Blursday exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2025.
San Gimignano
Beijing
Les Moulins
Habana
Roma
Sao Paulo
Paris
Blursday exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2025.
Blursday exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2025.
Blursday exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2025.
Blursday exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2025.
Blursday exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2025.
Sbilenco 2024, saffron and acrylic on linen, 44,7 x 35,2 cm. Photo: Hafid Lhachmi © ADAGP Paris, 2025.
Sbilenco 2024, acrylic on linen, wood, 108,8 x 108,8 cm. Photo: Hafid Lhachmi © ADAGP Paris, 2025.
Ciglio 2025, Santos rosewood, alabaster, ceramic, fabric, 107 x 55 x 40 cm. Photo: Hafid Lhachmi © ADAGP Paris, 2025.
Sbilenco 2023, exhibition view Galleria Continua, San Gimignano, Italy. Photo: Ela Bialkowska, OKNO Studio
Bedroom 2020, bed, fabric, wood, galvanized stell, glass, led, jacquard tapestry, 127 x 300 x 250 cm. Caption: Production Fondation d’entreprise Martell. Photo: Ela Bialkowska, OKNO Studio
Sbilenco 2023, exhibition view Galleria Continua, San Gimignano, Italy. Photo: Ela Bialkowska, OKNO Studio
Sbilenco 2023, exhibition view Galleria Continua, San Gimignano, Italy. Photo: Ela Bialkowska, OKNO Studio
Piano inclinato 2022, detail, burnt wood, wood, gold, aluminum, 84 x 18 x 110 cm. Photo: Ela Bialkowska, OKNO Studio
Dance floor 2022, wood, slide boxes, 30 x 21,5 x 11,5 cm. Photo: Ela Bialkowska, OKNO Studio
Parte 2022, wood, Armenian bolus, gold, bunch of keys, 35,8 x 25,2 x 10 cm. Photo: Ela Bialkowska, OKNO Studio
Piano inclinato con cassetta 2022, wood, 40 x 53,5 x 38,5 cm. Photo: Ela Bialkowska, OKNO Studio
Ovale 2023, marble, aluminium, 60 x 200 x 15 cm. Photo: Ela Bialkowska, OKNO Studio
Teso 2023, wood, rope, 225 x 70 x 65 cm. Photo: Ela Bialkowska, OKNO Studio
Teso 2023, wood, rope, 225 x 70 x 65 cm. Photo: Ela Bialkowska, OKNO Studio
Sbilenco 2023, exhibition view Galleria Continua, San Gimignano, Italy. Photo: Ela Bialkowska, OKNO Studio
Trionfetto 2023, sculpture in wood and galvanized steel, 120 x 128,7 x 58 cm. Photo: Ela Bialkowska, OKNO Studio
Sbilenco 2023, saffron and acrylic on linen, 45,5 x 35,2 cm. Photo: Ela Bialkowska, OKNO Studio
Composizione per cinque elementi 2023, wood, 28 x 65 x 43 cm. Photo: Ela Bialkowska, OKNO Studio
Sfiorare 2023, gypsum, Armenian bolus pigments OP7543C, pure gold, 46 x 35 cm. Photo: Ela Bialkowska, OKNO Studio
Exhibition view. Photo: Giovanni De Angelis
Exhibition view. Photo: Giovanni De Angelis
Exhibition view. Photo: Giovanni De Angelis
Early Autumn exhibition view Galleria Continua, Les Moulins, 2018. Photo Oak Taylor-Smith
Early Autumn exhibition view Galleria Continua, Les Moulins, 2018. Photo Oak Taylor-Smith
Early Autumn exhibition view Galleria Continua, Les Moulins, 2018. Photo Oak Taylor-Smith
Palmo 2017, ceramic, wood, paper, canvas, 23 x 28 x 21,5 cm; Chapeau (Kampai) 2018, bottles, stones, Variable dimensions. Photo Oak Taylor-Smith
Early Autumn exhibition view Galleria Continua, Les Moulins, 2018. Photo Oak Taylor-Smith
Conchiglia 2017, ceramic, quartz, fossil, 8 x 22 x 30 cm. Photo Oak Taylor-Smith
Pieno 2015, alabaster, book, 6 x 28 x 22 cm; Silo 2017, ceramic with luster, metal, 38 x 13 x 13 cm. Photo Oak Taylor-Smith
Ritrovarsi 2017, ceramic, glazed ceramic, wood, paper, canvas, metal, 120 x 100 x 30 cm. Photo Oak Taylor-Smith
Onde 2017, ceramic, 100 x 200 x 35 cm. Photo Oak Taylor-Smith
Acquarelli (Grand Morin) 2018, paper, watercolor made with river’s water, Variable dimensions. Photo Oak Taylor-Smith
Funambolo 2018, alabaster, 9 x 2,5 x 1 cm. Photo Oak Taylor-Smith
KEEPING THINGS WHOLE 2018, exhibition view, GALLERIA CONTINUA, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Prove di volo 2018, ceramic, fabric, lacquered wood, 35 x 70 x 30 cm. Photo: Ela Bialkowska, OKNO Studio
Letargico 2018, alabaster, tablet, fabric, foam, varnished wood, stainless steel, 80 x 170 x 90 cm. Photo: Ela Bialkowska, OKNO Studio
Paolina 2017, enamelled ceramic, water and aquatic plant, oxidize iron, 99 x 45 x 80 cm, 36 Kg. Photo: Ela Bialkowska, OKNO Studio
Rincasare 2017, galvanized iron pipes, faucet, pump, electric wires, wood, 45 x 30 cm. Photo: Ela Bialkowska, OKNO Studio
Amigdala 2018, stone (sodalite), bronze, oxidized iron, 70 x 20 x 32 cm. Photo: Ela Bialkowska, OKNO Studio
Amigdala 2018, stone (sodalite), bronze, oxidized iron, 70 x 20 x 32 cm. Photo: Ela Bialkowska, OKNO Studio
Inerti 2017, sintered granule (KEU 2001), cement, stainless steel, 50 cm x 35 cm x 35 cm; pedestal: 110 x 45 x 45 cm. Photo: Ela Bialkowska, OKNO Studio
Inerti 2017, sintered granule (KEU 2001), cement, stainless steel, 50 cm x 70 cm x 35 cm; pedestal: 110 x 45 x 45 cm. Photo: Ela Bialkowska, OKNO Studio
Grigio Lieve, 2017, color pigments printing on Hahnemühle paper, painted wooden artist frame, 39 x 32 cm
Appunti, 2017, wood, plaster, pigments OP474U, armenian bole, silver leaf and holes made with a star-like screwdriver tip, 113 x 100 cm
Appunti, 2017, wood, plaster, pigments OP2121U, armenian bole, silver leaf and holes made with a star-like screwdriver tip, 120 x 100 cm
PIENO, 2016, Teaspoon carved in al abaster, Ikebana book, book 28 x 21,5 x 2 cm; alabaster teaspoon 13 x 4 x 2 cm
PIENO, 2016, Teaspoon carved in al abaster, Ikebana book, book 28 x 21,5 x 2 cm; alabaster teaspoon 13 x 4 x 2 cm, installation view Istituzione Bologna Musei | Casa Morandi, 2017, Photo Matteo Monti
Fil di ferro, 2016, color pigments print on Hahnemuhle paper and artist frame in painted wood, 39,5 x 51 x 3 cm
Chapeau, 2016, alabaster and beer bottle, 25 x 7 (diameter) cm
Chapeau, 2016, alabaster and beer bottle, 25 x 7 (diameter) cm
Guscio, 2016, alabaster, 23 x 11 x 14 cm
Guscio, 2016, alabaster, 23 x 11 x 14 cm
Leggera, 2016, painted wood, 83 x 41 x 45 cm
Morso, 2016, wrench, ivory, aluminum and marble pedestal, pedestal 47 x 21,5 x 21,5 cm and wrench 36 x 6,5 x 1 cm
Grigio Lieve, 2016, color pigments printing on Hahnemühle paper, painted wooden artist frames, 39 x 32 cm each
Resolver (moka), 2016, color pigments printing on Hahnemühle paper, painted wooden artist frames, 1 frame 42 x 42 cm, 1 frame 42 x 57,2 cm, 3 frames 57,2 x 42 cm
Barattoli, 2016, bas-relief in wood, gesso, Armenian bole, silver leaf, 35 x 25 x 5 cm
Barattoli, 2016, bas-relief in wood, gesso, Armenian bole, silver leaf, 35 x 25 x 5 cm
Iso11228 2018, aluminium, screws, enamel, 35 x 10 x 40 cm - 30 x 47 x 21 cm. Photo Oak Taylor-Smith
APPUNTI (con piedistallo), 2015, board, chalk, bole, pigments OP7415EC, silver, painted steel, 250 x 70 x 35 cm
APPUNTI (con piedistallo), 2015, board, chalk, bole, pigments OP7415EC, silver, painted steel, 250 x 70 x 35 cm
Armarsi, 2015, 3 strains of debarked wood covered with Pozidriv screws, variable dimensions, Photo Vanni Bassetti
Armarsi, 2015, 3 strains of debarked wood covered with Pozidriv screws, variable dimensions, Photo Vanni Bassetti
Armarsi, 2015, 3 strains of debarked wood covered with Pozidriv screws, variable dimensions, Photo Vanni Bassetti
Familiare, exhibition view Galleria Continua, San Gimignano 2014
Familiare, exhibition view Galleria Continua, San Gimignano 2014
Familiare, exhibition view Galleria Continua, San Gimignano 2014
Opgrafie (La Pietà Rondanini), 2014, 4 casts light on photosensitive resin, 21 x 30 cm, 21 x 15 cm, 26,5 x 33 cm, 14 x 23 cm
FUORIMANO, 2014, hammer, 25 x 9 x 1,8 cm
FUORIMANO, 2014, hammer, 25 x 9 x 1,8 cm
Ornaghi & Prestinari (Valentina Ornaghi b. 1986 and Claudio Prestinari b. 1984, Milan Italy) are two Italian artists whose education in architecture and industrial design has meant that their works often consider the balance between art and craft, production and creation, and the industrial and the artisan. They also embody a tantalizing beauty. Working with materials and developing methods is an opportunity for Ornaghi & Prestinari to experiment with new possibilities. They welcome any constraint intrinsic to the material. The difficulties or solutions to be found become part of the path of production. This interest in how the aspect of form is linked to the essence of material is essential to the dialogue they try to establish with the surrounding reality. The fundamental idea is to make things exist together rather than separately.
Adel Abdessemed Etel Adnan Ai Weiwei Leila Alaoui Juan Araujo Kader Attia Barbana Bojadzi Daniel Buren Cai Guo-Qiang Alejandro Campins Iván Capote Yoan Capote Loris Cecchini Elizabet Cerviño Chen Zhen Nikhil Chopra Marcelo Cidade Carlos Cruz-Diez Jonathas de Andrade Berlinde De Bruyckere Leandro Erlich Carlos Garaicoa Osvaldo González Antony Gormley Gu Dexin Shilpa Gupta Subodh Gupta Carsten Höller Eva Jospin JR Ilya & Emilia Kabakov Zhanna Kadyrova Kan Xuan Anish Kapoor André Komatsu Jannis Kounellis Julio Le Parc Luis López-Chávez Jorge Macchi Ahmed Mater Cildo Meireles José Mesías Sabrina Mezzaqui Moataz Nasr Rudi Ninov Giovanni Ozzola Ornaghi & Prestinari Hans Op de Beeck Michelangelo Pistoletto Susana Pilar Qiu Zhijie Tobias Rehberger Arcangelo Sassolino Manuela Sedmach Serse Kiki Smith Nedko Solakov Marta Spagnoli José Antonio Suárez Londoño Hiroshi Sugimoto Sun Yuan & Peng Yu Ana Maria Tavares Pascale Marthine Tayou Armando Testa Nari Ward Sislej Xhafa José Yaque Zhuang Hui
