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Margherita Morgantin

Put your bulky bag in the right container, 2002, C-print, 22 x 30 cm

Margherita Morgantin

Bricocenter1, 1999, Lambda print, 100 x 70 cm

Margherita Morgantin

Titolo variabile, 2003, indian ink on cardboard, 20 x 20 cm

Margherita Morgantin

Senza titolo_Biancaneve, 1998, Lambda print, 100 x 70 cm

Margherita Morgantin

Titolo variabile, 2003, indian ink on cardboard, 20 x 20 cm

Margherita Morgantin

Charlie dont’t surf, 2000, Lambda print, 70 x 100 cm

Margherita Morgantin

Minor Error Was Found, 2004, video, 6’ 11’’

Margherita Morgantin

Codice sorgente, 2004, C-print, 70 x 100 cm

Margherita Morgantin

Mari da calmi a leggermente mossi, 2003, C-print, 70 x 100 cm

Margherita Morgantin

Put your bulky bag in the right container, 2002, C-print, 22 x 30 cm

Margherita Morgantin

il pensiero veloce, 2006, video frame, photo print, 30 x 36 cm

Margherita Morgantin

Codice sorgente #2, 2004, 40 plastic cap, indian ink on paper, variable dimension

Margherita Morgantin

Untitled, 2009, Installation. Lifejackets, wood structure, 220 x 220 x 220 cm

Margherita Morgantin

Air Drawing, 2009, video b/w, 06' 21''

Margherita Morgantin

Untitled, 2008, 4 C-prints, 40 x 30,5 cm each

Margherita Morgantin

Il pensiero veloce, 2007, video, 4’ 07’’

Margherita Morgantin

Untitled, 2009, Installation. Lifejackets, wood structure, 220 x 220 x 220 cm

Margherita Morgantin

Der Taupunkt, 2010, video

Margherita Morgantin

Air Drawing, 2009, video b/w, 06' 21''

Margherita Morgantin

Air Drawing, 2009, video b/w, 06' 21''

Margherita Morgantin

Der Taupunkt, 2010, video

Margherita Morgantin

√2, 2011, etching, drypoint and pastel on white paper, Edizioni Canopo, Prato, Photo Ela Bialkowska

Margherita Morgantin

√2, 2011, etching, drypoint and pastel on white paper, Edizioni Canopo, Prato, Photo Ela Bialkowska

Margherita Morgantin

28.12.2008 Gaza, 2011, drawing, felt pen on cardboard, 5 x 2,5 m. Exhibition "une ville spatiale pour artistes" by Yona Friedman, Hangar Bicocca, Milan

Margherita Morgantin

2-499989, 2011-2013, red pastel and digital print on paper, 49 drawings: 49 x 49 cm each, Photo Ela Bialkowska

Margherita Morgantin

2-499989, 2011-2013, red pastel and digital print on paper, 49 drawings: 49 x 49 cm each, Photo Ela Bialkowska

Margherita Morgantin

vite complete, 2011, ready made, screws with bolt and text. Exhibition "une ville spatiale pour artistes" by Yona Friedman, Hangar Bicocca, Milan

Margherita Morgantin

2-9973, 2012, 1/x  per x tends to infinity, drawing, blue, 50 x 50 cm

Margherita Morgantin

2-499989, 2011-2013, red pastel and digital print on paper, 49 drawings: 49 x 49 cm each, Photo Ela Bialkowska

Margherita Morgantin

2-499989, 2011-2013, red pastel and digital print on paper, 49 drawings: 49 x 49 cm each, Photo Ela Bialkowska

Margherita Morgantin

Luminous efficacy of daylight, 2011, text written on adhesive tape

Margherita Morgantin

2-29989, 2012, sequence of prime numbers, variable dimensions 

Margherita Morgantin

Senza titolo. IN ME è impossibile ma ha comunque luogo, 2013, Plexiglass plates with breakdown of a phrase by Luce Irigaray with a movable syllable and support in white painted steel, 6 x 52 x 9 cm

Margherita Morgantin: transformative time

Margherita Morgantin is a visual artist. She studied architecture at the I.U.A.V., primarily studying methods of forecasting natural light. She has participated in contemporary art exhibitions in Italy and all around the world, in museums, and public and private institutions.
She has also collaborated with many artists and choreographers. She’s part of the philosophical feminine collective ‘Diotima’. Margherita Morgantin’s works come in many diverse forms from drawing to performance, touching on language, philosophy, mathematics and visual culture. Contact and living in harmony, and observation and imagination are some of the dichotomies which pepper her work. Her artistic research begins with observation and the interpretation of familiar situations and ends with her works being able to inspire a dream-like imagination in the viewer. The concept of time in the artist's works is transformative, becoming an almost muffled descriptive dimension of the moods that the viewer is able to perceive, experiencing them, in her works.

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