2015 patterned paper relief, chinese ink 450 x 199 cm (3 pieces each 150 x 199 cm)
Greeting, installation, 2013 paper masks, silicon masks 300 x 330 x 26 cm
Greeting, installation, 2013 paper masks, silicon masks 300 x 330 x 26 cm
Map of Mythological Creatures, drawing, 2013 ink dub rubbing on paper 7 pieces, 120 x 240 cm each
Map of Mythological Creatures, drawing, 2013 ink dub rubbing on paper 7 pieces, 120 x 240 cm each
Forbidden Books, 2013, ashes of burnt books, variable dimensions
Forbidden Books, 2013, ashes of burnt books, variable dimensions
Forbidden Books, 2013, ashes of burnt books, variable dimensions
The Plan of 100 Unicorns, 2012-2013, wood, 107 x 120 x 65 cm
The Plan of 100 Unicorns, 2012-2013, wood, 107 x 120 x 65 cm
The Plan of 100 Unicorns, sculpture, 2012-2013 wood 71 x 135 x 55 cm
The Plan of 100 Unicorns, sculpture, 2012-2013 wood 71 x 135 x 55 cm
The Plan of 100 Unicorns, 2012-2013, wood, 107 x 120 x 65 cm
The Plan of 100 Unicorns, 2012-2013, wood, 107 x 120 x 65 cm
The Plan of 100 Unicorns, 2012-2013, wood, 107 x 120 x 65 cm
The Plan of 100 Unicorns, sculpture, 2012-2013 wood, 29 x 58 x 25 cm
The Plan of 100 Unicorns, sculpture, 2012-2013 wood, 29 x 58 x 25 cm
Qiu Zhijie was born in 1969 in Zhangzhou, Fujian Province, China. He is a leading figure in conceptual art and new media. The artist, writer, curator and teacher has earned critical recognition worldwide for his thought and practice of “total art”, which forges new cultural meanings from various philosophies and systems of thought from all time and everywhere. Qiu’s first investigations gave shape to multimedia installations using organic material, ancient and found objects, photography and video, often with interventions and performances.
Since about 2010, Qiu has been mapping the imaginary networks of his sociological, philosophical, cultural, political and epistemological research. A virtuoso calligrapher, ink painter and landscape cartographer, Qiu was commissioned to create Map of Theatre of the World (2017) for the exhibition “Art and China after 1989” at Guggenheim Museum in New York. In the work ’Map of China - Arabia’, currently present in our Beijing gallery, Qiu Zhijie continues his ‘Mapping the World Project’. This is a project that sees the artist literally "map the world" through large, detailed and beautiful maps. Topics such as politics, religion, mythology and society as well as ideas, relationships, objects, and cultures are interconnected in these maps, offering a different way to understand their relationship to one another, and eventually our relationship to each other.
Qiu Zhijie is also a well-known and published art-writer as well as a curator, for which he has curated important events such as the 2012 Shanghai Biennale and the 2017 Venice Biennale. He is the Dean and professor of the School of Experimental Art at the Central Academy of Fine Arts, Beijing and professor of the School of Intermedia Art at China Academy of Art.
Adel Abdessemed Etel Adnan Ai Weiwei Leila Alaoui Juan Araujo Kader Attia Barbana Bojadzi Daniel Buren Cai Guo-Qiang Alejandro Campins Iván Capote Yoan Capote Loris Cecchini Elizabet Cerviño Chen Zhen Nikhil Chopra Marcelo Cidade Carlos Cruz-Diez Jonathas de Andrade Berlinde De Bruyckere Leandro Erlich Carlos Garaicoa Osvaldo González Antony Gormley Gu Dexin Shilpa Gupta Subodh Gupta Carsten Höller Eva Jospin JR Ilya & Emilia Kabakov Zhanna Kadyrova Kan Xuan Anish Kapoor André Komatsu Jannis Kounellis Julio Le Parc Luis López-Chávez Jorge Macchi Ahmed Mater Cildo Meireles José Mesías Sabrina Mezzaqui Moataz Nasr Rudi Ninov Giovanni Ozzola Ornaghi & Prestinari Hans Op de Beeck Michelangelo Pistoletto Susana Pilar Qiu Zhijie Tobias Rehberger Arcangelo Sassolino Manuela Sedmach Serse Kiki Smith Nedko Solakov Marta Spagnoli José Antonio Suárez Londoño Hiroshi Sugimoto Sun Yuan & Peng Yu Ana Maria Tavares Pascale Marthine Tayou Armando Testa Nari Ward Sislej Xhafa José Yaque Zhuang Hui