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Giovanni Ozzola

Añaza II 2021, multilayer okumè, microcement, Glycée print, shine inks, variable dimensions. Photo: Giovanni Ozzola

Giovanni Ozzola

Añaza III 2021, multilayer okumè, microcement, Glycée print, shine inks, variable dimensions. Photo: Giovanni Ozzola

Giovanni Ozzola

Añaza IV 2021, multilayer okumè, microcement, Glycée print, shine inks, variable dimensions. Photo: Giovanni Ozzola

Giovanni Ozzola

Añaza V 2021, multilayer okumè, microcement, Glycée print, shine inks, variable dimensions. Photo: Giovanni Ozzola

Giovanni Ozzola

Contando estrellas 2021, adhesive wallpaper, variable dimensions. Photo: Giovanni Ozzola

Giovanni Ozzola

Dust on memories - installation 2018, 5 antique Maritime Bronze Bells, hand engraved, ø about 30 cm each. Photo: Giovanni Ozzola

Giovanni Ozzola

TA, 2021, diptych: Giclée print on cotton paper, Dibond, framed, museum glass, 29 x 42,5 cm | 11.41 x 16.65 in. Photo: Ela Bialkowska, OKNO Studio

Giovanni Ozzola

Just between lovers 2019, giclée print on cotton paper, Dibond, framed, 150 x 216 cm.

Giovanni Ozzola

Earth - Chart 2018, engraved aluminum, bronze wire, 180 x 120 x 1 cm. Photo Ela Bialkowska, OKNO Studio

Giovanni Ozzola

Sin tiempo 2017, 7’54’’, 4k, sound, variable dimensions. Photo Ela Bialkowska, OKNO Studio.

Giovanni Ozzola

Dicembre #1 2018 giclée print on cotton paper, Dibond, framed, 25,5 x 34 cm. Photo Ela Bialkowska, OKNO Studio

Giovanni Ozzola

Tenerife Otono color 2018, giclée print on cotton paper, Dibond, framed, 150 x 216 cm.

Giovanni Ozzola

Vanitas - Carne trémula, 2017, giclée print on velvet plain fabric, 140 x 205 cm. Ph Alejandro Del Castillo

Giovanni Ozzola

Why, 2017, inkJet print on cotton paper, Dibond, 20 x 30 cm

Giovanni Ozzola

through a day #6 2016, inkjet print on cotton paper Dibond, black frame, museum glass, 48 x 70 cm.

Giovanni Ozzola

Dunes and dreams, 2015, inkjet print on museum paper Dibond, black frame, 150 x 216 cm

Giovanni Ozzola

Porth Nolloth Winter, 2015, Inkjet print on Dibond, 216 x 150 cm

Giovanni Ozzola

Garage - Johannesburg, 2015, inkJet print on cotton paper, Dibond, 150 x 266 cm

Giovanni Ozzola

white sea and rocks 2014, inkjet, black frame, 150 x 256 cm.

Giovanni Ozzola

Sedimenti - Memorie, 2013, inkjet print on hahnemuhle paper, black frame, 37,5 x 50 cm

Giovanni Ozzola

Scars towards ourselves, 2013, engraving on brass plates, 343 x 686 cm, 98 plates, 49 x 49 cm each, Photo Eric Gregory Powell

Giovanni Ozzola

Scars, 2013, engraving on brass plates, 343 x 686 cm, 98 plates, 49 x 49 cm each, Photo Eric Gregory Powell

Giovanni Ozzola

Garage - Desert - Soundscape, 2013, video installation, full HD, projectors, audio system, 1’ 39''

Giovanni Ozzola

Garage - Desert - Soundscape, 2013, video installation, full HD, projectors, audio system, 1’ 39''

Giovanni Ozzola

3000 b.c.e. - 2000 (il cammino verso se stessi), 2012, 98 panels. Engraving on slate, 798 x 399 cm (57 x 57 cm each panel), Photo Leo Magarelli

Giovanni Ozzola

3000 b.c.e. - 2000 (il cammino verso se stessi), 2012, 98 panels. Engraving on slate, 798 x 399 cm (57 x 57 cm each panel), Photo Leo Magarelli

Giovanni Ozzola

Routes North Pole, 2012, engraving on slate, 46 x 75 cm

Giovanni Ozzola

Routes Colombo 2012, engraving on slate, 30 x 40 cm.

Giovanni Ozzola

Routes VERRAZZANO 1526-1528 2012, engraving on slate, 40 x 57 x 2,5 cm. Photo: Veronica Tronnolone

Giovanni Ozzola

Stanza vuota con luce, 2011, inkjet print on cotton paper, black frame, 47 x 60 cm

Giovanni Ozzola

Settembre 2008, Lambda print on Dibond, 70 x 70 cm.

Giovanni Ozzola

Fog-Island-Spring 2008, inkjet print on 300gr Hahnemuhle, white frame, 110 x 131 cm.

Giovanni Ozzola

Wiesbaden, primavera, 2007, Lambda print, white frame, 125 x 204 cm

Giovanni Ozzola: the intuition of the infinitude of an instant

Born in 1982 in Florence, Giovanni Ozzola main thematic interests lie in conceptualizing and representing infinity and exploration, both geographic and introspective. The artist is confronted with an aesthetic multidisciplinarity that leads him to express himself with photography, video art, installation, but also through traditional techniques such as engraving and "fresco". 
Through these hybrid contaminations, his work comes about, made up of images and light, A light in which time passes and moments multiply and become concrete, unique and mysterious. His images, purified by a narrative development, lead the viewer to a safe place and at the same time allow a glimpse of the infinite, a visual horizon in which to lose oneself and surrender oneself to turmoil. 
His images, stripped of all narrative, are images in conflict: their extreme equilibrium take us to places where our mind is calmed and comforted.
A selection of his most recent solo exhibitions include “Contando Estrellas” (Gazelli Art House, London, 2021), “Atto Unico” (Galleria Continua, San Gimignano, 2021), “Octillion” (Galleria Continua, San Gimignano, 2019); "If I Had to Explain, You Wouldn't Understand" (Fosun Foundation Shanghai, 2019); “Algo Tuyo y Mío” (Centro Foundacion UNICAJA, Malaga 2018 and Almeria 2019); “Rutas de Sangre” (Claustros of the convent of San Francisco de Asis, Basilica Menor, La Habana, 2018); “Fallen Blossoms - Whispering” (Galleria Continua, 798, Beijing, 2017); “Wrecks and rooms with stars”, curated by Davide Ferri (Untitled Association-Lynchen, Berlin, 2017); “Adrift” (District 6 Museum, Cape Town, 2016). Among the most recent group exhibitions, “Kronos and Kairos” (Roman Forum and Palatine Hill, Colosseum Archaeological Park, Rome, 2019); “Recto Verso” (Foundation Louis Vuitton, Paris, 2018); "Insights" (Shanghai Exhibition Center, Shanghai, 2018); “LANDSEASKY: Revisiting Spatiality in Video Art”, curated by Kim Machan (traveling exhibition: MAAP, Seoul, 2014).


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