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Serse

Breadth and Vastness of Pure Vision exhibition view. Galleria Continua / Beijing, 2024. Photo: Dong Lin

Serse

Breadth and Vastness of Pure Vision exhibition view. Galleria Continua / Beijing, 2024. Photo: Dong Lin

Serse

Breadth and Vastness of Pure Vision exhibition view. Galleria Continua / Beijing, 2024. Photo: Dong Lin

Serse

Ondes Tracées Exhibition view, Galleria Continua / Paris, France, 2022. Photo: Hafid Lhachmi

Serse

Riflessi di mare 2022, graphite on paper on aluminium, 138 x 195 x 2 cm. Photo: Hafid Lhachmi

Serse

Ondes Tracées Exhibition view, Galleria Continua / Paris, France, 2022. Photo: Hafid Lhachmi

Serse

Cartoline di Mare 2019, graphite on paper, 13 x 18 cm. Photo: Hafid Lhachmi

Serse

exhibition view ‘Qui tutto è aperto. Fogli d’Acqua’ GALLERIA CONTINUA, Roma, 2020. Photo: Giovanni De Angelis

Serse

exhibition view ‘Qui tutto è aperto. Fogli d’Acqua’ GALLERIA CONTINUA, Roma, 2020. Photo: Giovanni De Angelis

Serse

A fior d’acqua 2014, graphite on paper on aluminum, 100 x 142 cm each, 39,3 x 56 in each. Photo: Giovanni De Angelis

Serse

Riflessi di mare 2020, graphite on paper, 144 x 205 cm, each 56,6 x 80,7 in each. Photo: Giovanni De Angelis

Serse

Cartoline di Mare 2019-2020, Graphite on paper on aluminium, 13 x 18 cm. Photo: Nestor Kim

Serse

Fogli d’acqua e d’assenzio 2019-2020, Graphite on paper on aluminium, 72 x 103 cm. Photo: Nestor Kim

Serse

Fogli d’acqua e d’assenzio 2019-2020, Graphite on paper on aluminium, 72 x 103 cm. Photo: Nestor Kim

Serse

Aquí todo está abierto. Nada es cercano, nada es lejano, exhibition view, Museo Nacional de Bellas Artes, Cuba. 2017. Ph Nestor Kim.

Serse

Paesaggio adottivo, 2016-2017, graphite on paper, 13 x 18 cm

Serse

Ai sali d’argento, 2016-2017, graphite on paper, 13 x 18 cm

Serse

Ai sali d’argento, 2016-2017, graphite on paper, 13 x 18 cm

Serse

A fior d'acqua, 2016, graphite on paper on aluminum, 50 x 70 cm

Serse

Notti bianche, 2016, diptych, graphite on paper on aluminum, 144 x 200 cm

Serse

Canneti, 2016, graphite on paper on aluminum, 100 x 142 cm

Serse

Gas, 2016, graphite on aluminium on paper, 49 x 69 cm

Serse

Canneti, 2016, graphite on paper on aluminum, 90 x 134 cm

Serse

A fior d'acqua, 2015, graphite on paper on aluminium, 142 x 100 cm, Ph Ela Bialkowska

Serse

Paesaggio Romantico, 1996-2015, graphite on paper on aluminium, 92 x 142 cm, Ph Ela Bialkowska

Serse

A fior d'acqua, 2014, graphite on paper on aluminium, 100 x 142 cm

Serse

L'esperienza del paesaggio, exhibition view 'L'esperienza del paesaggio', GALLERIA CONTINUA, San Gimignano, 2015, Ph Ela Bialkowska

Serse

Gas, 2015, graphite on paper on aluminium, 100 x 142 cm

Serse

Notti bianche 2014, graphite on paper on aluminium, 100 x 142 cm.

Serse

Studio dal vero, 2013, graphite on paper, 15 x 45 cm, Ph Ela Bialkowska

Serse

Studio dal vero, 2013, graphite on paper, 45 x 15 cm, Ph Ela Bialkowska

Serse

Fotographite, 2008, graphite on paper on aluminium, 70 x 100 cm

Serse

Elementi - poliedro di Leonardo da Vinci per 'De Divina Proportione' di Luca Pacioli, 2008, graphite on paper, 63 x 52 cm

Serse

Elementi - poliedro di Leonardo da Vinci per 'De Divina Proportione' di Luca Pacioli, 2008, graphite on paper, 63 x 52 cm

Serse

Fotographite, 2008, graphite on paper, 100 x 150 cm

Serse

Astratto naturale, 2006, graphite on paper on aluminium, 195 x 142 cm each (diptych)

Serse

A fior d’acqua, Palude, 2004, graphite on paper, 144 x 200 cm 

Combining scientific gesture with tautological sign

Serse was born in San Polo di Piave in 1952 and now lives and works in Trieste.
The works of Serse, executed with a complex approach to graphite in a play of light and shadow, create an abstract landscape of a meticulous, almost photographic descriptivism, which occupies a temporal suspension.
Serse is a self-taught artist with a scientific training. He has an attitude towards practicing art that is deeply scientific, even in his gesture; design is seen as experimentation and his sign is tautological. Indeterminacy, that is, looking at the work with many points of view, is another way to approach Serse's art. 
He presents nature, not a landscape. Serse is open to the idea of the sublime, the prodigious aspect of man's fright compared to the elements of nature. He draws nature but speaks of man. In this, we can see the artist's link with his city of residence, Trieste, a great literary city, that welcomed James Joyce, among other writers.
Serse’s works are present in numerous galleries, collections and museums, in Italy as well as in some of the most international and vibrant cities, such as Beijing, New York, Paris.

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