
Breadth and Vastness of Pure Vision exhibition view. Galleria Continua / Beijing, 2024. Photo: Dong Lin
Breadth and Vastness of Pure Vision exhibition view. Galleria Continua / Beijing, 2024. Photo: Dong Lin
Breadth and Vastness of Pure Vision exhibition view. Galleria Continua / Beijing, 2024. Photo: Dong Lin
Breadth and Vastness of Pure Vision exhibition view. Galleria Continua / Beijing, 2024. Photo: Dong Lin
Ondes Tracées Exhibition view, Galleria Continua / Paris, France, 2022. Photo: Hafid Lhachmi
Riflessi di mare 2022, graphite on paper on aluminium, 138 x 195 x 2 cm. Photo: Hafid Lhachmi
Ondes Tracées Exhibition view, Galleria Continua / Paris, France, 2022. Photo: Hafid Lhachmi
Cartoline di Mare 2019, graphite on paper, 13 x 18 cm. Photo: Hafid Lhachmi
exhibition view ‘Qui tutto è aperto. Fogli d’Acqua’ GALLERIA CONTINUA, Roma, 2020. Photo: Giovanni De Angelis
exhibition view ‘Qui tutto è aperto. Fogli d’Acqua’ GALLERIA CONTINUA, Roma, 2020. Photo: Giovanni De Angelis
A fior d’acqua 2014, graphite on paper on aluminum, 100 x 142 cm each, 39,3 x 56 in each. Photo: Giovanni De Angelis
Riflessi di mare 2020, graphite on paper, 144 x 205 cm, each 56,6 x 80,7 in each. Photo: Giovanni De Angelis
Cartoline di Mare 2019-2020, Graphite on paper on aluminium, 13 x 18 cm. Photo: Nestor Kim
Fogli d’acqua e d’assenzio 2019-2020, Graphite on paper on aluminium, 72 x 103 cm. Photo: Nestor Kim
Fogli d’acqua e d’assenzio 2019-2020, Graphite on paper on aluminium, 72 x 103 cm. Photo: Nestor Kim
Aquí todo está abierto. Nada es cercano, nada es lejano, exhibition view, Museo Nacional de Bellas Artes, Cuba. 2017. Ph Nestor Kim.
Paesaggio adottivo, 2016-2017, graphite on paper, 13 x 18 cm
Ai sali d’argento, 2016-2017, graphite on paper, 13 x 18 cm
Ai sali d’argento, 2016-2017, graphite on paper, 13 x 18 cm
A fior d'acqua, 2016, graphite on paper on aluminum, 50 x 70 cm
Notti bianche, 2016, diptych, graphite on paper on aluminum, 144 x 200 cm
Canneti, 2016, graphite on paper on aluminum, 100 x 142 cm
Gas, 2016, graphite on aluminium on paper, 49 x 69 cm
Canneti, 2016, graphite on paper on aluminum, 90 x 134 cm
A fior d'acqua, 2015, graphite on paper on aluminium, 142 x 100 cm, Ph Ela Bialkowska
Paesaggio Romantico, 1996-2015, graphite on paper on aluminium, 92 x 142 cm, Ph Ela Bialkowska
A fior d'acqua, 2014, graphite on paper on aluminium, 100 x 142 cm
L'esperienza del paesaggio, exhibition view 'L'esperienza del paesaggio', GALLERIA CONTINUA, San Gimignano, 2015, Ph Ela Bialkowska
Gas, 2015, graphite on paper on aluminium, 100 x 142 cm
Notti bianche 2014, graphite on paper on aluminium, 100 x 142 cm.
Studio dal vero, 2013, graphite on paper, 15 x 45 cm, Ph Ela Bialkowska
Studio dal vero, 2013, graphite on paper, 45 x 15 cm, Ph Ela Bialkowska
Fotographite, 2008, graphite on paper on aluminium, 70 x 100 cm
Elementi - poliedro di Leonardo da Vinci per 'De Divina Proportione' di Luca Pacioli, 2008, graphite on paper, 63 x 52 cm
Elementi - poliedro di Leonardo da Vinci per 'De Divina Proportione' di Luca Pacioli, 2008, graphite on paper, 63 x 52 cm
Fotographite, 2008, graphite on paper, 100 x 150 cm
Astratto naturale, 2006, graphite on paper on aluminium, 195 x 142 cm each (diptych)
A fior d’acqua, Palude, 2004, graphite on paper, 144 x 200 cm
Serse was born in San Polo di Piave in 1952 and now lives and works in Trieste.
The works of Serse, executed with a complex approach to graphite in a play of light and shadow, create an abstract landscape of a meticulous, almost photographic descriptivism, which occupies a temporal suspension.
Serse is a self-taught artist with a scientific training. He has an attitude towards practicing art that is deeply scientific, even in his gesture; design is seen as experimentation and his sign is tautological. Indeterminacy, that is, looking at the work with many points of view, is another way to approach Serse's art.
He presents nature, not a landscape. Serse is open to the idea of the sublime, the prodigious aspect of man's fright compared to the elements of nature. He draws nature but speaks of man. In this, we can see the artist's link with his city of residence, Trieste, a great literary city, that welcomed James Joyce, among other writers.
Serse’s works are present in numerous galleries, collections and museums, in Italy as well as in some of the most international and vibrant cities, such as Beijing, New York, Paris.
Adel Abdessemed Etel Adnan Ai Weiwei Leila Alaoui Juan Araujo Kader Attia Barbana Bojadzi Daniel Buren Cai Guo-Qiang Alejandro Campins Iván Capote Yoan Capote Loris Cecchini Elizabet Cerviño Chen Zhen Nikhil Chopra Marcelo Cidade Carlos Cruz-Diez Jonathas de Andrade Berlinde De Bruyckere Leandro Erlich Carlos Garaicoa Osvaldo González Antony Gormley Gu Dexin Shilpa Gupta Subodh Gupta Carsten Höller Eva Jospin JR Ilya & Emilia Kabakov Zhanna Kadyrova Kan Xuan Anish Kapoor André Komatsu Jannis Kounellis Julio Le Parc Luis López-Chávez Jorge Macchi Ahmed Mater Cildo Meireles José Mesías Sabrina Mezzaqui Moataz Nasr Rudi Ninov Giovanni Ozzola Ornaghi & Prestinari Hans Op de Beeck Michelangelo Pistoletto Susana Pilar Qiu Zhijie Tobias Rehberger Arcangelo Sassolino Manuela Sedmach Serse Kiki Smith Nedko Solakov Marta Spagnoli José Antonio Suárez Londoño Hiroshi Sugimoto Sun Yuan & Peng Yu Ana Maria Tavares Pascale Marthine Tayou Armando Testa Nari Ward Sislej Xhafa José Yaque Zhuang Hui