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Tobias Rehberger

Infection 9T5 2019, velcro, wire, cable, socket, light bulb, 100 × 20 × 20 cm, 39,27 x 7,87 x 7,87 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Infection 9P6 2019, velcro, wire, cable, socket, light bulb, 60 × 55 × 60 cm, 23,66 x 21,65 x 23,66 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Infection 7Z4 2019, velcro, wire, cable, socket, light bulb, 133 × 105 × 80 cm. Photo: Studio Tobias Rehberger

Tobias Rehberger

Infection 5T4 2019, velcro, wire, cable, socket, light bulb, 130 × 70 × 55 cm, 51,18 x 27,55 x 21,65 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Infection 4K3 2019, velcro, wire, cable, socket, light bulb, 160 × 60 × 40 cm, 62,99 x 23,62 x 15,78 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Trunk Bay, St. John, USVI 2019, opaline glass, varnish, light bulb, cable, control system 100-year programmed sunrise/sunset, Ø 40 cm, 15,74 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Seagrass Bay, Laucala Island, Fiji 2019, opaline glass, varnish, light bulb, cable, control system 100-year programmed sunrise/sunset, Ø 35 cm, Ø 13,77 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Seagrass Bay, Laucala Island, Fiji 2019, opaline glass, varnish, light bulb, cable, control system 100-year programmed sunrise/sunset, Ø 35 cm, Ø 13,77 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Wang Xingwei 2019, 3D milled aluminum, pink China roses, 44,3 x 33,3 × 33,3 cm, 17,44 x 13,11 x 13,11 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Ju Ting 2019, glass, white peony, 55 × 16,5 × 16 cm. Photo: Studio Tobias Rehberger

Tobias Rehberger

Nothing happens for a reason 2019, LED tubes, light bulbs,metal, paint, adhesive foil, control system, 126 x 140 x 15 cm, 49,60 x 55,11 x 5,90 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Nothing happens for a reason 2019, LED tubes, light bulbs,metal, paint, adhesive foil, control system, 126 x 140 x 15 cm, 49,60 x 55,11 x 5,90 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Three Funny Girls 2018, powder-coated metal, laminated glass, cables sockets, lamps, 192,3 × 74 × 74 cm, 75,70 x 29,13 x 29,13 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Three Funny Girls 2018, powder-coated metal, laminated glass, cables sockets, lamps, 192,3 × 74 × 74 cm, 75,70 x 29,13 x 29,13 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Die Welt kurz vor Erfindung des tiefen Tellers 2014, watercolor on paper, colored porcelain, wood, overall dimension: 577 x 350 × 565 cm, 227,165 x 137,79 x 222,41 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

Die Welt kurz vor Erfindung des tiefen Tellers 2014, watercolor on paper, colored porcelain, wood, overall dimension: 577 x 350 × 565 cm, 227,165 x 137,79 x 222,41 in. Photo: Studio Tobias Rehberger

Tobias Rehberger

nr. 6 (Schatz, Du sahst fru?her irgendwie besser aus, nr. 6) 2014, watercolor on paper and digital print, 75,5 × 53,2 cm | 29,72 x20,94 in, 84 × 62 cm | 33,07 x 24,04 in framed. Photo: Studio Tobias Rehberger

Tobias Rehberger

nr. 5 (Schatz, Du sahst fru?her irgendwie besser aus, nr. 5) 2014, watercolor on paper and digital print, 75,5 × 53,2 cm | 29,72 x20,94 in, 84 × 62 cm | 33,07 x 24,04 in framed. Photo: Studio Tobias Rehberger

Tobias Rehberger

nr. 2 (Schatz, Du sahst fru?her irgendwie besser aus, nr. 2) 2014, watercolor on paper and digital print, 75,5 × 53,2 cm | 29,72 x20,94 in, 84 × 62 cm | 33,07 x 24,04 in framed. Photo: Studio Tobias Rehberger

Tobias Rehberger

HOMEAWAY (Oppenheimer Drawings I) 2014, colored porcelain, 300 × 700 × 270 cm, 118,11 x 275,59 x 106,29 in

Tobias Rehberger

HOMEAWAY (Oppenheimer Drawings I) 2014, colored porcelain, 300 × 700 × 270 cm, 118,11 x 275,59 x 106,29 in

Tobias Rehberger

HOMEAWAY (Oppenheimer Drawings I) 2014, colored porcelain, 300 × 700 × 270 cm, 118,11 x 275,59 x 106,29 in

Tobias Rehberger: experimentation that focuses on perception and cognitive processes

Tobias Rehberger’s practise often involves objects, like furniture, a kitchen or a lampshade while remaining completely within the territory of art. His reference system is art which he defines as “a way of looking at and approaching something”. The objects often found in his work have a function that, contrary to design where the function is a physical property of the object, actually serves a purpose of opening up a critical entrance into artistic questions or problems. He began working in the early 1990s. The central theme of his work is transformation and his field of experimentation focuses on perception and cognitive processes, on temporality and the sense of transience, on discontinuity and ambiguity, on mutation and the relationships existing between objects and surrounding reality. Tobias Rehberger considers his work as sculpture, approaching his practise from a sculptural point of view and tackling key questions that arise from sculpture, like color and pattern. Even when painting, he employs the strategies of this medium. Pattern and color are deeply considered in his approach and Rehberger considers the effect of these two elements a more fundamental question than defining the media of the work.

Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger
Tobias Rehberger