If I Died exhibition view, The St. Regis Rome, 2020. Photo: Ela Bialkowska, OKNO Studio
If I Died 2013, fiberglass, silica gel, simulation sculpture. Photo: Ela Bialkowska, OKNO Studio
I Didn’t Notice What I am Doing 2012, Fiberglass sculptures: triceratops sculpture, rhinoceros sculpture. Triceratops sculpture dimension: 400 x 190 x 120 cm | Rhinoceros sculpture dimension: 300 x 160 x 120 cm. Photo: Ela Bialkowska, OKNO Studio
Teenager Teenager 2011, simulation of sculpture, sofa, simulation of stone. Photo: Ela Bialkowska, OKNO Studio
Can’t Help Myself 2016, Kaka industrial robot, stainless steel and rubber, cellulose ether in colored water, lighting grid with visual-recognition sensors, acrylic wall with aluminum frame. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Ela Bialkowska, OKNO Studio. Sun Yuan and Peng Yu, artist invited to the 58th International Art Exhibition of La Biennale di Venezia 'May You Live In Interesting Times'
Can’t Help Myself 2016, Kaka industrial robot, stainless steel and rubber, cellulose ether in colored water, lighting grid with visual-recognition sensors, acrylic wall with aluminum frame. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Ela Bialkowska, OKNO Studio. Sun Yuan and Peng Yu, artist invited to the 58th International Art Exhibition of La Biennale di Venezia 'May You Live In Interesting Times'
Can’t Help Myself 2016, Kaka industrial robot, stainless steel and rubber, cellulose ether in colored water, lighting grid with visual-recognition sensors, acrylic wall with aluminum frame. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Ela Bialkowska, OKNO Studio. Sun Yuan and Peng Yu, artist invited to the 58th International Art Exhibition of La Biennale di Venezia 'May You Live In Interesting Times'
Can’t Help Myself 2016, Kaka industrial robot, stainless steel and rubber, cellulose ether in colored water, lighting grid with visual-recognition sensors, acrylic wall with aluminum frame. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Ela Bialkowska, OKNO Studio. Sun Yuan and Peng Yu, artist invited to the 58th International Art Exhibition of La Biennale di Venezia 'May You Live In Interesting Times'
Dear 2015, air pump, air tank, hose, sofa. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Ela Bialkowska, OKNO Studio. Sun Yuan and Peng Yu, artist invited to the 58th International Art Exhibition of La Biennale di Venezia 'May You Live In Interesting Times'
Dear 2015, air pump, air tank, hose, sofa. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Ela Bialkowska, OKNO Studio. Sun Yuan and Peng Yu, artist invited to the 58th International Art Exhibition of La Biennale di Venezia 'May You Live In Interesting Times'
Dear 2015, air pump, air tank, hose, sofa. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Ela Bialkowska, OKNO Studio. Sun Yuan and Peng Yu, artist invited to the 58th International Art Exhibition of La Biennale di Venezia 'May You Live In Interesting Times'
Dear 2015, air pump, air tank, hose, sofa. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Ela Bialkowska, OKNO Studio. Sun Yuan and Peng Yu, artist invited to the 58th International Art Exhibition of La Biennale di Venezia 'May You Live In Interesting Times'
Teenager Teenager & I Didn’t Notice What I am Doing 2011-2012, Fiberglass sculptures, simulation of sculpture, sofa, simulation of stone. Photo: Ela Bialkowska, OKNO Studio
Teenager Teenager & I Didn’t Notice What I am Doing 2011-2012, Fiberglass sculptures, simulation of sculpture, sofa, simulation of stone. Photo: Ela Bialkowska, OKNO Studio
Teenager Teenager 2011, simulation of sculpture, sofa, simulation of stone. Photo: Ela Bialkowska, OKNO Studio
Teenager Teenager 2011, simulation of sculpture, sofa, simulation of stone. Photo: Ela Bialkowska, OKNO Studio
Teenager Teenager 2011, simulation of sculpture, sofa, simulation of stone. Photo: Ela Bialkowska, OKNO Studio
I Didn’t Notice What I am Doing 2012, Fiberglass sculptures: triceratops sculpture, rhinoceros sculpture. Triceratops sculpture dimension: 400 x 190 x 120 cm | Rhinoceros sculpture dimension: 300 x 160 x 120 cm. Photo: Ela Bialkowska, OKNO Studio
I Didn’t Notice What I am Doing 2012, Fiberglass sculptures: triceratops sculpture, rhinoceros sculpture. Triceratops sculpture dimension: 400 x 190 x 120 cm | Rhinoceros sculpture dimension: 300 x 160 x 120 cm. Photo: Ela Bialkowska, OKNO Studio
Dear , 2013, air compressor, air storage tank, pipe, sofa
Dear , 2013, air compressor, air storage tank, pipe, sofa
IF I Died , 2013, Fiberglass, silica gel, simulation sculpture
IF I Died , 2013, Fiberglass, silica gel, simulation sculpture
IF I Died , 2013, Fiberglass, silica gel, simulation sculpture
It is not certain that your enemies will harm you, it is not certain that your friends will help you , 2011, metal, Ø 34 cm, Photo Michele Alberto Sereni
It is not certain that your enemies will harm you, it is not certain that your friends will help you , 2011, metal, Ø 34 cm, Photo Michele Alberto Sereni
THE WORLD IS A FINE PLACE FOR YOU TO FIGHT FOR , 2011, 8 photos, 80 x 120 cm each
THE WORLD IS A FINE PLACE FOR YOU TO FIGHT FOR , 2011, 8 photos, 80 x 120 cm each
THE WORLD IS A FINE PLACE FOR YOU TO FIGHT FOR , 2011, 8 photos, 80 x 120 cm each
THE WORLD IS A FINE PLACE FOR YOU TO FIGHT FOR , 2011, 8 photos, 80 x 120 cm each
Teenager Teenager , 2011, simulation of sculpture, sofa, simulation of stone, performance
Teenager Teenager , 2011, simulation of sculpture, sofa, simulation of stone, performance
Freedom , 2009, metal plate, high-pressure hydraulic pump, fire hose, hydrant, site specific installation
Absent , 2008, 13 automatic wheelchairs, 100 x 100 x 50 cm each
Absent , 2008, 13 automatic wheelchairs, 100 x 100 x 50 cm each
Barbarossa , 2008, metal, aluminum, electronic-mechanism, 210 x 230 x 330 cm
Barbarossa , 2008, metal, aluminum, electronic-mechanism, 210 x 230 x 330 cm
Barbarossa , 2008, metal, aluminum, electronic-mechanism, 210 x 230 x 330 cm
Old people's Home , 2007, electric wheelchair, Fiberglass,silica gel, simulacral sculpture, Life-size sculpture
Old people's Home , 2007, electric wheelchair, Fiberglass,silica gel, simulacral sculpture, Life-size sculpture
Old people's Home , 2007, electric wheelchair, Fiberglass,silica gel, simulacral sculpture, Life-size sculpture
Waiting , 2006, Fiberglass, silica gel, simulacral sculpture, feathers, 120 x 80 x 150 cm
I am here , 2006, Fiberglass, silica gel, simulacral sculpture, 200 x 130 cm, Photo Michele Alberto Sereni
I am here , 2006, Fiberglass, silica gel, simulacral sculpture, 200 x 130 cm, Photo Michele Alberto Sereni
I am here , 2006, Fiberglass, silica gel, simulacral sculpture, 200 x 130 cm, Photo Michele Alberto Sereni
I am here , 2006, Fiberglass, silica gel, simulacral sculpture, 200 x 130 cm, Photo Michele Alberto Sereni
I am here , 2006, Fiberglass, silica gel, simulacral sculpture, 200 x 130 cm, Photo Michele Alberto Sereni
Safe Island , 2003, Project 800m², video 3', tiger, Iron Cage
Contend for Hegemony , 2003, Performance, Video 15’, combat match between 3 boxers
Dogs that Cannot Touch Each Other , 2003, video 7', 8 Pit Bull Terriers, 8 non-electrical treadmills
Sun Yuan & Peng Yu: self-examination rather than mere provocation
Sun Yuan was born in 1972 in Beijing, China and Peng Yu was born in 1974 in Heilongjiang, China. They studied in the same years at the Central Academy of Fine Arts in Beijing, the city where they still live and work today. Throughout the 90s, they started to become a prominent partnership in the contemporary art world, they came away from the artistic norm of that time while also questioning the principles of the international art world. Their use and adoption of unusual materials, their engagement in past struggles and their awareness of the current context are all factors in making their work relevant and extremely relatable.
Throughout their artistic career, Sun Yuan & Peng Yu have deliberately incorporated provocative materials into their work, ranging from live animals to human flesh, bones and oil. The work of Sun Yuan & Peng Yu is based on the incessant confirmation of paradox, on the perpetual search for the dualities between reality and falsehood, the manifest and the concealed. Their apparently provocative work is the demonstration of a continual analysis of life through experience in which the viewing public is often invited to participate, equipped with the will to find the essence and substance hidden behind appearance.